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Archive for the ‘Comedy/Laffs’ Category

I Got the Hook-Up

Tuesday, June 12th, 2018

May 27, 1998

I have to admit I’ve never paid much attention to rapper turned filmmaker (I guess?) Master P. I say “I guess” because I GOT THE HOOK-UP is credited as “A MASTER P film,” but it’s directed by Michael Martin, a guy who directed some Outkast videos and the nearly unwatchable Snoop Dogg DTV movie EASTSIDAZ. P did write it though, along with Leroy Douglas and Carrie Mungo (who don’t have any other IMDb credits).

P grew up in the projects in New Orleans, studied business administration at a college in Oakland, and used money from a malpractice settlement related to the death of his grandfather to open a store called No Limit Records, which eventually turned into a record label of the same name. He released his first tape in 1990 and had five albums by the time he moved back to New Orleans in 1995 and built an empire with other rappers including Mystikal (currently on trial for rape) and his brothers C-Murder (now serving a life sentence for murder) and Silkk the Shocker (not accused of anything).

P’s mainstream breakthrough was the 1997 album Ghetto D, which went triple-platinum partly on the strength of the song “Make ‘Em Say Uhh!”, which is about making ’em say “Uhh!” Thanks to the success of the label and smart investing, at the time of I GOT THE HOOK-UP, P was #10 on Forbes magazine’s list of America’s highest paid entertainers. He had starred in and co-directed the straight to video I’M BOUT IT, with another one called MP DA LAST DON coming in December of ’98. I’ve never really looked into any of these things, but summer of ’98 hosted his first theatrical release, I GOT THE HOOK-UP, so I decided this would be a good time to try to figure out what was up with that. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Opposite of Sex

Monday, June 11th, 2018

also on May 22, 1998

I remember THE OPPOSITE OF SEX being a big deal indie movie at the time, but it seems mostly forgotten now, mentioned even less often than its widely hated box office competitor GODZILLA ’98. Maybe more than LOST IN SPACE? I had kinda forgotten it too, at least what it was about, but I’m glad I decided to get a refresher on this really funny and kinda sweet dark comedy about a… well, kind of a wild thing, I guess.

Christina Ricci, in her second best movie released on this day, plays Dedee Truitt, a mean and grouchy sixteen year old who runs away from her home in Louisiana to find her grown up, gay half-brother Bill (Martin Donovan, SILENT HILL: REVELATION 3D) in suburban Indiana. She manages to seduce Bill’s younger boyfriend Matt (Ivan Sergei, DANGEROUS MINDS, the tv show of John Woo’s ONCE A THIEF) and uses pregnancy to convince him to steal ten thousand dollars from a safe deposit box and run off with her.

(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Fear and Loathing in Las Vegas

Wednesday, May 23rd, 2018

May 19, 1998

Fresh off of the hard-hitting journalism of Tea Leoni in DEEP IMPACT and Maria Pitillo in GODZILLA, summer of ’98 offered an alternative approach. Johnny Depp (A NIGHTMARE ON ELM STREET) plays Raoul Duke and/or Hunter S. Thompson in Terry Gilliam’s adaptation of Thompson’s 1971 Rolling-Stone-two-parter-turned-book about covering the Mint 400 desert motorcycle race for Sports Illustrated. You do see a glimpse of dirt bikes (well, mostly dirt), but the real story is his crazed debauchery while “searching for the American Dream” with his lawyer (who we never once see doing legal work) Dr. Gonzo (Benicio del Toro, SICARIO), ingesting much of the contents of a briefcase containing “a serious drug collection,” turning hotel rooms into Vietnam War movies and barely avoiding death or prison like some silent film clown accidentally dodging a series of falling objects.

