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Archive for the ‘Comedy/Laffs’ Category

Outlaw Vern launches a review of THE AMERICAN ASTRONAUT dvd

Thursday, February 10th, 2005

Hey folks, Harry here with a review of a pretty darn fun movie. I haven’t seen the dvd yet, that’s why it isn’t on my list. But by all means, Vern is right about the film, this is one I must pick up!

Dear Harry,

Congratulations on the robot leg, bud. I never thought of getting one of those. Sounds like a good gimmick though, hope it’s working out there.

that’s all bud,

Vern

On second thought, shit, as long as I’m writing you I might as well review this movie THE AMERICAN ASTRONAUT that I just saw on a convenient DVD type format. It officially comes out on February 22nd (or 15th if you wanna order it from the web sight). What this is is a very independent low budget absurdist comedy deal that was made in 2000 and has been touring the land ever since. You ran one glowing review of it years ago and a couple other minor references, but since it’s a real good one that will probaly get almost no advertising, I thought maybe it was worth revisiting as it comes to DVD and therefore within reach of your average citizen. (read the rest of this shit…)

Sideways

Sunday, December 26th, 2004

So there’s these two middle aged dudes, Miles (Paul Giamatti) and Jack (some dude from a sitcom they used to have). Jack is an ex-soap star who’s about to get married, Miles is a depressed middle school english teacher who can’t get his novel published and is obsessed with wine. Together they have to stop a criminal mastermind who is poisoning the wine supply in the San Fernando valley and turning wine drinkers into an army of zombies.

Actually I made that last part up but what it’s actually about is they go on a trip into wine country the last week before the wedding. The idea is for Miles to show Jack “a good time” which to him means going around tasting wine and showing off that you know how the grapes were grown and what year it is and stupid crap like that. I mean in this movie you got people talking on and on about Pino this and 1961 is peaking and all this shit, they might as well be talking backwards, you got no idea what these idiots are blabbing about. Except when they start talking about how fragile the grapes are or something, and it is obviously a parallel to their own emotional state or their dreams or something. But I’m sorry, metaphors are not a good enough excuse for that kind of talk. Anyway, it works for the movie because they are good characters. You are not supposed to think their wine talk is cool. (read the rest of this shit…)

Pauly Shore Is Dead

Monday, December 13th, 2004

[NOTE: this review was sent to The Ain’t It Cool News, but they never ran it. Sometimes pieces like this just fall through the cracks. Or sometimes movies starring and directed by Pauly Shore should not be written about. It only encourages them. sorry about this one guys.]

Dear Harold,

You better be lying about BLADE 3 you motherfucker or I got nothing to look forward to. I need a light at the end of the tunnel Harry and you’re trying to black it out on me. Also I hope you had a nice stay in Seattle.

Anyway I’m writing to you due to the fact that I just seen yet another straight to video movie, this one called PAULY SHORE IS DEAD, by star/subject/director/co-writer Pauly Shore, a former inexplicably famous comedian. What this movie is about is he has run out of the money he made in the early ’90s and can’t get any jobs so he made a “personal” independent movie about his career to bear his soul and/or beg for attention. (read the rest of this shit…)

Ocean’s Twelve

Friday, December 10th, 2004

OCEAN’S 12 is a sequel to OCEAN’S 11 (the 2001 version [not the movie 2001, I am referring to the year 2001, the year the movie OCEAN’S 11 was made {the remake, not the original, that is why I brought up this year thing originally}]) so this will be the sequel to my review of that movie.

It turns out that the eleven do NOT die horribly as I predicted. But their past (the other movie) does catch up with them, and the sequel is all about them doing various heists in order to pay back the money, plus interest, that they stole the first time around. So that means that Ocean’s 11 actually have a net loss across the two pictures. I mean, think about that. That’s terrible! What does that say about the current state of doing a job right? You want to do the impossible, so you bring in 11 of the greatest experts from around the world, you pull it off, you win back your ex-wife, and you have a fun time doing it. And your reward is horrendous debt and threat of life and limb. That’s how this world rewards you for ambition, talent and dedication. (read the rest of this shit…)

The Werewolf of Washington

Wednesday, December 1st, 2004

I was browsing through the horror section at this video store one day. I don’t know if many of you remember this, but there are actual video stores they have that you walk into and find a movie. You don’t just order them online and then wait for them to be delivered to your house. This old fashioned method requires walking and effort of some kind (sorry about that folks) but the cool thing is it’s spontaneous: you find something, you bring it home, you watch it.

Anyway I found this movie WEREWOLF OF WASHINGTON. Never heard of it before but it’s from 1973 and it’s about a Washington press secretary who gets bit by a werewolf and later bites the president. I immediately thought this movie was right up my alley. Not just because it would be funny to see Scott Maclellan take a bite out of Bush, but also because I always wanted to see a movie like this. A horror movie within the world of politics, like Jason Voorhees becomes president, or Dracula vs. America, or something like that. They always use horror as a metaphor for teenage life (Ginger Snaps, Buffy the vampire, etc.) or pretentious yuppie life (the films of Larry Fessenden) or AIDS (Dave Cronenberg’s The Fly) or occasionally Vietnam (Death Dream, maybe Last House On the Left). I can think of two movies, People Under the Stairs and Texas Chainsaw Massacre Part 2, that I think are on some level about Reaganomics. But I can’t think of any horror movies that are really blatantly and specifically about politics and politicians. And it turns out there is one, I just never heard of it before. (read the rest of this shit…)

Seed of Chucky

Friday, November 12th, 2004

Well judging from the low turnout for this picture in its first couple weeks, I might be the only one. But DAMN if I don’t love BRIDE OF CHUCKY. THat was the amazing slasher sequel landmark where the former Hong Kong director Ronny Yu knocked the CHILD’S PLAY series off into a weirdo direction where the killer doll suddenly gets a killer doll wife and it turns into a silly comedy, but with occasional moments of visual poetry courtesy of future oscar winning cinematographist Peter fucking Pau.

