HELLRAISER (2022) is the new straight-to-Hulu HELLRAISER movie. It’s a genuine, bonafide reboot, by the original definition of the term – it doesn’t seem to work as a sequel, but it’s certainly not a remake, it’s just starting over, I guess. And it’s certainly a new start in that it’s getting more attention and being treated more like a real, existing movie than the DTV sequels that came out in 2018, 2011, 2005, 2002 and 2000. That’s partly because it’s a polished, well-directed movie with plenty of production value, and it was intentionally written to be the new HELLRAISER. Much of the series, as you may know, was just a perpetual rights retention machine – the Weinsteins ramming Pinhead into an unrelated horror script and dumping one out so they could retain the rights to dump another one out to retain the rights further down the road. Now, at last, the rights have escaped Miramax Hell and are sheltering at Spyglass Media Group (who also got SCREAM and SPY KIDS. There must’ve been a sale). (read the rest of this shit…)
Posts Tagged ‘Luke Piotrowski’
Hellraiser (2022)
Tuesday, October 11th, 2022Tags: Adam Faison, Aoife Hinds, Ben Collins, Brandon Flynn, Clive Barker, David Bruckner, David S. Goyer, Drew Starkey, Eli Born, Goran Visnjic, Hiam Abbass, Hulu, Jamie Clayton, Luke Piotrowski, Odessa A'zion, Selina Lo
Posted in Horror, Reviews | 22 Comments »
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* * * * Recent commentary and jibber-jabber
- Franchise Fred on Trainspotting (plus some notes on The Frighteners): “We didn’t get Trainspotting til August. I didn’t know anything about it and just cuaght bits like the toilet dive…” Aug 6, 23:08
- CJ Holden on Trainspotting (plus some notes on The Frighteners): “There are a few movies that I know are good, but I totally forget how good they are until I…” Aug 6, 22:36
- RRA on The Odyssey (2026): “The strangest thing about the right wing grift war against this movie is some of them (especially Musk) declaring a…” Aug 6, 21:12
- Gepard on The Odyssey (2026): “I’ll echo the above confusion at this adaptation’s rapturous reception. It’s not bad, exactly, but it feels overstuffed and bombastic;…” Aug 6, 19:54
- Plastiquehomme on The Odyssey (2026): “@RBatty024 – in agreement with you that the Wilson discourse is at least good in that it’s engaging with the…” Aug 6, 18:54
- KayKay on The Odyssey (2026): ““His spectacle is inert, his action perfunctory, his drama breathless but hollow.” Nailed it! With regards to his dramas being…” Aug 6, 18:02
- KayKay on The Odyssey (2026): “Gotta echo Majestyk and pegsman’s comments here: I am kinda bemused that people are going into raptures over this. As…” Aug 6, 17:53
- Miguel Hombre on The Odyssey (2026): ““For all the production value he musters on set and the technical skill he employs to capture it, I rarely…” Aug 6, 14:37
- Franchise Fred on The Odyssey (2026): “Hilariously one of those Grok AI odyssey clips made a very realistic cyclops… with two eyes.” Aug 6, 14:32
- dreadguacamole on The Odyssey (2026): “Lovely review! Besides that insane “I’m going to make my own Odyssey. With Racism. And AI.” tantrum, let’s not forget…” Aug 6, 13:07
- VERN on The Odyssey (2026): “It is cool that he used the characters who the words odyssey and mentor come from, since of course he…” Aug 6, 11:01
- Alex R on Walking and Talking: “Oh, interesting about Wanderlust being a Netflix production. I’d assumed it was an in-house IFC thing. Now that you mention…” Aug 6, 10:33
- Crudnasty on The Odyssey (2026): “I really enjoyed this review, not only for the glimpse at a bit of resurgent take-no-shit-off-fools TELL’S IT LIKE IT…” Aug 6, 08:56
- Borg9 on The Odyssey (2026): “I have to admit that if he’s pissing off racist asshats then Nolan must be doing something right. And there’s…” Aug 6, 08:16
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