Archive for the ‘Documentary’ Category
Tuesday, January 13th, 2026
I think I mentioned this once a long time ago, but Tobe Hooper’s THE TEXAS CHAIN SAW MASSACRE is one of my favorite movies, and one of the great cinematic obsessions of my life. So I’m happy to say that the recent documentary about the movie, CHAIN REACTIONS, is a good one.
It’s not about the making of the movie. For that I recommend Brad Shellady’s THE TEXAS CHAINSAW MASSACRE: A FAMILY PORTRAIT (1988), which is an oral history through interviews with the actors who played the family members. This one is more of a video essay, speaking to five people who had nothing to do with the movie – a comedian, two filmmakers, a critic and a novelist. (Specifically it’s Patton Oswalt, Takashi Miike, Alexandra Heller-Nicholas, Stephen King and Karyn Kusama.) I think they have some good insights, but what made this really work for me is the specific ways director Alexandre O. Philippe (MEMORY: THE ORIGINS OF ALIEN, LYNCH/OZ) visually weaves together the interviews with different experiences of THE TEXAS CHAIN SAW MASSACRE and horror films as a whole, while avoiding pretty much all of the annoying cliches of modern fan documentaries. (read the rest of this shit…)
Tags: Alexandra Heller-Nicholas, Alexandre O. Philippe, horror docs, Karyn Kusama, Kim Henkel, Patton Oswalt, Stephen King, Takashi Miike, Tobe Hooper
Posted in Reviews, Documentary | 2 Comments »
Wednesday, December 31st, 2025
Yesterday I reviewed STREET PUNX, which I did not think was a successful movie but I was intrigued by its movie-within-a-movie topic of punk rockers in Yangon, Myanmar, and the lead character mentioning that there is a documentary about them. Last night I rented that documentary on Vimeo and yes, it was very much worth sitting through STREET PUNX just for that movie recommendation.
MY BUDDHA IS PUNK (2015) is a 67 minute cinema verite look at Kyaw Kyaw, the lead singer of a band called Rebel Riot. He was in STREET PUNX mostly talking to the main character on video chat. There he came across as a goofy, sweet, kind of shy guy with a whole bunch of girlfriends, and it came as a surprise when the movie ended on his moving explanation of the importance of artists in a revolution. Here, though, the younger Kyaw Kyaw is absolutely magnetic, a wise punk rock guru always speaking philosophy and inspiration, always teaching and advising. He straight up doesn’t believe in leaders, but seems to be the driving force of a punk rock movement and subculture in Yangon. He has a bunch of friends and band members who live and work together as a collective, but at least when the cameras are on most of them don’t talk much. They’re always listening to him. He genuinely seems a little frustrated by this. He’s always soliciting responses, but usually not getting them
(read the rest of this shit…)
Tags: Andreas Hartmann, Kyaw Kyaw, Myanmar, punk, Zero External Reviews on IMDb
Posted in Reviews, Documentary, Music | 6 Comments »
Thursday, November 14th, 2024
A couple months ago I got on a Jean-Michel Basquiat kick. You probly know who that is, but if not, he was a New York City graffiti artist in the early hip hop era, transferred his skills to paintings for galleries, became rich and famous and friends with Andy Warhol and stuff in a brief, prolific life before (like so many bright lights) dying of a drug overdose at 27.
Set aside the inspirational underdog story, the meteoric rise, the quirky details, the tragic ending. All interesting, but you don’t need any context for his art to be incredible. Labelled a “neo-expressionist,” he just has this lively, messy style, an explosion of scratches and scrapes and colors and doodles and words. If they are child-like, then the child in question must’ve remained young for 100 years, evolving his drawing into highly sophisticated crudeness. There are traces of influences from cartoons to African art, he sometimes references boxers and current events and social issues, but he translates it into these distinctive scribbles and cryptic/poetic phrases, sculpting beauty and humor from garbage and decay and vandalism. I don’t know of anybody quite like him, and lately (even before… you know) I’ve really been feeling it’s important to honor and glorify the true originals and pure artists among us, through my chosen medium of, uh, movie reviews. So here I am, glorifying Jean-Michel Basquiat. (read the rest of this shit…)
Tags: Amos Poe, Andy Warhol, Anne Carlisle, Becky Johnston, Benicio Del Toro, Christopher Walken, Claire Forlani, Courtney Love, David Bowie, Debbie Harry, Dennis Hopper, Edo Bertoglio, Elina Lowensohn, Eszter Balint, Fab 5 Freddy, Gary Oldman, Glenn O'Brien, graffiti, hip hop, Hope Clarke, Jean-Claude La Marre, Jean-Michel Basquiat, Jeffrey Wright, John Lurie, Julian Schnabel, Lee Quinones, Michael Holman, Michael Wincott, New York City, Parker Posey, Paul Bartel, Rockets Redglare, Saul Williams, Tamra Davis, Tatum O'Neal, Vincent Gallo
Posted in Reviews, Documentary, Drama | 10 Comments »
Monday, March 6th, 2023
FIRE OF LOVE is a 2022 best documentary feature Oscar nominee that’s produced by National Geographic, but it’s not the sort of thing I associate with them. It’s one of a couple different movies telling the odd story of maybe history’s first married volcanologist couple, Katia and Maurice Krafft of France. They married in their twenties and spent the rest of their lives traveling around documenting volcano events. And I really mean right until the very end… we’re tipped off at the beginning that they died in the eruption of Mount Unzen in 1991.
