"We're still at war, Plissken. We need him alive."

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Posts Tagged ‘Stan Shaw’

Cutthroat Island

Wednesday, September 18th, 2019

It took me nearly a quarter of a century to get around to giving CUTTHROAT ISLAND (1995) a shot. Certified by the Guinness Book as the biggest financial bomb of all time, it got poor reviews, bankrupted Carolco Pictures (FIRST BLOOD, T2) before it even came out, diverted director Renny Harlin (following DIE HARD 2 and CLIFFHANGER) from the A-list and failed to create momentum for its revolutionary notion of giving a woman the lead role and top billing on a big budget summer adventure.

But I had reason to be suspicious of its reputation. Many of Harlin’s ‘90s movies, particularly his also-starring-Geena-Davis followup THE LONG KISS GOODNIGHT, deserve more credit than they got at the time. And there’s definitely precedent for mob mentality panning of movies that have been heavily covered as over budget, out of control productions. This had the additional gossip-bait of the star and director being married to each other, causing mean-spirited speculation that one was only hired because of the other one’s clout. (For example, an informative 1996 Independent article about what went wrong manages to refer to them as “Renny Harlin and his demanding wife.”) On top of all that, you know how it is with what I call the Old Timey Adventure genre. They almost always lose money, even when they’re great. That’s just how it is. (read the rest of this shit…)

Snake Eyes

Wednesday, September 5th, 2018

August 7, 1998

There’s this conventional wisdom I’ve heard thrown around more than once that if you notice a shot being cool then it’s not really a good shot. Which is to deny the existence of Brian De Palma. SNAKE EYES is an underrated spot on the De Palma timeline when he had just made a huge hit with MISSION: IMPOSSIBLE and was able to cash in and get big studio resources for a much more purely DePalmian thriller that exhibits 36 chambers of filmatistic showboating.

Why not use the suspense thriller format to explore every new or uncommon use of cinematic language De Palma was interested in at the time? Additionally, why not use every new or uncommon use of cinematic language De Palma was interested in at the time to explore the suspense thriller format? There is no why not. This movie is great.

Nicolas Cage, not long after FACE/OFF, plays Rick Santoro, not the stick-up-his-ass homophobe former GOP senator and presidential candidate from Pennsylvania, but an obnoxious, bribe-taking bad lieutenant, port of call Atlantic City, who wears loud clothes, bets on boxing matches, and is gonna have to stop fucking around and be a hero this time. See, Santoro is standing close enough to get blood on him when the secretary of defense (Joel Fabiani, BRENDA STARR) gets shot at the fight. Santoro bulldozes his way into investigating so he can cover the ass of his old war hero buddy Gary Sinise, REINDEER GAMES), who was in charge of security. (read the rest of this shit…)