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Posts Tagged ‘Sean Whalen’

Tammy and the T-Rex

Tuesday, January 28th, 2020

Everybody has that list of the movies they know they should’ve seen but just haven’t yet for some reason. For me right now it includes BARRY LYNDON, THE DEER HUNTER, the ONCE UPON A TIME IN CHINA series, KUNDUN, MASTER AND COMMANDER, THE INSIDER, and others. But it no longer includes TAMMY AND THE T-REX. Progress.

TAMMY is a movie from 1994 that I was vaguely aware of as a cheesy family comedy only released on VHS. I definitely confused it with THEODORE REX at times, but I knew it had young Denise Richards (her first starring role) and Paul Walker (his third movie, after MONSTER IN THE CLOSET and PROGRAMMED TO KILL) and was supposed to be pretty crazy. Then last year there was an important new development in film scholarship: somebody discovered a print of a “gory cut” of TAMMY. Turns out before it was released straight to video it was edited down from a very R-rated horror comedy (both terms used loosely). So it played Fantastic Fest and Vinegar Syndrome released a beautiful Blu-Ray special edition and now it’s playing on Shudder. (read the rest of this shit…)

3 From Hell

Friday, October 18th, 2019

(I guess I should always say this, but SPOILERS)

The psychotic Firefly clan – introduced in Rob Zombie’s HOUSE OF 1000 CORPSES (2003) and made more vivid in THE DEVIL’S REJECTS (2005) are finally back in 3 FROM HELL, another mix of sun-soaked fugitive murder spree and stylized cartoon that’s at least a little bit of a comeback for Zombie after the crowd-sourced 31 (2016). That one had nice cinematography and performances but it was such a limp “I guess this is the kind of shit you expect from me?” greatest hits throwaway I couldn’t even muster the enthusiasm to write a review.

Since 3 FROM HELL is not as good as REJECTS, and not as big of a leap from its previous chapter, it doesn’t feel entirely necessary. And that makes it harder to ignore the hollowness of these movies. As far as I can tell they’re not saying much, just trying to be provocatively inappropriate, and they’re less about human beings than about Zombie’s fetishes: weird clowns, redneck chic, tattoos, bushy beards, satanic symbols, Manson Family nostalgia, ’70s rock montages, kitschy western gear over cheeky retro-t-shirts, black and white monster movies playing on old TVs. But I can appreciate most of that stuff, so I can enjoy an occasional dip into Zombie’s distinct mix of uncomfortably fucked up shit, cool visuals, some laughs and some stretches where you realize you’re too invested in these terrible people and feel like an asshole. (read the rest of this shit…)

The People Under the Stairs

Monday, October 17th, 2016

tn_puts“Your father is one sick mother, you know that? Actually, your mother’s one sick mother too.”

I like THE PEOPLE UNDER THE STAIRS because it’s Wes Craven’s feverish impressionist portrait of American economic inequality circa 1991. It lacks the precise metaphoric aim and pulp effectiveness of THEY LIVE, but it’s Craven’s version of that same type of genre-film-as-angry-shout-at-The-Man.

In fact, one of the villains is even credited as “The Man” (Everett McGill, UNDER SIEGE 2: DARK TERRITORY). He and “The Woman” (Wendy Robie, THE GLIMMER MAN) own a big old house inherited from their family, living off of the rent from the “half of the ghetto” that they own. One of their tenants is our 13 year old protagonist Poindexter Williams (Brandon Adams, GHOST IN THE MACHINE – and this kid looks really familiar for some reason), who goes by the nickname Fool after the Tarot card of some joker trapped between a fire and a cliff. That’s where he is now, because at his back is having to pay triple rent or get kicked out of the apartment so the Man and Woman can razed it and build condos, at his front is his sister’s friend Spencer (Ving Rhames, FORCE OF EXECUTION) trying to pressure him into breaking into the slum lords’ house to steal gold coins they can use to pay the rent and for mom’s cancer treatment. (read the rest of this shit…)