Though officially directed by Sara Dosa (TRICKY DICK & THE MAN IN BLACK), the credits are clear that it’s compiled from footage “from the deep archives” of the Kraffts. Clips of TV appearances, illustrative stock footage and a few bits of animation fill in some storytelling gaps, but it’s mostly footage shot by the Kraffts “and friends” – there’s no contemporary talking heads explaining what we should know about them or any of that type of bullshit. The volcanoes they’ll be seen visiting are credited as co-stars. The movie transports us to a different time and primarily lingers in what seems like a different world, far from any sign of human life, where we can see the earth’s raw power up close, as these self-proclaimed weirdos stare right into its gaping jaws, almost seeming tempted to jump in. (read the rest of this shit…)
Tags: best documentary feature nominee, Katia Krafft, Maurice Krafft, Miranda July, National Geographic, Sara Dosa, volcano
Posted in Reviews, Documentary | 1 Comment »
Wednesday, May 11th, 2022
RICKY POWELL: THE INDIVIDUALIST is a 2020 documentary about the late New York City photographer/scenester who documented the golden age of hip hop and the ‘80s New York City art scene. Most of us know of him because of a line in a Beastie Boys song – he grew up with Ad Rock and went with them on their tours for around a decade, hanging out and taking photos. He also took many famous pictures of Run DMC, LL Cool J and Public Enemy.
And it was more than that. He just lived in an interesting place and time, and knew a ton of people who went on to do big things, who were comfortable with him and let him take candid photos of them. Club kids, actors, graffiti artists. Some of his old friends are interviewed in the movie: Natasha Lyonne, Debi Mazar, Fab 5 Freddy, Laurence Fishburne, the graffiti writer Zephyr. (read the rest of this shit…)
Tags: Beastie Boys, Debi Mazar, Fab 5 Freddy, hip hop, Josh Swade, Laurence Fishburne, Max Perlich, New York City, photography, Ricky Powell, Run DMC, Vin Diesel
Posted in Documentary, Music, Reviews | 9 Comments »
Friday, December 10th, 2021
A GLITCH IN THE MATRIX is this year’s documentary from director Rodney Ascher, known for that THE SHINING thing, ROOM 237, and that sleep terrors thing, THE NIGHTMARE. I haven’t actually seen those, so I knew him from the 2001 DJ Qbert animated movie WAVE TWISTERS, which he was an editor on. That film’s co-director Syd Garon is the animation director for this one.
It’s about people who believe in various forms of simulation theory – the idea that whoah, what if, like, life isn’t real we’re just, like, some dude playing a video game? I don’t think depiction equals endorsement here. Ascher just thinks it’s an interesting idea and/or group of people, probly. Otherwise he’s a guy in a video game making a movie-within-a-video-game about maybe he’s a guy in a video game. (Actually, one interview subject does say that.)
It’s a really cleverly put together documentary – I wish more of them would invest this much energy into visual invention. “Witnesses” are interviewed over Zoom and then replaced in the footage with animated characters – robots, lion men, aliens with big brains inside glass domes – but still talking over Zoom from their ordinary homes. At first I thought these were fetishists insisting on communicating through avatars, before realizing it’s a conceit of the movie to depict reality as simulated. So people look like video game type characters, exteriors are from Google Street View, a whole sequence is animated in Minecraft. The stories and concepts they discuss are illustrated with computer animation, sometimes crude, but generally with aesthetics in mind – they generally hit a sweet spot between acknowledging absurdity and riding some kind of retro cyberpunk wave. (read the rest of this shit…)
Tags: Mandela Effect, Philip K. Dick, Rodney Ascher, simulation theory, Syd Garon
Posted in Documentary, Reviews | 13 Comments »
Thursday, June 17th, 2021
Back in 2003, a whole voting-age-person ago, I wrote about the 1984 documentary STREETWISE, along with a fictional movie somewhat inspired by it, and by the same director, called AMERICAN HEART. The latter is interesting, the first is a straight up masterpiece. You can read that review (though I’m embarrassed of a few lines – nothing too bad, but I was stupid back then) but the gist is that STREETWISE is an incredible movie about a group of teenage runaways who used to hang out on the block between 1st and 2nd and Pike in Seattle. Kind of the main character was a 14 year old girl nicknamed Tiny. She lived in an abandoned hotel with her boyfriend Rat, had a badass red jacket and mullet, also the poor girl was a prostitute and they actually had footage of her getting picked up by the world’s worst grandpas. She said she hated doing but she liked the money and kinda laughed about it. The movie vividly illustrates that some of these people you walk past on the street every day maybe have it even harder than you would’ve guessed, and also are just really interesting people worthy of love and compassion that they don’t get much of.
