"CATCH YOU FUCKERS AT A BAD TIME?"

5 Million Years to Earth

This is a science fiction picture from the Hammer Studios over there in Britain, and you know what that means: I saw it on American Movie Classics. The hero of this story is a dude by the name of Quatermass who apparently stars in a bunch of movies and TV shows over there like Quatermass and the Pit, The Quatermass Experiment etc. No it’s not one of those weird shot on video shows they do marathons of on PBS when they need money. You’re thinking of dr. who and the red dwarf. What the FUCK is up with these college dudes that think that shit is funny? You know how they repeat the jokes in a phoney british accent I hate that man. Anyway I wouldn’t try to pull that shit on you don’t worry this is a whole different thing here, this Quatermass.

Quatermass is a college professor looking dude with the tweed suit and vest, bow tie and beard. He is not an action hero, everything he does is completely with the brains, I mean this guy is a real rocket scientist. And by rocket scientist I mean he is the type of scientist who studies rockets. (read the rest of this shit…)

Carny

A little while back I saw a real good documentary called DERBY which on the surface was about a guy trying to become a professional roller derby artist but really was about how he was cheating on his wife and there was a dude with no shirt on reading playboys, and other weird stuff. I don’t know how to describe it man read that review if that’s what you’re interested in. get off my fuckin back, jack.

Anyway there’s a reason I bring this up, it has to do with this review also. The director of that picture was Robert Kaylor, who according to amazon.com presents the internet movie database only did three other movies, and of those three this here CARNY is the only one in print. So I watched it. (read the rest of this shit…)

The Old Dark House

As you know I like to watch the classics but the only way to tell for sure if it is a classic is based on what channel it is on. This one was on American Movie Classics so that’s how I know. If it was on TBS or especially USA that would be another story. Anyway it is an old one from James Whale the director of Frankenstein.

Boris Karloff from the Frankenstein gets top billing but let’s be honest here, he’s playing a mute butler for christ’s sake. This is not a starring role it is strictly a gimp role in my opinion. I mean I know for a fact the man can talk, and can talk well. But you wouldn’t know it the way he’s typecasted in some of these pictures. Here he’s just a big oafish brute who gets drunk and tries to grab the pretty ladies. He looks like they left the Frankenstein makeup on him and pasted a beard over it the poor bastard. (read the rest of this shit…)

Muhammed Ali is #1

First off friends welcome to 2002. Sorry about that 2001 business. Just a couple more of these and Bush’ll be gone, we hope. Auld lang sine, etc. etc.

Anyway, enough holiday theme shit, let’s get to the point here. If I had a most anticipated movie of last Wednesday, it woulda been ALI. Why? Because it’s a movie about Muhammed Fucking Ali. To my knowledge it is the ONLY movie playing in theaters right now that is about Muhammed Fucking Ali.

I didn’t know what to expect from this movie though, on account of the casting. The real Muhammed Ali already played himself in the movie THE GREATEST and in the documentary WHEN WE WERE KINGS. And why fix what ain’t fucked? I didn’t understand this new casting of Will Smith in the part. I gotta admit I was pretty pissed, like the nerds get whenever they cast somebody new as Superman, James Bond, Dr. Zauis or Green Aqua.

And that’s what Ali is, is a super hero. Not the kind who wears a cape, although I must admit he does wear boots. Anyway I think we all agree that Muhammed Ali is one of the greatest american heroes there is. You don’t even have to like sports – and I don’t – to understand that Ali is what the kids call “the mothafuckin MAN.” They don’t make ’em like Ali anymore. In fact they never did. It was probaly some typa mistake on the assembly line. Some freak accident that only happens once or twice every thousand-thousand years. (read the rest of this shit…)

Vern’s America

A lot of individuals may be wondering what is wrong with Vern. Why does he say these things. “I’m wondering what he thinks of the french art porn movie BAISE MOI. That doesn’t necessarily mean I’m in the mood for a dissertation on the USA Patriot Act and how it has legalized secret police searches of my house in the name of protecting my freedom.” “You know, maybe I do care what some ex-con has to say about LORD OF THE RINGS, that doesn’t mean I want to hear more complaining about Bush and congress giving years worth of taxes back to the big corporations and saying it’s because of terrorism.” (read the rest of this shit…)

Payback

Well in late December as I was preparing to face down the ol’ Y2K problem I got to thinking about the old Mad Max and Road Warrior movies I used to like so much, and that got me thinking about Mel Gibson, the young Australian actor who played Mad Max.

