I liked 28 DAYS LATER when it came out in 2003 and I liked 28 WEEKS LATER when it came out in 2007, but I still have never revisited them. So I’m honestly very surprised how invested I am in this followup trilogy that started last year with Danny Boyle’s 28 YEARS LATER and now continues with Nia DaCosta’s 28 YEARS LATER: THE BONE TEMPLE.
It was such a surprising choice: Boyle and writer Alex Garland finally made their long anticipated third film, but also prepared a script for the director of LITTLE WOODS and CANDYMAN 2021 to shoot back-to-back with it. Boyle’s movie set up the new characters, and now DaCosta continues their story, but other than a few homages during zombie attacks she doesn’t mimic Boyle’s style at all. Cinematographer Sean Bobbitt (THE PLACE BEYOND THE PINES, WIDOWS, THE RHYTHM SECTION), editor Jake Roberts (HELL OR HIGH WATER, MEN) and composer Hildur Guðnadóttir (JOKER, TÁR) all go in very different directions from the distinct ones Boyle’s team chose, giving us a calmer and more traditional (not shot on iPhones) but still very effective look at this world of a zombie infection pandemic and its survivors. (read the rest of this shit…)
I went and saw Danny Boyle’s 28 YEARS LATER on opening day, two-plus weeks ago. I’ve seen a few other movies I’ve enjoyed since then, but I think this one might’ve dug into me a little deeper. It’s odd and imperfect, but that’s kinda what I like about it. When I thought about a new followup to 28 DAYS LATER and 28 WEEKS LATER I thought “okay, yeah, that could be pretty cool.” But it turns out to be something way more interesting than what I pictured.
I enjoyed going in with no clue what the shape of the story was gonna be, but I guess you’re agreeing to forgo that option by reading this, so here goes. It’s kind of like two chapters (or connected short stories?) with a wraparound. The chapters both start at Lindisfarne, a small island of zombie-apocalypse survivors that can only be accessed via a causeway during low tide. They have a rule that you can leave the island but if you don’t return nobody is allowed to go looking for you. You’re on your own. As part of a rite of passage – but a couple years ahead of schedule – 12-year-old Spike (amazing newcomer Alfie Williams) is taken to the mainland by his father Jamie (Aaron Taylor-Johnson, SAVAGES) to bow-hunt his first zombie. (read the rest of this shit…)
Looking back through my notebook I discovered that I wrote most of a review of STEVE JOBS back when it was in theaters, but I never typed it up. I guess since it wasn’t nominated for best picture I didn’t catch that when I was doing all the pre-Oscars reviews. But I think it’s a movie worthy of more attention than it got, and it’s available on video and I use a Mac so it seems only fair to finish it.
Steve Jobs was a genius and also an asshole. That’s kinda the basics of Aaron Sorkin’s screenplay, and many of his other screenplays, and therefore I have to guess something he can relate to. Like his other computer history piece THE SOCIAL NETWORK I think this one leans in the direction of genius not justifying assholishness, but it seems to be a question he struggles with.
I’m a little – not alot – familiar with the playwright turned TV mastermind’s work. I know people who adore his shows Sports Night and The West Wing, and some who are masochistically fascinated with The Newsroom.
Yeah, SUNSHINE is still good. It’s kinda like ALIEN but with a (SPOILER) naked crazy dude instead of an alien. Like the alien the crazy naked dude is sneaking around unseen for most of the movie, but a naked dude is harder to pull off special effects-wise than an alien so you never do see him clearly. The camera and editing program start freaking out every time he shows up, like he’s giving off some kind of interference.
A crazy naked dude doesn’t have a projectile mouth, he doesn’t have acid blood. But he’s just as unexpected on a ship with only a few crew members. And he knows how to stab people. In a way he could be more dangerous than an alien because he knows how the ship works and intentionally tries to sabotage their mission. (read the rest of this shit…)
At first I wasn’t even gonna see 127 HOURS, ’cause what’s the point of doing another one if Nolte and Murphy don’t come back? Those movies were all about the chemistry of those two guys. It doesn’t make alot of sense to replace them with a different character. But it was a bold move to not make it a buddy movie, or a cop movie, and base it on a true story about a guy who went hiking and got his arm stuck under a rock. Alot of people will say that’s just a rehash of parts 1 and 2, but I would argue that there are subtle differences. (read the rest of this shit…)
With the release of this movie I’d say there’s now officially a subgenre of sci-fi movies about the angst of long distance space travel. Two of my favorite movies ever – 2001 and ALIEN – are in this category. There’s also DARK STAR, a predecessor to ALIEN and an inspiration to this movie (one of the characters is even named Pinback after Dan O’Bannon’s character in that movie). I also liked the remake of SOLARIS, but I still gotta see the original one. Rounding out the category now there’s Danny Boyle’s SUNSHINE.
