THE ISLAND I guess was Michael Bay’s big failure. He held his head high during his public shaming as the asshole who directed PEARL HARBOR, but this time he hit the type of bump that means more to him: he made a movie that didn’t make very much money. In the U.S. I guess it only made $36 million, which would be enough for his monthly Lamborghini allowance but doesn’t even cover a third of the shooting budget. For comparison, PEARL HARBOR made $75 million on its opening weekend.
Of course I’m coming to it eight years and three TRANSFORMERSes later having heard of its growing reputation as Michael Bay’s Not As Bad Movie. So when I was looking for a dumb summer blockbuster to get me in a summer movie mood it leapt off the video store shelf into my cold, reluctant embrace. (read the rest of this shit…)
No man, I don’t got a problem. I just watch Michael Bay movies recreationally. I don’t gotta watch them when I wake up or nothin. It’s just every once in a while. I only watched PEARL HARBOR ’cause I was doing all the summer of 2001 movies. And TRANSFORMERS 3 because I thought it would be funny. Then people said I should watch this one. It’s not a big deal, man. That’s not that many. You don’t know what you’re talking about.
note: this review is excessively long and convoluted and takes forever to get to the point, but only as a clever form-is-an-extension-of-content type reference to the movie it describes, in my opinion. Unfortunately I could never match the feel of the movie no matter how hard I tried. It’s like when some asshole reviews a Dr. Seuss movie in rhymes or some shit like that.
introductory remarks/overture
My friends, we have lost. Michael Bay has defeated us. First he invaded the shores of the genre we hold most dear. He brought us gifts of explosions, while behind our backs he robbed us of the very language of geography and context we use to communicate what is exploding and who or what is endangered by said explosion. Then he confiscated our property, buying up our favorite low budget horror classics to rebuild as slick, soul-less product – just to crush our spirits. And now he has completely subjugated us. (read the rest of this shit…)
A friend of mine recommended this piece from GQ where friends, relatives and subjects of Michael Bay are quoted talking about him. As my buddy pointed out it’s kind of horrifying and also fascinating, just like Bay’s movies. It’s not a thorough career overview, because it completely skips BAD BOYS 2 (which is his FEMME FATALE or ON DEADLY GROUND, isn’t it?). I think it’s meant as a goofy but ultimately loving profile, but to me it makes him just seem like an asshole who gets away with yelling at people because of his job. There’s also an anecdote (one I’d heard before, but maybe it’s new to you) that implies that he was destined to make bad movies since he was a teenager.
WARNING: contains spoilers for PEARL HARBOR and World War II
After three financially successful action movies in a row (BAD BOYS, THE ROCK, ARMAGEDDON), Michael Bay got a once-in-his-career itch to make An Important Movie. He probly had SAVING PRIVATE RYAN on the brain, and definitely TITANIC.
Ever since James Cameron’s movie broke all box office records studios had been threatening to make asses of themselves by blatantly trying to catch more lightning in that same melodramatic-love-story-during-historic-disaster bottle. Jan de Bont almost did a love-story-on-the-Hindenburg movie, for example. PEARL HARBOR wasn’t as obvious of a copycat as that because 1) it was a love story set against a war movie as much as a disaster and 2) the love song on the end credits was by Faith Hill instead of Celine Dion. Totally different. (read the rest of this shit…)
Man, I thought I had made peace with this thing. Today I came across this comment on collider.com that’s the purest version of the “what kind of an asshole has basic competency standards for movies? it supposed to go BANG!!!” argument I’ve seen in a while:
LOL @ all the people expecting Transformers to be art house Oscar caliber films. And I really don’t think those twins were racist caricatures. They were just stupid. I also don’t think anybody really hates Michael Bay. It’s just trendy to say that you don’t. Films are escapism, folks, did you all forget that? Michael Bay does what does best: makes escapism movies, and makes them well. If you like “real-life” so much, stay out of the theater and go watch History Channel, and stop being pretentious film-scholar-wannabe’s.
And as you can see if you follow the link I couldn’t help myself, I had to go off on the poor guy. It just infuriated me for some reason. This is not a burden I should try to shoulder. People will always say stupid shit like this, I can’t patrol the internet trying to set them straight. I gotta let it go. Or we need to come up with a way to rebut it that’s as succint as “what u expect, shakespeare lol.” The shortest I can come up with is “okay, you take ‘Batman and Robin’, I’ll take ‘Dark Knight.'”