And the movie itself keeps ducking dangers with miraculous precision. This is 118 minutes of what mostly feels like aimless madness, depraved variations on bad behavior and hallucinations, but to me it never gets old. I actually feel more exhausted at the end of Gilliam’s more polite movies like BRAZIL, THE ADVENTURES OF BARON MUNCHAUSEN or TWELVE MONKEYS. Somehow I’m endlessly amused by Duke and Gonzo’s deadpan craziness as they live out the type of lifestyle where you’d only be a little surprised to wake up with an alligator tail growing out of you, a microphone taped to your face and a giant smoking hole in your hotel bed. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Love and a Bullet

Tuesday, March 20th, 2018

LOVE AND A BULLET was one of the movies that made me believe in DTV when I reviewed it for The Ain’t It Cool News 16 years ago. I include that link only for historical purposes – it’s a poorly written review and I randomly refer to co-writer/co-director Kantz as a “clown.” I honestly didn’t mean anything by it, I just thought it was funny to have hostility toward some guy for no reason. It never occurred to me that the people I was writing about might read the reviews, and I hadn’t yet learned the lesson that shit like that can get you a wrestling challenge. Apologies to Kantz, whether or not he saw it. I have no reason to believe he is a clown.

At the time Ain’t It Cool had run a bunch of my reviews of movies I’d seen at SIFF, and a few at preview screenings, plus these DTV or DTVish ones I’d gotten VHS screeners of:

THE CROW: SALVATION, CRUEL INTENTIONS 2, ED GEIN, GINGER SNAPS, VAMPIRES: LOS MUERTOS, COMIC BOOK VILLAINS (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Big Hit

Monday, March 19th, 2018

THE BIG HIT is a 1998 action-comedy with enough good qualities that I have a soft spot for it. Alot of the humor is too broad for me, but that’s okay. I saw it when it was in theaters, and returning to it 20 years later it’s interesting as a time capsule, a Polaroid of a specific moment in movie and pop culture history. It was a time when:

-New Kid On the Block brother, laughing stock rapper and underwear model Mark Wahlberg was suddenly a cool actor after having starred in BOOGIE NIGHTS the year before. This was his first movie released post-Dirk Diggler, but it had been shelved since 1996. At the time, most people still derisively called him Marky Mark. It’s so early in his career that he has a song on the end credits (“Don’t Sleep”).

-Hong Kong cinema had invaded Hollywood. John Woo had already done HARD TARGET, BROKEN ARROW and the Once a Thief tv show, Ringo Lam had done MAXIMUM RISK, Tsui Hark had done DOUBLE TEAM. Chow Yun Fat had starred in THE REPLACEMENT KILLERS, and Jet Li would soon be the villain in LETHAL WEAPON 4. So here we have Kirk Wong (director of CRIME STORY starring Jackie Chan) bringing a little bit of Hong Kong flair to the action in THE BIG HIT. Wahlberg practices on a kung fu dummy, and in his hidden weapons cache we see enough bladed weapons to stock a Shaw Brothers movie (plus a three-section-staff ala 8 DIAGRAM POLE FIGHTER).

(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Lady Bird

Thursday, March 1st, 2018

Of all the stories we tell over and over, “coming of age” might be the most universal. I don’t care who you are, as long as you live to be a certain age, at some point you’re gonna come of some of that age. And when you see some fictional (or, let’s be honest, usually semi-autobiographical) character’s age coming of you can compare and contrast to your experiences. You see echoes of your own life, revive emotions that were so potent at the time, now faded, learn about other people who had it different. So I have not specifically experienced being a girl in a private school in Sacramento in the oughts, and I definitely have no personal understanding of how it feels to be someone who could identify a song as Dave Mathews and have an emotional response to it that involves embarrassment, nostalgia and personal meaning*, but I can also see those things on screen and have them feel familiar and real and relatable.

(*I did see him in public one time and I could tell he was famous by the women who started gathering around him but I had to ask somebody else who he was) (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Victor Crowley

Thursday, February 8th, 2018

VICTOR CROWLEY is part 4 of the HATCHET series. Despite the title it’s not any kind of a reboot or a prequel or anything. Part I-II director Adam Green made it secretly and surprised fans with it at an event advertised to sound like a tenth anniversary screening of the first one, and it’s very much designed as a fun time for dedicated fans of the series and the people who buy t-shirts of Green’s dog  and stuff.