Now if you’re like me you remember the very end of BRIDE OF CHUCKY, suddenly a little sharp-toothed baby chucky pops out. It’s like the traditional sudden-jolt-ending used in every horror movie since CARRIE, but at the same time it’s a funny joke because you just KNOW it means we’re gonna get a SON OF CHUCKY some day. Or SEED OF CHUCKY it turns out due to the ambiguous gender of the baby. (read the rest of this shit…)

Team America: World Police

Saturday, October 16th, 2004

TEAM AMERICA is pretty much your typical moronic jingoistic action nonsense. The ultimate big budget, small brained hollywood summer action July 4th blockbuster. The movie you saw and couldn’t believe anybody liked but somehow everybody liked it and it made a bazillion dollars and the next summer everybody pretended it was somebody else who liked it. It’s pretty much that movie, except sarcastic, and done entireley with creepy looking marionettes like on that old TV show THUNDERBIRDS. That might be a comment about the wooden characterization and emotion in big action movies, and the way they treat sometimes respectable actors as props to move around and set up in front of explosions. But more likely it’s just because puppets are funny. It’s funny to watch them do stuff, because they’re puppets.

The first third or so of this movie is the hardest I’ve laughed in a long time. The opening credits are these overblown 3-D metallic letters that fly at the camera and then blow up, and you know right there that these filmatists know their Jerry Bruckheimer. What’s really impressive about the movie is the incredible attention to detail about all the cliches of action movies. They got every shot, every corny line, every montage, every subplot of a dumb action movie. They introduce and reintroduce bad guys exactly the same way they do in the real movies. They use the same angles and lighting and music cues. It’s just different because they’re these goofy bigheaded dolls and they walk funny. (read the rest of this shit…)

I ♥ Huckabees

Wednesday, October 13th, 2004

I’m not 110% sure but I think there may be a new movement poking its head out from over the Hollywood hills. Only a few years ago it was unimaginable that a Hollywood studio would make an entertainment-oriented movie with recognizable stars but also with a premise so weird and convoluted that it is hard to even explain. Then all the sudden there was this movie starring John Cusack and Cameron Diaz and it was about how there’s a door hidden inside an office building that you can go through and you will be able to control John Malkovich and make him quit acting to become a puppeteer. Then also there was the movie by the same director and writer where Nicolas Cage played twin brothers who try to write a movie based on a non-fiction book about collecting rare orchids but they can’t do it and instead write the movie that you are actually watching about twin brothers who try to write a movie based on a non-fiction book about collecting rare orchids but they can’t do it so instead they write the movie that you are actually watching. (read the rest of this shit…)

My Name Is Modesty and Frankenfish

Thursday, September 9th, 2004

Hi, everyone. “Moriarty” here with some Rumblings From The Lab…

Holy cow, I think that’s the sound of my balls getting busted. And I s’pose if they’re going to get busted, I’m glad it’s by Guillermo Del Toro’s favorite working film critic, the Northwest’s greatest ex-con turned online movie columnist… the one… the only… Vern:

VERN’S VHS PILE

Howdy boys. Well I know Moriarty’s got his DVD shelf that he’s real proud of and he has more DVDs than he will actually live to ever watch, which is good. Always wise to have that shit around to pawn, in my experience. I’m not saying he’s gonna get a whole lot for BASIC, GHOST SHIP, ROLLERBALL, MR. DEEDS, and that kind of crap (yeah, I studied that picture too), but hey, if it buys half a bowl of soup on a cold day it might be worth it. Always save for the future. Anyway I’ve got a couple more reviews of straight to video movies for you so I thought it was time I shared with you something very special. Not to brag or anything but this is Vern’s VHS Pile:

Yep, that’s right, that’s a pile of VHS tapes right there. Most of them are screeners, all of them are an obsolete format, and one of them is even a good movie. Two if you count the headcleaner. I know alot of people will not believe I actually have such a pile, so let me just head you newsies off at the pass and tell you that no, that is not fake, that’s a bonafide 100% real photograph, and all are owned by me, not rented like Ja Rule’s mansion on that episode of CRIBS I read about. (read the rest of this shit…)

Zatoichi

Sunday, August 15th, 2004

I’ve seen a couple of the old Zatoichi movies and I liked them, but I was excited for this one not because it was a Zatoichi film, but because it was a TAKESHI KITANO film. The great badass laureate does his usual writing/directing/editing deal while playing the blind masseuse with the deadly cane sword.

So I don’t know why but for some reason it threw me off that this really was more of a Kitano movie than what you expect when you see a Zatoichi movie. It’s like, what if Jim Jarmusch made a Zorro movie? It’s kind of weird. The character is very similar to how Shintaro played him, with a little more of the Beat Takeshi humor and for some reason with blond hair. But the feel of the movie itself is very Kitano. It wanders around like a dotted line in a Family Circus comic, gradually introducing a family of offbeat characters, without letting on too strong about which ones the movie is about. It has the usual Kitano sense of humanity, introducing a couple of dumb (one arguably retarded) characters and one crossdresser, without a trace of being judgmental. (read the rest of this shit…)