Well okay, I admit that Mel hasn’t amounted to as much as we as a society thought he would back in those days, but that doesn’t mean you can Write the man off entirely. I know what you are thinking, this dude hasn’t done shit since Mad Max so just forget about him. But sometimes even after he’s considered washed up by the general public an actor or actress is still putting out high quality type performances with little recognition. (read the rest of this shit…)

The Lord of the Rings: The Fellowship of the Ring

This is the story of some magical midgets called the hobbits (sort of like the smurfs except caucasian instead of blue). What they do is, one of them inherits a powerful magic ring created by an evil individual from the past. If this took place in america in 2001, the hobbits would just go ahead and use the ring, and everybody would be all for it. It might not even make the headlines, it might be buried on page 11 like the story I read yesterday about how the Bush regime is already developing “small” nuclear weapons to use in the caves in Afghanistan.

But this is Hobbitland or whatever so they do the right thing, they take the weapon, they REFUSE to use it because they know it corrupts them, and they travel toward the Mountain of Doom, the only place it can be destroyed. (read the rest of this shit…)

Vanilla Sky

Vanilla Sky is an american remake of OPEN YOUR EYES, the second picture by the young spanish gentleman Alejandro Amenabar, who also did THESIS and THE OTHERS. After the movie I was saying to a gal that the ending was kinda different on the original, and the guy next to me was saying the same thing to his friend. Except he was just getting out of OCEAN’S 11.

Everything is fucking remakes now, huh? The above took place in Seattle, Washington, where as we speak the Dreamworks company is hard at work on an unneccesary remake of (the) RING. History has not been kind to american remakes of foreign pictures. Even when you get the same guy to remake it – like with THE VANISHING or NIGHTWATCH – the movie will piss everybody off and the director will be forgotten forever. (read the rest of this shit…)

Ocean’s Eleven (2001)

When you get two Oscar nominations for best director in the same year (for Erin Brockovich and Traffic) and you’re at the commercial peak of your career, what do you do for a followup?

I think Steven Soderbergh has the right answer. Two Oscar nominations is nothing to commit suicide over. Sure it’s embarassing, but it’s not the end of the world. After all it was only one year earlier that his picture The Limey won Best Picture, Musical Comedy or Badass in the 1999 Outlaw Awards, and that magic could not be entirely faded. So Soderbergh packed up the political pretensions, left them out on the porch in a box marked for the retard center, and went and made a casino heist movie. (read the rest of this shit…)

Those Delightful French: Seven Deadly Sins, Baise Moi

Last time we spoke I found that the best way to forget about the nightmarish USA P.A.T.R.I.O.T. Act – which is designed to protect freedom and democracy by, among other things, allowing police to enter and search your house without probable cause, warning or even notification after the fact – was through the delights of French Cinema.

As you know the french are very romantic, very beautiful, full of whimsy and what not. The French always know how to make you smile, like they did with AMELIE, or MR. HULOT’S HOLIDAY, or those musicals with the umbrellas and etc.

For example they got this movie called SEVEN DEADLY SINS that I just discovered. Anyone who has read my works thoroughly knows of my admiration for the director Roger Vadim, who married Jane Fonda, Brigitte Bardot and Catherine Deneuve. Also, his movies were pretty good.

Vadim is most famous for BARBARELLA, and then for SPIRITS OF THE DEAD, the edgar a. poe anthology picture he did a segment of along with whatsisname, the frenchy, as well as godard, malle, fellini, and etc. etc. SEVEN DEADLY SINS is another one along the lines of SPIRITS but this one is in black and white and has the, you know, the seven deadly sins theme. Seven segments, seven sins, all french. (read the rest of this shit…)