So the fact that I didn’t love it shouldn’t scare fans off, because it’s not really for me. I really liked part III, a final girl vs. slasher standoff cranked up to 11. This is more in the tradition of parts 1 and 2, with the quirky character business, broadly cartoonish performances and occasional over the top chopping and splattering of bodies, done with a scream and a wink. Also you got your cameos by horror people, though some of them just in cell phone footage this time. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Accident Man

Tuesday, January 23rd, 2018

For those who came in late… The English actor and martial artist Scott Adkins is the reigning champ of low budget action. After catching our eye as the villain-turned-anti-hero Boyka in three UNDISPUTED sequels (2, 3, 4), as well as starring in two NINJA movies (1, 2) and the incredible UNIVERSAL SOLDIER: DAY OF RECKONING, he was clearly the era’s strongest answer to the iconic action stars of the ’90s like Jean-Claude Van Damme – who he co-starred with in THE SHEPHERD: BORDER PATROL, ASSASSINATION GAMES and EXPENDABLES 2. The latter was one of the many times we got hyped up for impending mainstream recognition only to find him playing Knife Guy Who Has Short Fight With Jason Statham. For years people hoped he’d be cast as Iron Fist or somebody in the Marvel Universe, until finally he was in DOCTOR STRANGE – and got beat up by a magic cape.

Little did we know that there was a comic book he’d been wanting to make into a movie since the age of 15, and this didn’t require a big special effects budget or a subduing of his talents. ACCIDENT MAN – starring, produced and co-written by Adkins – is an action-packed, darkly humorous hitman saga based on stories that appeared in the British comics anthology Toxic! in 1991, written by Pat Mills (Judge Dredd, etc.) (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Three Billboards outside Ebbing, Missouri

Monday, December 11th, 2017

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is playwright turned IN BRUGES/SEVEN PSYCHOPATHS director Martin McDonagh’s exploration of a grieving mother at war with the local PD. Her teenage daughter was raped and killed seven months ago, and she’s mad that they haven’t made any arrests, so she rents three billboards that bluntly explain the situation and blame the police chief by name.

I probly don’t need to tell you that this creates some tension in town. Chief Willoughby (Woody Harrelson, SEVEN POUNDS, SEVEN PSYCHOPATHS, TRIPLE 9, THE EDGE OF SEVENTEEN, 2012) tries to reason with her politely about taking it down. His deputy Dixon (Sam Rockwell, TEENAGE MUTANT NINJA TURTLES), who is locally infamous for an unexplained incident involving the torture of a black man, is not as cool-headed about it, and threatens poor Red Welby (Caleb Landry Jones, GET OUT) at the billboard company. The woman’s son Robbie (Lucas Hedges, MANCHESTER BY THE SEA) is traumatized and hurt by the graphic details of the murder he had previously avoided knowing. Her ex-husband Charlie (John Hawkes, STEEL), a domestic abuser and a cop, is embarrassed by it and doesn’t think it helps anything. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Ingrid Goes West

Monday, November 13th, 2017

INGRID GOES WEST is kind of like a KING OF COMEDY for the smart phone era. Instead of seeking fame by doing something on television our stalker wants to live a blandly glamorous life on Instagram. But this is not just an update of the ol’ “people will do anything for fame” trope we’ve seen in MAN BITES DOG, NATURAL BORN KILLERS, etc. Sure, Ingrid would love more likes and followers, but mostly she wants attention from one specific person who’s famous on Instagram. So, no big deal, she moves to L.A. to try to find her.

Aubrey Plaza (SCOTT PILGRIM VS. THE WORLD) is outstanding as Ingrid, a multi-layered role that evokes uncomfortable laughs, creeped-out squirms and also some sympathy. She has comic timing, subtle expressions, pathos, and next-level physical comedy in the scene where she first encounters the famous Taylor Sloane (Elizabeth Olsen, OLD BOY) in a store and tries way too hard to browse casually. She’s not so much posing for social media as living life as if she’s inside social media. When she first gets to L.A. she rides around on a bike with a forced “say cheese” smile stuck on her face.

She’s a SINGLE WHITE FEMALE reading what Taylor likes so she can go to the places she goes, eat the things she eats, read (or at least hold) the books she recommends. We watch her struggle to construct the perfect inane one-sentence comment, an online activity soon to be repeated IRL when she finds Taylor and, you know, kidnaps her dog. Just as a way to meet her and start a friendship. It’s all cool, don’t worry about it. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.