Hey guys, it’s me, member of a small club of people who enjoy post-2000 Robert Zemeckis, the guy who has gotten carried away with digital technology and always finds something weird to do with it, whether or not it works, and whether or not society approves (which it usually does not). HERE is a movie that would only, maybe could only be made by that person. And that’s what I want to see out of art.
The bigger selling point, to the extent that any effort was made to sell it when it came out last year, is that it’s a FORREST GUMP reunion. It stars Tom Hanks (THE LADYKILLERS) and Robin Wright (HOLLYWOOD VICE SQUAD) and he wrote the screenplay with Eric Roth (YEAR OF THE DRAGON) and obviously the score is by Alan Silvestri (THE DELTA FORCE). Like FORREST GUMP it tells a story that seems to be about American culture at large, because it takes place over a stretch of years with many emblematic incidents touching on moments in history and representing societal changes. But it does this with a very particular gimmick, taken directly from the graphic novel of the same name by Richard McGuire: it’s told from one static camera shot. It spans from the time of dinosaurs to the present, but the camera just sits there in the same spot the whole time.
(Actually, at times it kinda reminded me of ADULT SWIM YULE LOG.) (read the rest of this shit…)
July 6th, 1994
May 15, 1998
Sixteen year old Grace (Scarlett Johansson in her followup to HOME ALONE 3) has a horrific horse-riding accident – I was actually unprepared for how fucked up the accident is – that results in the death of her best friend (Kate Bosworth [
I seriously have been meaning to see THE POSTMAN ever since 1997 when it came out. I thought it sounded like a cool idea, and I seem to remember first hearing of it as an upcoming George Romero movie in a 
You know, MUNICH is almost the movie I was hoping SYRIANA would be. SYRIANA has alot to say about the complicated way the world works, but it doesn’t get you excited about it. You’re probaly not gonna be sitting on the edge of your seat. More likely you’ll be scratching your chin saying, “Interesting, interesting.” I’d rather see a movie that can be complex and political without sacrificing in the awesome department. A good balance of substance and badass. And that’s what this is.
