Thank you again for reading my HIGHLANDERLAND series. It was a thrill to write and share it with you all. I knew it would be wrong for Badass Studies and humanity as a whole to lock such an important topic behind a paywall, but I really owe a debt of gratitude to the Patreon supporters on this one. The predictable monthly extra income from that has allowed me to work one less day a week and that’s truly why I was able to prepare the whole series in advance like I did with the TWILIGHT ones. So if I was going into some aspect of part 5 and realized there was a parallel in part 2, I could go back and mention it earlier. An extra opportunity for excellence-striving.
As a special thank you for that I have one last Patreon-exclusive HIGHLANDERLAND bonus – a review of the second season Highlander: The Series episode “Epitaph For Tommy,” chosen not for its importance as an episode, but for it guest starring Rowdy Roddy Piper.
I don’t know if HIGHLANDER: ENDGAME was ever supposed to be the end of the series, but it didn’t turn out that way. Since it lost money, obviously Miramax/Dimension didn’t want to be in the Highlander business anymore, and they sold the rights back to Davis-Panzer, who probly didn’t want to work with those shitheads again anyway. They weren’t making TV shows anymore and they wanted to keep their baby alive, so seven years later they figured out a way to make the fifth in the HIGHLANDER movie series, just without releasing it to theaters.
From the dawn of 1986 they came…moving stylishly down through the decades. Movies, TV shows, cartoons, struggling to reach the time of the reviewing, when Vern will write about the franchise
HIGHLANDER: THE SOURCE arrived in 2007 and is – at least for the foreseeable future – the final Highlander movie. It’s the only one that’s about Duncan MacLeod (Adrian Paul) without Connor MacLeod, and therefore the only live action one without Christopher Lambert. It’s filmed in Lithuania with exaggerated digital colors and green screen FX, giving it a cheap but distinct look and feel. It’s not technically post-apocalyptic like the two animated spin-offs, but it does not depict civilization as doing great. The opening tells us “The world has fallen into chaos and decay. There is no law, no justice, only death and destruction. Some say it’s a sign of the coming of the apocalypse, a time that even Immortals fear.” This is illustrated by an alley where some barrels are burning and a guy is getting stabbed. I think another guy is buying drugs (gasp!). (read the rest of this shit…)
It is the futuristic year of 2000. In the real world, HIGHLANDER II‘s prediction of solar radiation creating the necessity for an electromagnetic shield over the earth has not come to pass. Instead we got President George W. Bush and Ron Howard’s upcoming HOW THE GRINCH STOLE CHRISTMAS!.
From the dawn of 1986 they came…moving stylishly down through the decades. Movies, TV shows, cartoons, struggling to reach the time of the reviewing, when Vern will write about the franchise
It has been six years since HIGHLANDER III, which did not make back its production costs at the box office. But in that time the mythology of the Immortals has taken on a new life on television, with Connor MacLeod’s younger friend Duncan MacLeod (Adrian Paul) entertaining fans through 117 episodes (not including the two he wasn’t in). Though the show ended in 1998 and its spin-off The Raven in 1999, they have clearly left behind a fan base that takes this shit seriously. From 1994-2000 there was an annual convention called “The Gathering” in Denver, Colorado, with Paul and other stars as guests of honor. From 1997-1999 there were three “Highlander Clan Cruises.” 1997 gave Australia the first of eight “Highlander Down Under” conventions. And the list goes on. Clearly this is a group of loyal fans waiting to be exploited. I mean catered to.
And so here on the cusp of the millennium we find the immortal movie series resurfacing in the Weinstein-Brothers-cheapass-franchise-exploitation era.
Right now, in 2019, people sure do love a good TV series. Some claim that the premium cable and streaming shows are actually better than movies. As TV shows become more cinematic and cinema becomes more serialized, the two mediums seem to be growing into each other like a very respectable rat king. Big name real deal movie stars can star in TV shows or limited series and collect acclaim and awards instead of scorn for slumming it.
At the same time the industry is obsessed with “intellectual property” and franchises, so naturally we’re getting TV shows that prequelize or sequelize a popular movie/movie series. In recent years they’ve done Terminator: The Sarah Connor Chronicles, Tremors, Taken, Transporter: The Series, Training Day, Limitless, Ash vs. Evil Dead, Cobra Kai, Wet Hot American Summer: First Day of Camp and Wolf Creek, and soon we’ll be getting new Star Wars and Marvel tie-ins and maybe Undisputed and all kinds of shit.
