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Posts Tagged ‘Christopher Landon’

Heart Eyes

Thursday, February 12th, 2026

Last year there was a well-reviewed Valentine’s Day slasher movie playing in theaters. Normally I’d be all over that shit, but I boycotted for political reasons. You see, the production company behind it, Spyglass Media Group, were the assholes who fired the star of SCREAMs 5 and 6 from SCREAM 7 for posting about the Gaza genocide. (And being against it.) I grew up on ‘80s horror sequels, so obviously I can roll with the loss of a main character and the derailing of a storyline, but doing it for that reason was too much. They not only fired her but smeared her as having written anti-semitic hate speech and “false references to genocide, ethnic cleansing, Holocaust distortion.” I’d say they’re fucking cowards for not having publicly apologized yet, now that it’s a couple years later and the genocide and ethnic cleansing continue, but I suspect they have no guilt about it whatsoever.

I think back to 2003, when the band then known as the Dixie Chicks got into trouble for saying they were against invading Iraq and embarrassed to be from the same state as George W. Bush. If there had been a SCREAM 4 in the works at that time and then one of the stars criticized the war and got fired for it, I’m positive SCREAM would’ve been dead to me then. So it’s dead to me now. I love my “horror franchise” completism bullshit but not enough, it turns out, to stomach something like this. That’s just my personal decision for myself, I’m not telling anyone else what to do.

For that Valentine’s Day movie though I decided it was okay to watch and review now because I didn’t pay money and it’s not vying for box office dollars. So here’s my right-on-time late review of HEART EYES, which is directed by Josh Ruben (WEREWOLVES WITHIN) and written by Phillip Murphy (HITMAN’S WIFE’S BODYGUARD), Michael Kennedy (IT’S A WONDERFUL KNIFE) and Christopher Landon (HAPPY DEATH DAY, FREAKY, DROP, was going to direct SCREAM 7 but left after the firing). It’s about an infamous murderer known as the “Heart Eyes Killer,” who kills couples on Valentine’s Day, and the idea is to combine a slasher movie with a romantic comedy. In my opinion they were partially but not fully successful with each side of that coupling. (read the rest of this shit…)

Drop

Thursday, September 18th, 2025

After catching up with LOCKED I thought what the hell, I should also see that other recent high concept thriller I kinda meant to see. DROP is the one that Christopher Landon (HAPPY DEATH DAY, FREAKY) went and directed after leaving SCREAM 7 because he didn’t have a movie anymore after the producers (Spyglass Entertainment) fired the star for posting about the genocide in Gaza. (Specifically because she was against it.) I’m not sure what Landon thought about that but he went and worked with the… hopefully at least less evil production company power couple of Blumhouse and Platinum Dunes.

Landon usually writes his movies, but this one is by Jillian Jacobs & Chris Roach (TRUTH OR DARE, FANTASY ISLAND). It feels a little different from his other stuff, being about people in their thirties, but I think you can still feel his sensibilities in it. (read the rest of this shit…)

Freaky

Thursday, February 11th, 2021

FREAKY is the recent Blumhouse horror comedy conceived under the title “FREAKY FRIDAY THE 13TH,” because yes, it is a slasher movie combined with a body switch comedy. A psychotic serial killer called “the Blissfield Butcher” (Vince Vaughn, THE LOST WORLD: JURASSIC PARK, PSYCHO) steals an ancient magic dagger, not realizing that when he uses it to stab random teen victim Millie Kessler (Kathryn Newton, THE MARTIAL ARTS KID) their souls will switch places. Whoops.

The director is Christopher Landon (BURNING PALMS), which makes a whole lot of sense, because he’s the guy who did HAPPY DEATH DAY, a slasher movie combined with GROUNDHOG DAY (and a movie I enjoyed quite a bit). I heard an interview where Landon said he was a little reluctant to be that guy, but he liked the idea by co-writer Michael Kennedy (assistant animation producer, Family Guy) so much he had to go for it anyway. (read the rest of this shit…)

Happy Death Day 2U

Wednesday, February 20th, 2019

HAPPY DEATH DAY was a well-executed take on a fun premise: a slasher GROUNDHOG DAY where mean sorority girl Tree Gelbman (Jessica Rothe, LA LA LAND) has to keep reliving her birthday until she figures out who the fuck keeps stabbing. As she investigates everybody around her she starts to understand their lives better and be nicer to them. Except the one who killed her, who she kicks out a window. I wished it had been Rated-R to take gory advantage of the “heroine dies repeatedly” gimmick, but they made it work, largely because Tree is such a compelling character. Like Bill Murray in that other time loop movie she gets to be a fun asshole, which is so rare for a female lead.

In the sequel we get to see a little bit of the creepy baby mask, but the mystery of who’s stalking her is pretty much irrelevant. Sure, they revisit it in alternate timelines where it’s different people behind the mask, but there’s not as much suspense to be wrung out of it, so it shifts a little away from the horror comedy and more into sci-fi comedy, again made fun by the character of Tree and the performance of Rothe. If anything she’s even a little better in this one. (read the rest of this shit…)

Happy Death Day

Tuesday, January 30th, 2018

HAPPY DEATH DAY is a nice little high concept horror movie. 90 minutes, fast paced, upbeat. When I first saw the teaser I thought “I can’t believe nobody’s thought to do that before!” and sure enough these people did it ably.

See, it’s GROUNDHOG DAY meets a slasher movie (specifically SCREAM 2 I would say). Oddly named sorority girl Tree (Jessica Rothe, LA LA LAND) wakes up hung over on her birthday in the dorm room of some geek she barely knows. She shame-walks out of there in her shoulderless sequin blouse, squinting at the bright sun, and goes through a busy day (rushed changing of clothes, late for class, awkward run-ins with guys, sorority meeting, avoiding her dad, attempted tryst with a teacher) before being stabbed to death by an unknown person in a baby mask (weird school mascot, good slasher mask). And then she wakes up in that dorm again, on her birthday again. So she has to keep re-living this day, but also solve her own murder so that maybe she can see tomorrow. (read the rest of this shit…)