In THE ACCOUNTANT2 – yes, that’s the onscreen title – Ben Affleck (DAREDEVIL) returns to his brilliantly ludicrous role of Christian “The Accountant” Wolff (Chris for short), autistic math genius raised in the martial arts who works as a forensic accountant for the mob and on the side helps people with their taxes or with things that require shooting people. In this one part 1 supporting character Ray King (J.K. Simmons, DARK SKIES) is nervously waiting at a bar to meet with a legendary assassin called Anaïs (Daniella Pineda, JURASSIC WORLD: FALLEN KINGDOM/DOMINION) when unknown gunmen ambush them and kill him. If I had remembered that he was just a guy from the Treasury Department and not some underworld friend of Chris’ I would’ve gotten a kick out of how good of a fight he puts up. But the scene is kind of upsetting because there are so many bystanders running away screaming and it reminds me of a mass shooting.
Anyway he manages to write “FIND THE ACCOUNTANT” on his arm before he dies, so another part 1 character, Treasury agent Marybeth Medina (Cynthia Addai-Robinson, COLOMBIANA), does just that while trying to figure out what her boss was working on and finish the case. One cool gimmick is that Ray’s landlords cleaned the apartment, pulling down his wall of photos, receipts and tax documents related to the case and dumping them in a box. She hangs them back up in an order that seems logical to her, then falls asleep and Chris completely rearranges them into what looks like a bizarre pattern, but of course he’s figured out what ever little piece of it means. (read the rest of this shit…)
JANE GOT A GUN is a straight forward modern western, and a pretty good one. It doesn’t reinvent the genre, or have a new twist on it, other than to star Natalie Portman (
Bear with me here, but Christian Wolff, a.k.a. The Accountant (Ben Affleck, 
I’m surprised it took this long for somebody to make a straight drama about mixed martial artists. It seems so obvious. It would inherently have all the same dramatic elements as a boxing movie (underdog reaching for the top, wife tired of seeing him beat up, society treating him as a dumb brute, then the fear of losing it all by a loss or an injury, all that) plus the novelty of an expanded repertoire of moves (kicks, chokes, armbars, throws, flying knees) and of being a popular newer sport that hasn’t been done to death in movies. 
