This third picture in the FAST AND THE FURIOUS trilogy saga is pretty different and at first doesn’t even seem to be connected to the other ones. I never saw Academy Award nominee for best director John Singleton’s 2 FAST 2 FURIOUS, but I know Paul Walker returned and Vin Diesel didn’t. And I believe Tyrese showed up. This time around we lose everybody and start over with a new character played by Lucas Black (the kid from SLING BLADE who I last saw in a small role in JARHEAD).
The first section of the movie, which is also the best section, is all about Lucas Black getting into macho confrontations with dudes and then having a race. In the opening he’s leaving school, getting into his junker car when he exchanges words with a rich asshole jock dickhead (HOME IMPROVEMENT’s Zachary Ty Bryan, still wearing a letterman’s jacket at 24). You can already tell this is gonna be a worthwhile movie when it starts playing western style music and showing closeups of their faces as they stare each other down. They’re about to get in a wrench fight when the jock’s girlfriend suggests a peaceful solution: a fast and/or furious race. Lucas Black says, “I only race for pink slips,” (he doesn’t mention whether or not he lives life a quarter mile at a time) but since the HOME IMPROVEMENT guy’s Viper is worth $80,000, the bet is not agreed upon. So the girlfriend suggests herself as the prize. So you know the western music was not lying about this movie being awesome. (read the rest of this shit…)
As you know I’m not one for the cartoons but somehow I ended up seeing this new one called CARS. What CARS is about is cars. However they are not any ordinary type of car like you’ve ever seen before, they are living cars. And when I say that I am not even talking about a Knight Rider or Herbie the Love Bug type of scenario here, I am talking about an entire society devoid of human life, but dominated by living, feeling cars with weird eyeballs on their windshields. They can make gestures and they can use their tires sort of like hands, and they have jobs, etc. Even the insects of this world are cars, but there are regular non-car plants.
The second in Sonny Chiba’s Oyama trilogy is even better than the first one. First of all, no rape scene. Second of all, he becomes more of a classical badass who gets to show off different facets of his badass powers. There’s alot of scenes where he’s in a situation that would make most people nervous – like when a powerful gangster tries to hire him – and he just gives off a Just Don’t Give A Fuck vibe, sometimes even munching on food instead of paying attention to people (always a favorite of mine since Dirty Harry foiled a robbery while eating a hot dog).
The third and final entry in the Oyama trilogy starts out in pretty much the most badass way possible. A narrator explains that at this point in his life, Oyama liked to go around to different dojos and make challenges to prove the power of his karate.
SPOILER ALERT !!
When a guy like me finds out there’s an ’80s action movie called HARDCASE AND FIST there’s pretty much only one choice: watch it immediately. The box says that Hardcase and Fist are cops who are framed so they have to bust out of Folsom to prove they’re innocent. That’s a classic arc, the 1980s version of the hero’s journey. I was hoping of course that the characters would be named Detective Jack Hardcase and Lieutenant John Fist, but unfortunately there is nobody in the movie who is named, nicknamed or even referred to as Hardcase or Fist.
aka CHAMPION OF DEATH or FIGHTING KARATE-ULTIMATE TRUTH FIST
SHADOW MAN, I’m sorry to say, is the most boring movie Seagal has made so far. At least on my first viewing. To be fair, both THE FOREIGNER and THE PATRIOT seemed alot more fun the second time I watched them. In some ways maybe Seagal movies are like operas, you gotta understand the plot first before you can appreciate all the pageantry. But still, this is not one of my favorites.
Hi, everyone. “Moriarty” here with some Rumblings From The Lab…
Ahoy, squirts! Quint here with our main man, Vern, who got an early look at Richard Linklater’s newest, A SCANNER DARKLY. My words are meaningless when the great Vern speaketh below. Enjoy!