Okay, first off, this is not a fair review. I didn’t go into this thing in good faith. I never thought there was a possibility I would genuinely like this movie. So don’t think I’m trying to be objective here. But I’ve been getting emails and comments for months asking me to review this sequel to a movie I hated, and there’s a hell of a conversation going on in the comments for my review of the first one. And to be honest I was strangely excited to see it. It just sounded so insane, and as a fan and scholar of the summer blockbuster movie maybe it was important that I see it, just like I saw MY GIANT for the sake of Seagalogy. Whatever my excuse is, the same guy who got me into the first one for free hooked me up for this one too. So your wish is my command. (read the rest of this shit…)
Three words for you about TRANSFORMERS: Ho. Lee. Shit. Not as in “Holy shit, I was blown away, it was a blast as well as AWESOME!” but as in “Holy shit, society really is on the brink of collapse.”
Usually if a movie is already playing in theaters I don’t send my review here, I just use it at my geocities.com/outlawvern sight, but jesus, SOMEBODY had to say something. I can’t believe how many positive reviews I have read of this. I think Harry’s was the only negative I saw, but he was polite about it. I read Moriarty’s review before the screening and I thought wow, what if I actually like this movie? Like me, Moriarty hates Michael Bay’s movies from head to toe, style and content, and me and him agree on all kinds of stuff. I don’t remember too many cases where I thought he was being too easy on a movie, at least not a big one like this (only one that comes to mind is the much smaller DAREDEVIL). I never thought I would like this movie until I read his review. He had me about 80% convinced that it would surprise me and win me over, like LIVE FREE OR DIE HARD did. And I might have to seek counseling after enjoying those two movies in a row, but that’s life. (read the rest of this shit…)
Honestly, I didn’t even have the energy to write this one up. I am depressed by how much I disagree with Harry and anyone else who gave this a pass. This is what we’re settling for now in horror? I think it’s a huge mistake to demystify something as potent as Leatherface, and I think this is every bit as rotten and bankrupt as Nispel’s remake a few years ago.
But why take my word for it? Here’s Vern, who I trust to explain it for you:
My friends,
Against all odds, this is actually alot better than anyone could’ve imagined. Admittedly, a prequel seems like a bad idea, and the director has only done one movie (that even he says is bad), and he told the Fangoria horror magazine he never even saw any TEXAS CHAIN SAW MASSACRE movies before he signed on. But somehow this movie is good ol’ horrory fun!
That’s how my review would start if I was a lying scumbag. But I tell it like it is, so I gotta tell you, if you hated the remake like I did you should skip this one. It’s the same old shit. The best compliment I can muster is “It has a couple funny lines.” Or how about, “I haven’t decided if it’s as bad as the remake or not.” That would make a good quote on the poster I think. (read the rest of this shit…)
As if the whole world wasn’t going to shit already, now we got this war going on between Israel and Hezbollah in Syria. Or according to some people, between the US via Israel and Iran via Syria via Hezbollah in Lebanon or I don’t know. Whatever the fuck is going on over there, it’s not good. People are dying every day and it seems like this could be just the humble beginnings of this latest phase of the world’s biggest mess.
