I went and saw Danny Boyle’s 28 YEARS LATER on opening day, two-plus weeks ago. I’ve seen a few other movies I’ve enjoyed since then, but I think this one might’ve dug into me a little deeper. It’s odd and imperfect, but that’s kinda what I like about it. When I thought about a new followup to 28 DAYS LATER and 28 WEEKS LATER I thought “okay, yeah, that could be pretty cool.” But it turns out to be something way more interesting than what I pictured.
I enjoyed going in with no clue what the shape of the story was gonna be, but I guess you’re agreeing to forgo that option by reading this, so here goes. It’s kind of like two chapters (or connected short stories?) with a wraparound. The chapters both start at Lindisfarne, a small island of zombie-apocalypse survivors that can only be accessed via a causeway during low tide. They have a rule that you can leave the island but if you don’t return nobody is allowed to go looking for you. You’re on your own. As part of a rite of passage – but a couple years ahead of schedule – 12-year-old Spike (amazing newcomer Alfie Williams) is taken to the mainland by his father Jamie (Aaron Taylor-Johnson, SAVAGES) to bow-hunt his first zombie. (read the rest of this shit…)
Looking back through my notebook I discovered that I wrote most of a review of STEVE JOBS back when it was in theaters, but I never typed it up. I guess since it wasn’t nominated for best picture I didn’t catch that when I was doing all the pre-Oscars reviews. But I think it’s a movie worthy of more attention than it got, and it’s available on video and I use a Mac so it seems only fair to finish it.
Steve Jobs was a genius and also an asshole. That’s kinda the basics of Aaron Sorkin’s screenplay, and many of his other screenplays, and therefore I have to guess something he can relate to. Like his other computer history piece THE SOCIAL NETWORK I think this one leans in the direction of genius not justifying assholishness, but it seems to be a question he struggles with.
I’m a little – not alot – familiar with the playwright turned TV mastermind’s work. I know people who adore his shows Sports Night and The West Wing, and some who are masochistically fascinated with The Newsroom.
Yeah, SUNSHINE is still good. It’s kinda like ALIEN but with a (SPOILER) naked crazy dude instead of an alien. Like the alien the crazy naked dude is sneaking around unseen for most of the movie, but a naked dude is harder to pull off special effects-wise than an alien so you never do see him clearly. The camera and editing program start freaking out every time he shows up, like he’s giving off some kind of interference.
A crazy naked dude doesn’t have a projectile mouth, he doesn’t have acid blood. But he’s just as unexpected on a ship with only a few crew members. And he knows how to stab people. In a way he could be more dangerous than an alien because he knows how the ship works and intentionally tries to sabotage their mission. (read the rest of this shit…)
At first I wasn’t even gonna see 127 HOURS, ’cause what’s the point of doing another one if Nolte and Murphy don’t come back? Those movies were all about the chemistry of those two guys. It doesn’t make alot of sense to replace them with a different character. But it was a bold move to not make it a buddy movie, or a cop movie, and base it on a true story about a guy who went hiking and got his arm stuck under a rock. Alot of people will say that’s just a rehash of parts 1 and 2, but I would argue that there are subtle differences. (read the rest of this shit…)
With the release of this movie I’d say there’s now officially a subgenre of sci-fi movies about the angst of long distance space travel. Two of my favorite movies ever – 2001 and ALIEN – are in this category. There’s also DARK STAR, a predecessor to ALIEN and an inspiration to this movie (one of the characters is even named Pinback after Dan O’Bannon’s character in that movie). I also liked the remake of SOLARIS, but I still gotta see the original one. Rounding out the category now there’s Danny Boyle’s SUNSHINE.
This one takes place sometime in the future, but probaly not too long in the future. The main difference between then and now: the sun is dying. Pretty shitty. Humanity came up with a plan where they sent a spaceship called The Icarus which would set off a bomb that would reignite the sun. But that ship was a bunch of slackers or something so nobody heard from them again. This is the story of the Icarus II, where they decided to use up Earth’s resources to make the last possible bomb that they could use to try to relight that bitch. (read the rest of this shit…)
Well friends I’m back after a few months of travelling around the world learning every martial art known to man, or maybe just not being inspired enough to write. One of the two. I would like to thank the people who wrote me nice e-mails to make sure I was okay or encourage me to Write again. Also I would like to thank the people who sent me advice about paying my mortgage, penis enlargement, the hot new mother and daughter pictures, my details and especially the wicked screensaver.