This one takes place sometime in the future, but probaly not too long in the future. The main difference between then and now: the sun is dying. Pretty shitty. Humanity came up with a plan where they sent a spaceship called The Icarus which would set off a bomb that would reignite the sun. But that ship was a bunch of slackers or something so nobody heard from them again. This is the story of the Icarus II, where they decided to use up Earth’s resources to make the last possible bomb that they could use to try to relight that bitch. (read the rest of this shit…)
Well friends I’m back after a few months of travelling around the world learning every martial art known to man, or maybe just not being inspired enough to write. One of the two. I would like to thank the people who wrote me nice e-mails to make sure I was okay or encourage me to Write again. Also I would like to thank the people who sent me advice about paying my mortgage, penis enlargement, the hot new mother and daughter pictures, my details and especially the wicked screensaver.
As usual, it is hard to write about politics these days because holy jesus, where do you even start? I have noticed that there were a whole lot of us who were right, and a couple people on tv who were wrong, and yet I haven’t seen anybody saying I told you so. Thanks alot assholes, for taking the fun out of “I told you so.” It sucks to be right when being right means that all those troops you supported so god damn much are left rotting in the desert with no mission, no welcome, no desire to be there, and no hope for coming home any time soon, unless they run over a bomb and lose a couple limbs. Every once in a while you see one of them on tv looking sad, and you have to imagine a little thought balloon over their head that says, “4 more years!?” Oh well, it’s a volunteer army, I guess you can’t really complain that you got shipped off to your doom by the same assholes who turned around the very next day and cut your benefits and your pay. I wonder how many of those congress bitches were still wearing their american flag pins when they signed that into law? No biggie, when we’re done arguing about gay marriage and the ten commandments maybe we’ll look into bringing them home. IF there’s time. I doubt it but maybe. Keep your pants on, troops. Go USA. (read the rest of this shit…)
This is a movie that looked pretty promising, but shit if I even liked it at all. It is hard to come out with a Fight Club type of picture in the same year that Fight Club came out and not end up looking like a bunch of garbage. But that is what these folks did.
Yes, this is the Fight Club type of movie. You know, the type of movie that is released by Fox, based on a popular novel, crammed full of first person narration criticizing the culture. These type of movies have really beautiful widescreen photographical techniques as well as little showoffy computer camera gimmicks and wall to wall techno music. They are generally about a character who is fed the fuck up with American consumerism and superficiality who wants to leave it all behind and push himself to the limit and seek out danger and blah blah blah. Then they get involved in a secret counterculture which at first is fun and utopian and represents everything they want out of life. But there is always a hint of danger and then one of the colorful supporting characters gets some kind of injury – usually a gunshot blast to the head or shark bite – but the counterculture handles the situation in a heartless bastard of a manner which signals the turning point when you start to realize WELL FER CRYIN OUT LOUD, the counterculture is just as fulla shit as the culture itself. At this point in these type of movies the character either goes crazy or finds out he’s been crazy all along, and then they start having delusions about the founder of the secret counterculture, who is some kind of intensely charismatic wacko, who starts to take on sort of superhuman powers, and blah blah blah. You know the type of movie I’m talking about. (read the rest of this shit…)
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Recent commentary and jibber-jabber
Stu on Masters of the Universe: “Apparently Adam’s mother is from Earth in the original version’s history, so that aspect feels consistent, and it’s arguably better…” Jan 23, 19:56
Skani on Marshmallow: “Yeah, there was quite a little buzz around this, and I was with it -ish for the first half, but…” Jan 23, 19:21
Stu on 28 Years Later: The Bone Temple: “I think the film does a great job of making Jimmy simultaneously a true believer in what he spouts, but…” Jan 23, 12:21
