Man, you guys have been trying to get me to watch this one forever. Now I’ve seen it, so I’m not sure what’s next on the list. Paddy Considine plays Richard, a soldier back in the small English town where he grew up, planning some kind of a revenge. We know this because of the first line of the movie: “God will forgive them. He’ll forgive them and let them into Heaven. And I can’t live with that.” So he’s basically the Christ equalizer, the guy who goes around pre-emptively un-forgiving people before Jesus shows up to forgive them. It could be called THE UNFORGIVER. (read the rest of this shit…)
Archive for the ‘Crime’ Category
Dead Man’s Shoes
Friday, March 12th, 2010Matchstick Men
Friday, February 19th, 2010I don’t know what my problem was, but I didn’t dig on GLADIATOR like everybody else did, and for some reason I was bitter about it and skipped most of the Ridley Scott movies after that. But like the typical SCARFACE-loving American male I couldn’t resist AMERICAN GANGSTER, and that’s when I realized the error of my ways. So predictably my post BAD LIEUTENANT fascination with Nic Cage sent me back to catch up on Mr. Scott’s con men movie.
Cage plays Roy and Sam Rockwell plays Frank, two grifters we first meet in the midst of scamming an old lady by calling up and telling her she won a contest. I must be getting soft in my old age because seeing it open that way made me wonder if this movie was gonna be too unpleasant to watch. We all love a good con job in a movie, but telemarketing scams on the elderly? Usually not as fun. Fortunately it gets more complicated when they show up at her house pretending to be FBI agents after the people who scammed her and take advantage of her hotheaded husband. The more complicated it gets the less moralistic we become as an audience. We would cheer on Ocean’s 11 even if they were stealing from orphans, as long as they had to use a tunnel and dress up in uniforms. Or that’s one theory, anyway. (read the rest of this shit…)
Shadowboxer
Thursday, February 18th, 2010I never heard of Lee Daniels before he got a best director nomination for PRECIOUS, BASED ON etc. Turns out PRECIOUS… is his third movie as a director, SHADOWBOXER is his first, and Kent M. Beeson insisted in the comments that I had to see it.
I’ve seen a few interviews and things with Daniels, and he seems like a nice, normal guy. Based on these movies alone, though, you’d have to assume the motherfucker is nuts.
SHADOWBOXER is a very serious crime drama. It has some colorful characters and intense violence, but it’s not an action movie at all. It’s focused on the characters, and with its lush colors, weakness for soft lighting and classical music it’s a similar style to PRECIOUS. It’s the story of a male-female team of assassins who, when hired to take out a crime boss’s pregnant wife (Vanessa Ferlito from DEATH PROOF) decide instead to deliver the baby and take mother and child into hiding.
The two killers have a strong attachment, they take care of each other, and they are lovers. And, uh, they’re played by Cuba Gooding, Jr. and Helen Mirren. Hahem. (read the rest of this shit…)
Steven Seagal: Lawman – Episodes 11-12
Wednesday, February 3rd, 2010
The LAWMAN season finale is on tonight, so before that airs I thought I should catch up on reviewing the previous two episodes. The show continues to be interesting to Seagalogists, each time throwing in a few new elements instead of simply repeating itself. These episodes include shit-talking Jean-Claude Van Damme, being mistaken for another famous action star, a sad look at the War on Drugs and a genuinely cute moment that will make you say “Aaaahhhhh, that was a genuinely cute moment.”
Steven Seagal: Lawman – Episodes 8-10
Wednesday, January 20th, 2010(sorry guys – playing catchup on reviewing the last three episodes before tonight’s new one)
Medicine Man
“I like you, my wife loves you. She love that man. I don’t know why.”
This is the rare episode that begins in the daylight, with the Squad checking out a report of a suspicious person in front of a liquor store. They end up chasing a black kid all over the place, driving, cutting through yards, hopping fences. And I think they would be the first to admit that this chase scene is more like a scene from GRUMPY OLD MEN than DISTRICT B13. To their credit I guess there’s a little POINT BREAK in there. (read the rest of this shit…)
Deadfall
Friday, January 15th, 2010I honestly never knew about this Nic Cage-featuring neo-noir until some of you recommended it to me in the comments. So thanks for that. Since I’d never heard of it and the cover looks like the type of photoshop they do on an uncopyrighted double feature DVD you’d buy for 99 cents at Safeway I assumed this was an early Cage performance. I was shocked when I realized it was 1993, same year he did the much more polished RED ROCK WEST. It’s kind of hilarious that a crime movie this clunky came out after RESERVOIR DOGS. (read the rest of this shit…)
Normal Life
Monday, January 4th, 2010or NOTHING’S WORTH THIS SHIT
I think NORMAL LIFE is a good movie, but I’d sympathize with somebody for hating it. It’s a true crime story about a husband and wife bankrobbing team, but mostly it’s about their fucked up relationship, and it’s like it drags you into the whole mess when you watch it. It’s about as pleasant and fun as you’d expect from the director of HENRY: PORTRAIT OF A SERIAL KILLER if you didn’t know he’d go on to direct WILD THINGS. (read the rest of this shit…)
American Yakuza
Wednesday, December 30th, 2009“Viggo Mortensen is… AMERICAN YAKUZA.” That’s what it says on the trailer. This is a rare early Viggo lead role and it’s pretty much a straight up action/crime movie. In the tradition of AMERICAN NINJA, AMERICAN KICKBOXER, AMERICAN SAMURAI and AMERICAN BEAUTY, Viggo is an American white guy who earns the trust and acceptance of the Yakuza, complementing their traditions and rituals with his own American spirit. When they drink sake he drinks Bud Light or Wild Turkey. But don’t worry man, he’s cool. I’ll explain. (read the rest of this shit…)
Steven Seagal: Lawman – Episode 7
Sunday, December 27th, 2009To Live or Die
This episode begins with the Squad responding to a call about two men shot in an armed robbery. They go to a Hispanic neighborhood where two Latino men are laying on the ground bleeding from gunshot wounds. Seagal and friends ask the wounded men and witnesses about who shot them (two black men with dreads who robbed them and then shot them anyway) but otherwise all they can do is assure them an ambulance is coming. This is the biggest incident we’ve seen in this series so far, but it’s not exciting, it’s just upsetting to see these poor guys moaning in pain.
“Believe me,” Seagal says. “That really pisses me off bad.” After all the people Seagal has left behind in movies, screaming about which body parts of theirs he injured, and after seeing him abandon the body of a colleague and love interest in a wrecked car in EXIT WOUNDS, it’s weird to see him standing around frustrated that two people are hurt and he can’t do anything. Later we learn that one of the men died. (read the rest of this shit…)