Of course I live in Seattle, and back when I first saw it I walked near there every day on my way to work, so the movie haunted me for a long time. As I wrote in the review, “It kind of feels like spying on ghosts or something. After watching the movie you find yourself trying to calculate how old these people would be now and guess if they’re still alive. Would you recognize them if you saw them walking around somewhere?”
Well, there are three pieces of news here. One, this great movie that was only available on VHS in the U.S. is finally easy to see because Criterion released it on blu-ray and DVD on Tuesday. Two, it comes complete with the 2016 followup film, TINY: THE LIFE OF ERIN BLACKWELL. Three, that’s a great movie too. (read the rest of this shit…)
Tags: filmed in Seattle, Martin Bell, Mary Ellen Mark, Seattle
Posted in Documentary, Reviews | 5 Comments »
Tuesday, May 11th, 2021
May 10, 1991
There were several movies in the summer of ’91 that were major pop culture events, widely discussed, referenced, parodied. One of them, surprisingly, was a music documentary shot mostly in 16mm black and white.
Or really more of a tour documentary than a music documentary. One thing that’s unusual about MADONNA: TRUTH OR DARE is that it’s entirely about its subject being a performer, a troupe leader, and a celebrity, and not at all about her music, or even the creation of her show.
The Blond Ambition World Tour was not a normal concert – it was more like an extravagant stage musical. On the four month, 57-show tour from Chiba, Japan to Nice, France, Madonna promoted her 1989 album Like a Prayer and 1990 DICK TRACY tie-in I’m Breathless, backed by seven dancers, two backup singers, an eight-piece band and a $2 million, 80 x 70 foot stage set that was hauled in 18 trucks and set up by over 100 crew members. Every song we see in the movie has its own backdrop, wardrobe (by the fashion designer Jean-Paul Gaultier – or, as we know him, the guy who did the costumes for THE FIFTH ELEMENT – who Madonna recruited in 1989 by sending him a nice letter) and complex choreography. When the movie begins they already seem like old pros at performing it. If there’s drama about something going wrong it’s not any of them messing up. It’s the sound system or the weather. (read the rest of this shit…)
Tags: Alek Keshishian, Antonio Banderas, concert films, Daniel Pearl, Jean-Paul Gaultier, Kevin Costner, Madonna, music documentaries, Propaganda Films, Sandra Bernhard, Summer of 1991, Vincent Patterson, Warren Beatty
Posted in Reviews, Documentary, Music | 31 Comments »
Wednesday, March 17th, 2021
When Soleil Moon Frye was seven years old, she starred in the NBC sitcom Punky Brewster, playing a spunky kid in a magenta jean vest abandoned by her mother at a grocery store and adopted by an old widower, brightening his life with the rainbow-colored shine of what she called, for some reason, “Punky Power.” Apparently the ratings were low, but kids loved the character so much they sold dolls of her and gave her her own Saturday morning cartoon show (co-starring a wish-giving hedgehog leprechaun named Glomer).
Four seasons later the show was cancelled, Frye’s next sitcom pilot didn’t get picked up, and for the most part all we knew about her post-Punky life was a story from People Magazine or something about how her breasts grew unusually large, she got sick of being teased about it and got reduction surgery before her sixteenth birthday. There were some guest appearances (The Wonder Years, Saved By the Bell) and some b-movies (PIRANHA, PUMPKINHEAD II), but mostly she was a wacky relic of ‘80s pop culture who had grown up and started a family and hopefully ended up in a healthier place than some of her peers. (read the rest of this shit…)
Tags: Balthazar Getty, Brian Austin Green, David Arquette, Jonathan Brandis, Leonardo DiCaprio, Mark Paul Gosselaar, Mark-Paul Gosselaar, Soleil Moon Frye, Stephen Dorff
Posted in Documentary, Reviews | 17 Comments »
Monday, September 21st, 2020
In this age of streaming and crowdfunding and what not there has been a new wave of documentaries about movie topics I’m interested in. The history of Cannon Films, of martial arts cinema, of ‘80s horror, etc. Some are great and comprehensive, some take on too broad of a topic and can’t really get very far, some are just amusing surface level “remember that?” tours through basic things you likely already know if you watched the movie on purpose. So I try not to expect much more than a cursory talking-heads-and-clip-montages glance at a compelling subject.
STUNTWOMEN: THE UNTOLD HOLLYWOOD STORY – which Shout! Studios is releasing to digital platforms tomorrow, September 22nd – gave me much more. Credited as an adaptation of the book of the same title by Mollie Gregory and directed by April Wright (GOING ATTRACTIONS: THE DEFINITIVE STORY OF THE AMERICAN DRIVE-IN MOVIE), it has interesting things to say about the history of women in cinematic stunts, addresses industry issues that hadn’t all occurred to me before, and most of all gives a glimpse into the lives and work of some really fascinating, amazing women. (read the rest of this shit…)
Tags: Alyma Dorsey, Amy Johnston, April Wright, Debbie Evans, Donna Keegan, Heidi Moneymaker, Jadie David, Jeannie Epper, Melissa R. Stubbs, Michelle Rodriguez, Renae Moneymaker, stunts
Posted in Documentary, Reviews | 8 Comments »
