I'm not trying to be a hero! I'M FIGHTING THE DRAGON!!

Posts Tagged ‘Zhang Ziyi’

Crouching Tiger, Hidden Dragon

Wednesday, September 13th, 2017

CROUCHING TIGER, HIDDEN DRAGON is an important movie to me for a couple reasons. One is personal, but the other is kinda about you guys. I had been writing reviews on my Geocities websight for a bit, but I didn’t really think anybody gave a shit, so I had kind of given it up for a few months when I ran into an old friend who mentioned he liked what I wrote about CROUCHING TIGER and wondered when I was gonna write more reviews. So I did, and then I continued for like 17 years, and here we are. Thank you, Jacob M., for saying that to me that day.

I love CROUCHING TIGER. I wasn’t sure how well it would hold up after all these years. It was such an exciting movie of its time, but it’s been imitated, techniques have evolved, new things have been achieved in martial arts, we’ve changed. And though I still like HULK, the other Ang Lee film I was obsessed with in the early 2000s, it doesn’t quite knock my socks all the way off anymore. Just part way off.

CROUCHING TIGER, I’m happy to discover, still does. And it knocks them off in a deeper, more mature way than it used to. My socks were very impressed.

(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Grandmaster

Wednesday, August 21st, 2013

tn_grandmasterNOTE: A couple weeks ago I watched Wong Kar Wai’s long-awaited Ip Man movie THE GRANDMASTER on an import DVD. I loved it so much I decided not to post a review until the U.S. theatrical release so more people would be able to see it and discuss it.

Then I saw an ad on TV calling the movie “Martin Scorsese presents THE GRANDMASTER,” talking about “THE MAN WHO TAUGHT BRUCE LEE,” and showing a bunch of fight scenes with an aggressive hip hop soundtrack. There’s an even more extreme one online now that uses the theme from THE MAN WITH THE IRON FISTS.

These ads gave me a laugh, because as great as the fights are in the movie the emphasis is on characters and metaphors and beautiful imagery, and it’s as much about Zhang Ziyi’s Gong Er (a fictional character, I believe) as a biography of Ip Man. I was excitbtisled to see it on the big screen, but dreading the possibility of an audience angry at the long breaks between punching.

What didn’t occur to me is that maybe the breaks aren’t that long anymore. It turns out the U.S. theatrical cut is a Weinsteinized version that’s 22 minutes shorter. David Ehrlich of film.com explains that the new cut was done with the participation of Wong, and details all the things he noticed that were cut out. I won’t spoil whether or not he likes the new version, you’ll just have to read his article Kung Foolish: How The American Cut of ‘The Grandmaster’ Ruins a Masterpiece to find out for yourself.

I still plan to see it, but based on Ehrlich’s list it sounds like half of the themes and scenes I talk about in this review aren’t even in the movie anymore. So fuck it, here is my review of the 130-minutes-including-credits Suitable-For-The-Entire-World-Except-For-America-Because-How-Could-They-Ever-Understand-It Cut. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.