Stu on The Rip: “I liked this well enough on the first watch. I’ll need to see if it holds up on subsequent viewings…” Jan 23, 12:04
Ska Oreo on The Rip: “I can totally understand why some people might like this: this is a very competently made film, with pretty good…” Jan 23, 06:53
Bill Reed on The Rip: “Not as good as DEN OF THIEVES 2: PANTERA. It’s been a long time since I’ve seen it, but it…” Jan 23, 05:25
Dreadguacamole on Afterburn: “Oof. Watched this last night and I thought it was dreadful. Dumb and not in a good way*, unfunny, poorly…” Jan 23, 03:05
Adam C aka TaumpyTearrs on Trancers: “Trancers has been on my radar for a while, so I took Vern reviewing part 1 and a few weeks…” Jan 22, 23:22
Hammer Time on The Rip: ““And it’s an interesting spin to combine that with “Can we trust this guy?” We never had to worry if…” Jan 22, 17:54
JTS on The Rip: “Great and thoughtful review. Like zikade, I instantly knew what was happening as soon as Damon started conspicuously whispering in…” Jan 22, 16:12
zikade on The Rip: “Yeah, I enjoyed this, but was disappointed in the ending, too, and other smaller moments that don’t feel “real.” I…” Jan 22, 15:41
VERN on The Rip: “I was wondering about the tattoo. Why would his son ask him that? And on his death bed? It didn’t…” Jan 22, 13:47
BESTIEunlmt on The Rip: ““Id rather watch a movie about how the gestapo blew off steam on the weekends.” Yeah, that would be ‘The…” Jan 22, 13:47
Inspector Hammer Boudreaux on The Rip: “Matt Damon’s character has a tattoo on his hand to remind himself that he will always be the good guy.…” Jan 22, 12:51
Mr. Majestyk on The Rip: “Yeah, I am no longer in the market for this gritty cop bullshit. Movies like this are always about whether…” Jan 22, 12:25
I liked 28 DAYS LATER when it came out in 2003 and I liked 28 WEEKS LATER when it came out in 2007, but I still have never revisited them. So I’m honestly very surprised how invested I am in this followup trilogy that started last year with Danny Boyle’s 28 YEARS LATER and now continues with Nia DaCosta’s 28 YEARS LATER: THE BONE TEMPLE.
I went and saw Danny Boyle’s 28 YEARS LATER on opening day, two-plus weeks ago. I’ve seen a few other movies I’ve enjoyed since then, but I think this one might’ve dug into me a little deeper. It’s odd and imperfect, but that’s kinda what I like about it. When I thought about a new followup to 28 DAYS LATER and 
Looking back through my notebook I discovered that I wrote most of a review of STEVE JOBS back when it was in theaters, but I never typed it up. I guess since it wasn’t nominated for best picture I didn’t catch that when I was doing all the pre-Oscars reviews. But I think it’s a movie worthy of more attention than it got, and it’s available on video and I use a Mac so it seems only fair to finish it.
At first I wasn’t even gonna see 127 HOURS, ’cause what’s the point of doing another one if Nolte and Murphy don’t come back? Those movies were all about the chemistry of those two guys. It doesn’t make alot of sense to replace them with a different character. But it was a bold move to not make it a buddy movie, or a cop movie, and base it on a true story about a guy who went hiking and got his arm stuck under a rock. Alot of people will say that’s just a rehash of parts 1 and 2, but I would argue that there are subtle differences. 
With the release of this movie I’d say there’s now officially a subgenre of sci-fi movies about the angst of long distance space travel. Two of my favorite movies ever – 2001 and ALIEN – are in this category. There’s also DARK STAR, a predecessor to ALIEN and an inspiration to this movie (one of the characters is even named Pinback after Dan O’Bannon’s character in that movie). I also liked the remake of SOLARIS, but I still gotta see the original one. Rounding out the category now there’s Danny Boyle’s SUNSHINE.
Well friends I’m back after a few months of travelling around the world learning every martial art known to man, or maybe just not being inspired enough to write. One of the two. I would like to thank the people who wrote me nice e-mails to make sure I was okay or encourage me to Write again. Also I would like to thank the people who sent me advice about paying my mortgage, penis enlargement, the hot new mother and daughter pictures, my details and especially the wicked screensaver.
This is a movie that looked pretty promising, but shit if I even liked it at all. It is hard to come out with a Fight Club type of picture in the same year that Fight Club came out and not end up looking like a bunch of garbage. But that is what these folks did.