From the dawn of 1986 they came…moving stylishly down through the decades. Movies, TV shows, cartoons, struggling to reach the time of the reviewing, when Vern will write about the franchise
That wasn’t how it worked in the early ’90s, though. There had been a few genre shows connected to movies: Planet of the Apes (1974) (and the animated Return to the Planet of the Apes [1975]), Beyond Westworld (1980), Blue Thunder (1984), Starman (1986-1987) and Alien Nation (1989-1990). None of these ran for very long, few are well remembered. TV was lesser than movies, you could never carry over the cast or the production value, and extending a movie series onto the small screen was not really a good bet.
But shit, HIGHLANDER II: THE QUICKENING wasn’t a good bet either. And producers Davis and Panzer, stinging from that loss, weren’t ready to leave the blackjack table. Maybe a TV-sized saga of the Immortals could be more than the Starman of the ’90s. Maybe it could be the M.A.S.H. of the ’90s! (read the rest of this shit…)
BLACK ROSE is a competently made, very formulaic movie about police trying to stop a serial killer who has been murdering immigrant women, leaving a black rose and a Russian-language note on each body. When the LAPD can’t seem to crack it they call in a specialist from Moscow, Vladimir Kazatov (Alexander Nevsky, MOSCOW HEAT), an ex-special forces cop getting the Chris-Tucker-in-RUSH-HOUR treatment from his bosses for his aggressive handling of a bank robbery (led by I COME IN PEACE alien Matthias Hues).
Actually, that’s one of the best parts. After strutting in with shades and no gun (electric guitars praising him on the score by Sean Murray [SCORPION]) he fails to talk them down, so he goes back outside, crashes a car through the window and shoots them all. Luckily no hostages are harmed.
In L.A. he buddies up with Detective Emily Smith (Kristanna Loken, TERMINATOR 3, MERCENARIES), and they have the usual getting-to-know-you cultural exchange. She mocks his Russian food, talks up American hamburgers, explains what a Valley Girl is, etc. Then she finds out his last partner died but he won’t talk about it but then they get close and they talk about it and they fight and make up and all that. (read the rest of this shit…)
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Recent commentary and jibber-jabber
Llamakazi on The Killer (2023): “The Killer also gets caught on camera on the way up the elevator to the billionaire’s home. Since the heat…” Jan 27, 00:30
Zameer on Fast X: “Fast X is easily one of my all time favorite movies. I loved every minute of it.” Jan 27, 00:02
Alex R on Train Dreams: “Sanding off Robert’s edges seems as much a symptom of being afraid to fully grapple with Denis Johnson’s tone as…” Jan 26, 16:35
Matt on Train Dreams: “Alex R – I really don’t understand the revenge killing, I suppose. I’m not sure what it was trying to…” Jan 26, 15:55
Alex R on Train Dreams: “Matt— I agree with you on almost all of this, especially the Malick worship, though I liked the revenge killing…” Jan 26, 15:14
Matt on Train Dreams: “Has anyone here read the book? It is very, very good, and perhaps my familiarity with it colored my experience…” Jan 26, 13:11
MarioSB on Passion: ““REDACTED made you almost want to apologize for being against the war” I think this is one you REALLY need…” Jan 26, 11:31
Bill Reed on Train Dreams: “Of the five Best Picture nominees I’ve seen so far, this is easily my favorite. Meditative and existentialist, but in…” Jan 26, 08:34
Ben Railton on Train Dreams: “Great stuff as ever, Vern. My Mom loves loves loves this movie (seriously, she’s seen it many times already!) and…” Jan 26, 08:26
Hammer Time on Train Dreams: “Good review, the only trouble is when I’ll be in the mood AND have time for something like this. I…” Jan 26, 07:29
Stu on Masters of the Universe: “Apparently Adam’s mother is from Earth in the original version’s history, so that aspect feels consistent, and it’s arguably better…” Jan 23, 19:56
Skani on Marshmallow: “Yeah, there was quite a little buzz around this, and I was with it -ish for the first half, but…” Jan 23, 19:21
Stu on 28 Years Later: The Bone Temple: “I think the film does a great job of making Jimmy simultaneously a true believer in what he spouts, but…” Jan 23, 12:21
Stu on The Rip: “I liked this well enough on the first watch. I’ll need to see if it holds up on subsequent viewings…” Jan 23, 12:04
Ska Oreo on The Rip: “I can totally understand why some people might like this: this is a very competently made film, with pretty good…” Jan 23, 06:53