I liked VISITING HOURS so much I figured I should follow the ol’ auteur theory with its director, Jean-Claude Lord. I know it’s a French theory, not French-Canadian, but I think it still applies. It’s 1986, only four years after VISITING HOURS, and the poor guy is already doing THE VINDICATOR.
THE VINDICATOR is the story of Carl Lehman (David McIlwraith, who played Andrew Card in the TV movie DC 9/11), genius scientist and soon-to-be-father who goes in to confront the famed rich guy Alex Whyte (Richard Cox, who played Alan Dershowitz in the TV movie AMERICAN TRAGEDY) who cut off his funding just when he knew he was on the verge of a huge fucking scientific breakthrough. What could go wrong? He’ll probly be very persuasive and the two will work out a compromise to continue the research, support each other and work together for the betterment of mankind. I’m sure everything’ll be fine. (read the rest of this shit…)
SPLICE is a monster movie by Vincenzo Natali, the guy who did CUBE all those years ago. Remember that one? Really good concept, pretty good execution, but you really want to like it so it gets by. Same thing here.
Academy Award winner Adrien Brody and Academy Award nominee Sarah Polley play a married (?) team of scientists working to harvest useful proteins from a new species they’ve genetically engineered. They got two of them named Fred and Ginger (get it? They’re named after Fred Flinstone and Ginger Baker), two dog-sized lumps of CGI flesh shaped kind of like maggots but mostly like dicks. (read the rest of this shit…)
SHADOW FURY is a cheap-ass 2001 sci-fi action movie about clones. It has one of those inexcusable keyboard-pretending-to-be-an-orchestra scores and the acting and dialogue are at higher cheesiness levels than I’ll usually put up with, i.e. worse than a SCANNERS sequel. But I really liked this movie because it rarely goes more than a couple minutes without a really cool action scene, a clever concept or a (usually unintentional) laugh. It has a similar energy to an early Isaac Florentine, so it fits that the director, Makoto Yokoyama, did second unit and stunts for the Power Rangers. An IMDb search finds 7 specific episodes directed by Florentine with Yokoyama on 2nd unit. So let’s call him the 2nd unit Florentine. (read the rest of this shit…)
I confess: I didn’t really know who Gary Daniels was. Turns out he’s a British kickboxer who’s been in about 50 movies since the late ’80s. I heard the name before but never watched any of his pictures. A couple people gave me shit about it when I reviewed Seagal’s SUBMERGED and didn’t mention that Daniels was in it. I guess that was a historic meeting of martial arts stars, but I didn’t even notice because I didn’t know who the fuck that was. Sorry, fellas. Like Brakus I am human. I can be defeated. (read the rest of this shit…)
Wow, I must’ve really misread the ol’ zeitgeist. I thought for sure with that depressing new Ben Stiller indie drama having come out on DVD last Tuesday GREENBERG was gonna be all anybody had on their minds for weeks. But the comments thread there almost makes it seem like you guys are more interested in this “Inception” business.
Well, whattya know? PREDATORS really is a good old fashioned action movie in the tradition of PREDATOR. Whichever corporate overlord holds the deed to the PREDATOR licensed property seems to be taking a temporary break from the “make sure they know we just want their money” policy that was in place for the two cheesy movies where the PREDATOR predators and the ALIEN aliens all got humiliated together fighting that pizza delivery boy at the pool party or whatever.
The movie begins with THE PIANIST himself, Adrien Brody, dropping from the sky. He just wakes up mid-air, hurtling toward an unknown jungle, no idea how he got here, and luckily finds that he has some kind of small parachute contraption attached to him. We’ve all been there, so it’s a real relatable way to start a movie. (read the rest of this shit…)
Stuart Gordon’s ROBOT JOX is the timeless story of some Robot Jox. It’s a post-apocalyptic world where the surviving factions of humanity fight over territories in sanctioned robot-on-robot battles. During the time of this story the Americans and Russians are fighting over Alaska. So this is the story of those robot battles and of the jox that jock the robots.