In the old days, like, say, seven years ago, what we would do is the President would make some phone calls, send some diplomats, try to figure out how to get those assholes over there to chill the fuck out. “Come on guys, it’s not worth it.” Like when your buddy’s had a few too many drinks and starts getting in a guy’s face in an argument over a girl or a shoe or a slice of pizza or something. You gotta give your buddy some perspective before things get ugly. (read the rest of this shit…)
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Recent commentary and jibber-jabber
Curt on Tron (plus Tron Legacy on the blu-ray): “I just saw TRON: ARES tonight and heartily recommend it to anyone who liked anything about the first two movies…” Oct 8, 19:26
Ben C. on A Better Tomorrow: “OK I am seriously late to the party on this one but jeezus kee-rist what a movie!! Just walked out…” Oct 8, 18:58
Dreadguacamole on Hell of a Summer / Clown in a Cornfield: “Like (most) everyone else here, I enjoyed CLOWN(S) IN A CORNFIELD well enough. It had some warmth, some fun bits,…” Oct 8, 15:19
Bartel on Jackie Brown: “Also: DEAD PRESIDENTS which has also one of those forgotten but great Chris Tucker performances” Oct 8, 11:28
Mitch on Play Dirty: “I’m not sure what version of Charley Varrick that Miguel Hombre saw but it is certainly very different to the…” Oct 8, 07:51
Skani on Play Dirty: “I recall liking Wahlberg well enough in the SPENSER movie, but I share the consensus that he lacks the gravitas…” Oct 8, 05:00
Skani on Cherry Falls: “I finally caught up with this one, and although it was not great, I liked the cast / performances (particularly…” Oct 8, 04:50
Skani on Hell of a Summer / Clown in a Cornfield: “Okay, well, you’ve piqued my interest enough that I will try it once I can find it at a bargain…” Oct 8, 04:46
walkerp on Play Dirty: “@Acid Burn, you don’t have to read the Parker books in order, but there is a subtle chronology to them…” Oct 8, 03:07
pegsman on Play Dirty: “Guys, I have to go back and correct myself. Of course Brian Garfield did not write the screenplay for THE…” Oct 7, 21:50
Mr. Majestyk on Hell of a Summer / Clown in a Cornfield: “It’s bordering on hilariously bad but doesn’t quite get there. It does do one thing that the SCREAM franchise should…” Oct 7, 17:43
Skani on Hell of a Summer / Clown in a Cornfield: “I agree that the reviews were a little misleading. This is the type of movie that would typically get maybe…” Oct 7, 15:01
Birch on Hell of a Summer / Clown in a Cornfield: “I saw Clown in theaters as well but seem to have had a much more negative reaction than anyone else…” Oct 7, 10:28
The Winchester on Hell of a Summer / Clown in a Cornfield: ““Like… I’d say eight or more.” This cracked me up way more than it should have. Thank you! I saw…” Oct 7, 09:47
jojo on Play Dirty: “Completely anecdotally: Walking out of Reservoir Dogs, it occurred to me it was basically a movie I’d watch with my…” Oct 7, 03:27
THE ISLAND I guess was Michael Bay’s big failure. He held his head high during his public shaming as the asshole who directed PEARL HARBOR, but this time he hit the type of bump that means more to him: he made a movie that didn’t make very much money. In the U.S. I guess it only made $36 million, which would be enough for his monthly Lamborghini allowance but doesn’t even cover a third of the shooting budget. For comparison, PEARL HARBOR made $75 million on its opening weekend.
No man, I don’t got a problem. I just watch Michael Bay movies recreationally. I don’t gotta watch them when I wake up or nothin. It’s just every once in a while. I only watched 
note: this review is excessively long and convoluted and takes forever to get to the point, but only as a clever form-is-an-extension-of-content type reference to the movie it describes, in my opinion. Unfortunately I could never match the feel of the movie no matter how hard I tried. It’s like when some asshole reviews a Dr. Seuss movie in rhymes or some shit like that.
A friend of mine recommended 
released May 25th, 2001
Man, I thought I had made peace with this thing. Today I came across 
Okay, first off, this is not a fair review. I didn’t go into this thing in good faith. I never thought there was a possibility I would genuinely like this movie. So don’t think I’m trying to be objective here. But I’ve been getting emails and comments for months asking me to review this sequel to a movie I hated, and there’s a hell of a conversation going on in the comments for my review of the first one. And to be honest I was strangely excited to see it. It just sounded so insane, and as a fan and scholar of the summer blockbuster movie maybe it was important that I see it, just like I saw MY GIANT for the sake of Seagalogy. Whatever my excuse is, the same guy who got me into the first one for free hooked me up for this one too. So your wish is my command. 
Three words for you about TRANSFORMERS: Ho. Lee. Shit. Not as in “Holy shit, I was blown away, it was a blast as well as AWESOME!” but as in “Holy shit, society really is on the brink of collapse.”
SPOILER ALERT !!
As if the whole world wasn’t going to shit already, now we got this war going on between Israel and Hezbollah in Syria. Or according to some people, between the US via Israel and Iran via Syria via Hezbollah in Lebanon or I don’t know. Whatever the fuck is going on over there, it’s not good. People are dying every day and it seems like this could be just the humble beginnings of this latest phase of the world’s biggest mess.
