It looks like I’m continuing my informal and logo-free History of Black Film series a little bit into March. It could be argued that this is because I got side-tracked writing about ROBOCOP and then went out of town and got snowed in there and got behind schedule on my reviews. But in my opinion I’m really doing it in protest of the injustice of Black History Month being slotted in the shortest month.
I also want to admit that at the beginning I said I was gonna be exploring obscure black action stars, then instead I’ve been looking at lesser known black directors, not really the same thing at all. That’s not because the whole thing was poorly planned and thought out on my part, it’s because you gotta be fluid about these things and follow your creative instincts.
DEVIL IN A BLUE DRESS is another one where a black director adapts one installment in a mystery series by a black writer. Not that that’s a big category, I’m just saying that’s a parallel to COTTON COMES TO HARLEM. The director is Carl Franklin (ONE FALSE MOVE), the author is Walter Mosley and the mystery-solver is Ezekiel “Easy” Rawlins, later a private eye but as of this story an a WWII vet laid off from an airplane factory having a hard time getting work until a white P.I. played by Tom Sizemore (SPOILER: I don’t know if you should trust this guy) pays him to look for a white woman (Jennifer Beals) who hangs out in black underground clubs that a white man (but not white woman) would have trouble slipping into without causing a problem.
(read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.