The robots aren’t alive, they are controlled by jox. Robot jox, if you want to be specific about which type of jox they are. These robot jox train in the martial arts and what not to prime their bodies to do moves that will be duplicated by the robot body around them. They have teams of course to build their robots and work on new weapons and help train them. So it’s like a futuristic cross between UFC, NASCAR, and war. (read the rest of this shit…)
You guys’ll have to forgive me. I’m not a “gamer” or “gamey” or whatever, so I don’t know how much of Dave Cronenberg’s video game exposee eXistenZ is 100% factual and how much is very, very slightly, almost imperceptibly exaggerated for dramatic purposes.
Maybe you can help me out: the “gamepod” controllers are little lumps of flesh, like mutated breasts. They plug a tentacle into a “bioport” on your spine, but if yours is installed wrong (which it turns out can happen if you let Willem Dafoe install yours at the gas station) it can overload your game pod and it will have to be repaired, which is a surgical procedure. The pods are actually genetically modified amphibians. (read the rest of this shit…)
“Why me Lord? What have I ever done / That was worth even one / Of the pleasures I’ve known / Tell me Lord, what did I ever do / That was worth loving you / or [Universal Soldier 3].”
–Kris Kristofferson, “Why Me”
Holy shit fellas, I didn’t see this one coming. I was excited about the idea of Van Damme and Lundgren doing a movie together again, but honestly I assumed they (and everybody else) would be phoning it in. Man, was I wrong. There are no phones used at all. This is a masterpiece of DTV.
Remember, I said I was gonna review all the UNIVERSAL SOLDIER movies? I wasn’t lying. Here’s my reviews of the third and fourth installments in preparation for the brand new part 3 that comes out next week.
UNIVERSAL SOLDIER III: UNFINISHED BUSINESS continues from part 2, clearly shot back-to-back and even including a “previously on Universal Soldier” type montage. Burt Reynolds is the sleazy CIA director trying to stop Luc Deveraux (Matt Battaglia, not Van Damme) and the reporter from revealing the UniSol program. I’m sure he wouldn’t get in trouble, but Congressional hearings are probly a pain the ass, you gotta go to bed early the night before, get your suit cleaned, send your lawyer a thank you note, all that shit. Easier to just stay out of the headlines. (read the rest of this shit…)
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Recent commentary and jibber-jabber
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I liked VISITING HOURS so much I figured I should follow the ol’ auteur theory with its director, Jean-Claude Lord. I know it’s a French theory, not French-Canadian, but I think it still applies. It’s 1986, only four years after VISITING HOURS, and the poor guy is already doing THE VINDICATOR.
SPLICE is a monster movie by Vincenzo Natali, the guy who did CUBE all those years ago. Remember that one? Really good concept, pretty good execution, but you really want to like it so it gets by. Same thing here.
I confess: I didn’t really know who Gary Daniels was. Turns out he’s a British kickboxer who’s been in about 50 movies since the late ’80s. I heard the name before but never watched any of his pictures. A couple people gave me shit about it when I reviewed Seagal’s SUBMERGED and didn’t mention that Daniels was in it. I guess that was a historic meeting of martial arts stars, but I didn’t even notice because I didn’t know who the fuck that was. Sorry, fellas. Like 
Wow, I must’ve really misread the ol’ zeitgeist. I thought for sure with that depressing new Ben Stiller indie drama having come out on DVD last Tuesday GREENBERG was gonna be all anybody had on their minds for weeks. But the comments thread there almost makes it seem like you guys are more interested in this “Inception” business.
Well, whattya know? PREDATORS really is a good old fashioned action movie in the tradition of PREDATOR. Whichever corporate overlord holds the deed to the PREDATOR licensed property seems to be taking a temporary break from the “make sure they know we just want their money” policy that was in place for the 
Stuart Gordon’s ROBOT JOX is the timeless story of some Robot Jox. It’s a post-apocalyptic world where the surviving factions of humanity fight over territories in sanctioned robot-on-robot battles. During the time of this story the Americans and Russians are fighting over Alaska. So this is the story of those robot battles and of the jox that jock the robots.
You guys’ll have to forgive me. I’m not a “gamer” or “gamey” or whatever, so I don’t know how much of Dave Cronenberg’s video game exposee eXistenZ is 100% factual and how much is very, very slightly, almost imperceptibly exaggerated for dramatic purposes.
Remember, I said I was gonna review all the UNIVERSAL SOLDIER movies? I wasn’t lying. Here’s my reviews of the third and fourth installments in preparation for the brand new part 3 that comes out next week.
