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Posts Tagged ‘Mike Starr’

Ca$h (the Sean Bean one)

Thursday, June 21st, 2012

An Avenger and a Throne-Gamer butt heads over a suitcase of money in this mediocre DTV thriller

Wasn’t that awesome? I wrote a headline.

Chris Thor Hemsworth plays Sam, a Chicago knucklehead who thinks the Lord is smiling on him when a suitcase full of money is thrown over an overpass and lands on the hood of his station wagon. He’s not a streetwise tough guy of any kind, not a guy that knows how to handle the situation. He’s just a dipshit who thinks since nobody saw him take it as far as he knows he can just live off the money and there will be no consequences. At first his wife Leslie (Victoria Profeta) is nervous about it, but she decides to go along with it anyway. They pay off their debts in cash, buy a new Range Rover, a new house, new furniture, new TV. (read the rest of this shit…)

Kill the Irishman

Wednesday, June 15th, 2011

tn_killtheirishmanFrom the director of PUNISHER #2 and the star of PUNISHER #3 comes a solid, entertaining period gangster movie. It’s a biopic of Danny Greene, an Irish American union president, gang enforcer and dodger of car bombs in Cleveland, Ohio circa early ’60s through late ’70s. If it had been done as two separate movies maybe it would’ve got an arthouse release and some critical respect, but they did it as one so it was barely released by Anchor Bay and nobody ever heard of it.
(read the rest of this shit…)

Berry Gordy’s The Last Dragon

Sunday, April 25th, 2010

tn_lastdragonAs the founder and producer of Motown Records, Berry Gordy, Jr. created one of the most successful African American business enterprises in history, re-invented the sound of American music, discovered Smokey Robinson and the Miracles and signed such important artists as The Supremes, Marvin Gaye, The Temptations, The Four Tops, Gladys Knight & the Pips, Stevie Wonder and The Jackson 5. But music wasn’t enough to quench his thirst so he moved to L.A. and helped turn Diana Ross into a movie star, producing LADY SINGS THE BLUES and directing MAHOGANY.

Unfortunately, even a man who made such a powerful contribution to music and culture could not escape the funk and soul dead zone historians call “the 1980s.” There were black artists changing the world during that decade, but Michael Jackson had left Motown and Prince was never on it. Nobody on Motown could compete with those two, I don’t care how popular El DeBarge, Rockwell or Teena Marie were. Proud afros were replaced by drippy perms, tight rhythm sections by cheesy keyboards and drum machines. It was not a good time for Motown.

Let’s put it this way: 20th Century Masters – The Millennium Collection: Motown 1980s, Vol. 2 includes Bruce Willis’s rendition of “Respect Yourself.” So in 1985 we got Berry Gordy’s last movie, BERRY GORDY’S THE LAST DRAGON. (read the rest of this shit…)

Vern wants to tell you about Brian DePalma’s BLACK DAHLIA!!!

Friday, September 15th, 2006

Fellas –

Brian DePalma’s new picture has gotten alot of good reviews, but it’s the really harsh ones that stick with you. The Ain’t It Cool’s own MiraJeff was so mad he literally said he wanted to recreate the mutilations of the real crime on Brian DePalma. (Maybe he’s moody getting psyched up for his bout with the House of the Dead guy.) “Like high-school kids playing dress-up, or bad Kabuki,” is how David Edelstein described it in his capacity as film and apparently kabuki critic for New York Magazine. And a crazy person at the screening I went to announced during the credits that the movie had “nothing to offer to society,” had too much violence and smoking, and would flop at the box office.

Well, I wish I could give a more passionate defense, because I really have no idea where some of these people are coming from. But I also thought that as a DePalma fan (for here on referred to as “a DePalmaniac”) the movie was pretty underwhelming. It kept me interested, it has some great scenes, I even thought Michael Meyers’s nephew Josh Hartnett was surprisingly good playing the boxer/cop protagonist. But since DePalma’s last movie FEMME FATALE was pretty much The Ultimate 100% Unadulterated Brian DePalma Film, it’s a little disappointing to see him doing what seems like just his little spin on material that alot of other directors could’ve done almost as well. I’m guessing fans of the book, though, will be more interested. (read the rest of this shit…)

VERN Watches ON DEADLY GROUND With MR. SHOW At The Olympia Film Festival!!

Monday, October 14th, 2002

SPOILER ALERT !!

Hey, everyone. “Moriarty” here with some Rumblings From The Lab.

Wow. Bob and David are everywhere right now, and it sounds like they’re having a great time. I still don’t know if I’m going to be able to get into the insane benefit show they’re part of in a few weeks, and I missed this. Still, if we had to have anyone cover it for us, thank god Vern was the one who went. You’ll see why when you read this…

Boys–

I know how you feel about film festivals. You’re for them, right? I think one of you said you were. I’ve seen a couple good pictures at the Seattle International Film Festival but that’s about it for me. Until today, when I decided to venture south to the Olympia Film Festival. And I’m real glad I did.

Usually I avoid Olympia. I know it’s our state capital, it once had a fine brewery and they got lots of college kids who brag because the rock band Sleater-Kinney was named after a street they still have near there. But I mean come on. The street isn’t even that good. In the downtown area the buildings are too far apart, and everything is closed. At least on Sunday. Anyway today they finally got a reason for me to go there: ON DEADLY GROUND. (read the rest of this shit…)