Posts Tagged ‘William Friedkin’

Sorcerer

Thursday, December 27th, 2007

If you’re a never-give-up Rocky Balboa type of dude, a real achiever, or if you have to carry heavy objects alot as part of a job or strongman competition, then you know this feeling: your body is exhausted, bruised, broken, covered in sweat, maybe some blood, your task seems impossible, but you’re too stubborn to give up. You keep going until you’re done, powered by the sheer force of will. That’s what the second half of SORCERER is about. Four guys, two trucks, a bunch of nitroglycerin, and miles of untamed South American jungle. They gotta drive the nitro without blowing up, because it’s needed to put out an oil fire, ON DEADLY GROUND style. The job is ridiculously dangerous so it pays well, and they’re doing it for the pay day. They’re all fugitives hiding out here for a wide selection of crimes and the money they’ll get represents a chance to start over somewhere nicer. (The first half sets all this up.)

So there they are, in a couple of fucked up trucks, rolling over craggy roads, along the edges of cliffs, through swamps and across the shakiest bridges you’ve ever seen. And who better to lead the charge than Roy Scheider*? I think he’s the right man for the job, and if you disagree I think you will change your mind pretty quick when you watch the movie. In one harrowing scene they come to a broken rope bridge in the middle of a storm. It seems logical to give up at this point, but Roy refuses. He has his partner crawl across the bridge guiding him inch by inch all the way across. It’s a terrifying ordeal that seems to take forever and then the second they’re safely across the movie cuts to the other truck getting to the bridge and having to do the same damn thing. No time to catch your breath.

[*actually there’s one person that might’ve been better, that’s Steve McQueen, who almost starred in the movie. But he was having trouble with his marriage to Ali Macgraw and wanted Friedkin to make her a producer so she could be on location with him, Friedkin said no and the rest is Scheidermania. That’s too bad but just try to forget I told you that and appreciate that Scheider was a good second choice) (more…)

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The Hunted (2003)

Saturday, December 8th, 2007

Not to be confused with THE HUNTED (starring Christopher Lambert) or BENJI THE HUNTED (starring Benji)

Early in William Friedkin’s THE HUNTED we are introduced to its hero, L.T. Bonham (Steven Seagal), an expert in tracking, knife fighting and wilderness survival who used to train special ops soldiers in these skills. As he learned that the guys he was training were being sent to assassinate people for purely political purposes he grew disillusioned and quit. So now he’s in the BC wilderness where we see him track an injured wolf through the snowy woods, get the trap off of his paw, chew up a root and rub it on the wound as a homeopathic healing agent. Then he tracks the responsible poacher down at a tavern, bangs his head against a table and tells him never to do it again.

Oh wait, did I say Steven Seagal? Actually L.T. Bonham is played by Tommy Lee Jones. I was surprised how much of this movie reminded me of Seagal, though. The story is about a special ops badass (Seagal– er, I mean Benicio Del Toro) who comes back from Kosovo totally wacked out and kills some guys, and Tommy Lee Jones (UNDER SIEGE) is the guy who trained him so he has to help catch him. So I thought it was gonna be like FIRST BLOOD meets THE FUGITIVE. Not Steven Seagal meets Steven Seagal.

Unlike FIRST BLOOD there’s not alot of build to this guy snapping, not alot of pushing him too far. There aren’t circumstances back home that make him go crazy, it just happens because Kosovo was so bad. Friedkin pretty much depicts Kosovo as Hell, the whole place lit orange from flames. It’s kind of a surreal opening because it starts with Johnny Cash’s voice reciting a poem about God and Abraham. And it throws you off balance when some action movie starts out narrated by Johnny Cash. He could be the voice of God, or of the movie’s narrator, or of Uncle Jesse from DUKES OF HAZZARD. Whatever he is he’s a weird person to welcome you to an action movie. But he’s Johnny Cash, so you trust him. (more…)

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To Live and Die in L.A.

Wednesday, November 21st, 2007

I always knew the title to this one, because of that song by Wang Chung. But I never knew what exactly it was about. Turns out it’s loosely based on a novel by this guy Gerald Petievich. He was in the Secret Service, and the book was inspired by some of his experiences. So it’s supposed to be about the weirdness of that job, where one day you’re protecting the president of the United States and the next day you’re working for the treasury department so you’re just chasing some dude with counterfeit twenties.

This movie has the thumbprints of great filmatism smeared all over it. It has the kind of opening I’m a sucker for, the kind that throws you in the middle of something, sets the tone, then goes into the opening credits. Like a preamble or an overture. The main character Richard Chance (William Petersen) is on security detail for a Reagan speech (you just hear Reagan’s voice off screen, they don’t have Martin Sheen or anybody playing him). The guys are just kind of killing time when he notices something odd that leads him to the roof, where he finds an Islamic suicide bomber. (oh, shit.) He’s not able to talk him down but his partner climbs up the side of the roof and yanks the guy by the leg so that he explodes in mid-air, like a big balloon full of blood and chunks of meat. Then the two sit on the edge of the building to think about what has just happened. Chance says, “Let’s go get drunk and play cards” and it cuts into a stylish opening montage showing various images from the movie and that represent L.A.

One sign of greatness: the title is printed in a font so big the title has to be split up to fit on the screen. This generally means the movie is gonna be awesome. I’m sure some shitty movies have figured that out and use big fonts to fake everybody out but as a general rule title filling entire screen = good movie. (more…)

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