I'm not trying to be a hero! I'M FIGHTING THE DRAGON!!

Posts Tagged ‘Philip Glass’

Powaqqatsi

Thursday, January 14th, 2016

tn_powaqqatsilucasminusstarwarsGeorge Lucas and his big homey Francis Ford Coppola (CAPTAIN EO) are executive producers of Godfrey Reggio’s POWAQQATSI (Life in transformation), the EMPIRE STRIKES BACK of the Qatsi trilogy that began with KOYAANISQATSI (Life out of balance) in 1982 and ended with NAQOYQATSI (Life as war) in 2002. If you’ve seen either of those, or the ones by Reggio’s cinematographer Ron Fricke (I reviewed his SAMSARA in 2011) then you got a pretty good idea what this is like. Which is good, because my words might not cut it.

We could classify these as “experimental documentaries,” but they don’t have much of what anybody thinks of when they think of documentaries. No interviews, no narration, no onscreen text, no people talking at all. No storyline or argument made. No easily encapsulated subject or premise. Just themes.

They’re like cinematic paintings, or photo essays, or poems. They rhyme by having similar shots and images over and over again, all set to very repetitive (in a good way) scores by Philip Glass.

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VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Mishima: a life in four chapters

Thursday, December 17th, 2015

tn_mishimalucasminusstarwars

This is the story of Yukio Mishima (Ken Ogata, VENGEANCE IS MINE), once “Japan’s most celebrated author,” but now largely known as a crazy who commited public ritual suicide. Paul Schrader’s complex, lushly produced film weaves together both sides of the writer’s legacy, illustrating what he called “the harmony of pen and sword,” an attempt to fuse his art and his actions into one.

It starts in 1970 the morning of the day when we know from the onscreen text that Mishima is going to take “4 cadets from his private army” to a military base, kidnap a general. Mishima, and those of us who have heard of this incident, know he will make a speech about the soul of Japan and then cut his belly open with a sword. But he doesn’t seem nervous. He skips breakfast but has one last leisurely morning, reading the paper, enjoying some tea in his lovely backyard. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Taking Lives

Thursday, November 12th, 2015

tn_takinglivesI don’t watch these twisty suspense thrillers too often, but they can be fun. I honestly don’t know what drew me to TAKING LIVES right now, but the only thing I knew about it other than that it stars BY THE SEA director Angelina Jolie is a really absurd thing that happens at the end that somebody told me about back when it came out. That turns out to be the best part of the movie, but I guess it’s okay I had it spoiled 11 years ago because otherwise I don’t think I would’ve watched it. There is no scenario where I see this fresh. It’s kind of like how I saw both SEVEN POUNDS and ORPHAN only because their plot twists sounded funny. Not that this is as good as those, but I enjoyed it okay.

Extra-hot-late-twenties Jolie plays Agent Illeanna Scott, an FBI profiler who has come to Canada to help Hugo Leclair (Tchéky Karyo), her mentor from Quantico, catch a serial killer. You know the drill: she’s totally brilliant, she has odd habits (like she lays inside a grave to get closer to the crime), she looks at gory photos while eating, she comes up with theories based on tiny details and everybody looks at her in either awe or fear. Olivier Martinez (BEFORE NIGHT FALLS) plays a cop who doesn’t trust or respect her, and he gets to be the bearer of that cliche that if you say something insulting in front of someone in another language thinking they don’t understand it then for sure they will play along and later say something to you in that language to reveal that they are fluent and then you will be embarrassed and not know what to say. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.