As usual, it is hard to write about politics these days because holy jesus, where do you even start? I have noticed that there were a whole lot of us who were right, and a couple people on tv who were wrong, and yet I haven’t seen anybody saying I told you so. Thanks alot assholes, for taking the fun out of “I told you so.” It sucks to be right when being right means that all those troops you supported so god damn much are left rotting in the desert with no mission, no welcome, no desire to be there, and no hope for coming home any time soon, unless they run over a bomb and lose a couple limbs. Every once in a while you see one of them on tv looking sad, and you have to imagine a little thought balloon over their head that says, “4 more years!?” Oh well, it’s a volunteer army, I guess you can’t really complain that you got shipped off to your doom by the same assholes who turned around the very next day and cut your benefits and your pay. I wonder how many of those congress bitches were still wearing their american flag pins when they signed that into law? No biggie, when we’re done arguing about gay marriage and the ten commandments maybe we’ll look into bringing them home. IF there’s time. I doubt it but maybe. Keep your pants on, troops. Go USA. (read the rest of this shit…)
This is a movie that looked pretty promising, but shit if I even liked it at all. It is hard to come out with a Fight Club type of picture in the same year that Fight Club came out and not end up looking like a bunch of garbage. But that is what these folks did.
Yes, this is the Fight Club type of movie. You know, the type of movie that is released by Fox, based on a popular novel, crammed full of first person narration criticizing the culture. These type of movies have really beautiful widescreen photographical techniques as well as little showoffy computer camera gimmicks and wall to wall techno music. They are generally about a character who is fed the fuck up with American consumerism and superficiality who wants to leave it all behind and push himself to the limit and seek out danger and blah blah blah. Then they get involved in a secret counterculture which at first is fun and utopian and represents everything they want out of life. But there is always a hint of danger and then one of the colorful supporting characters gets some kind of injury – usually a gunshot blast to the head or shark bite – but the counterculture handles the situation in a heartless bastard of a manner which signals the turning point when you start to realize WELL FER CRYIN OUT LOUD, the counterculture is just as fulla shit as the culture itself. At this point in these type of movies the character either goes crazy or finds out he’s been crazy all along, and then they start having delusions about the founder of the secret counterculture, who is some kind of intensely charismatic wacko, who starts to take on sort of superhuman powers, and blah blah blah. You know the type of movie I’m talking about. (read the rest of this shit…)
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Recent commentary and jibber-jabber
VERN on Jackie Brown: “I awarded it “Best Picture – Comedy, Musical or Badass” in the 1999 Outlaw Awards, but I don’t believe I…” Oct 25, 00:10
Inspector Hammer Boudreaux on Other: “In one of those odd coincidences where two movies in the same year have a similar concept, GOOD BOY is…” Oct 24, 10:10
Bill Reed on Bring Her Back: “SPOILERS SPOILERS SPOILERS FOR REAL, SPOILERS Agreed with you on the ending, Skani. After all the pre-meditated, manipulative, and horrible…” Oct 24, 06:26
Skani on Bring Her Back: “SOME SPOILERS Everything I read told me that this movie was all wrong for me, but I watched it anyway,…” Oct 23, 20:04
M. Casey on Jackie Brown: “Yeah, this is a great one, I’ve been meaning to see it again and need to get around to it.…” Oct 23, 19:07
Mr. Majestyk on Other: “I thought the face thing was going to be a twist where everybody else has a disgusting monster face, indicating…” Oct 23, 15:40
BuzzFeedAldrin on Bring Her Back: “I did enjoy this, though not as much as Talk to the Hand mainly because I don’t enjoy characters in…” Oct 22, 08:40
Dreadguacamole on Bring Her Back: “There’s been other horror movies I enjoyed more this year, but put me against the wall and I’d say this…” Oct 22, 06:32
Skani on Black Phone 2: “Agreeing with the consensus on this one. I liked it. I though Bichir was the standout. I really like this…” Oct 21, 20:45
Ben C. on One Battle After Another: “I wish I was in the “movie of the year” camp on this one – there was a lot about…” Oct 21, 15:05
MaggieMayPie on Bring Her Back: “Bill – “What is in the water down under? (Oh, right, it’s spiders.)” startled a literal lol out of me.” Oct 21, 14:51
emteem on I Know What You Did Last Summer (2025): “A few random thoughts I had while reading the review of a movie I haven’t seen yet. 1. My wife…” Oct 21, 13:23
Bill Reed on Bring Her Back: “For me, this was the most uncomfortable horror movie since HEREDITARY. It’s not as fucked-up as that one, but it…” Oct 21, 12:53
Sarah Stegall on High Plains Drifter: “One explanation for the rape scene is that it’s a test of the town. Everyone knows what’s happening, and they…” Oct 21, 10:49