For me OVERLORD was the definition of a time killer, because I needed to be out of my apartment for fumigation at 10 and at work by 3 and the movie I actually wanted to see wasn’t playing in a time slot that worked for that, but this was. So happy Veteran’s Day, OVERLORD, and thank you for your service in filling that window with okay-though-arguably-making-light-of-the-real-atrocities-of-WWII entertainment.
This is a Bad Robot (J.J. Abrams) production of that old usually-low-budget-horror saw of the soldiers who come across monsters, zombies or demons created or summoned by Nazi mad scientists or occultists. In this case they’re doing a Universal Soldier, trying to turn dead bodies into soldiers. Of course in this case they’re using their own victims. I guess that’s positive that they don’t have enough people who believe in their insidious ideology – they have to manufacture them. (read the rest of this shit…)
Do you remember the Will Ferrell movie THE OTHER GUYS, how the end credits were a big animated info graphic about the banking crisis? It connected to the scheme by the villains in the movie but seemed jarringly serious at the end of a cop movie parody from the director of ANCHORMAN where Ferrell carries a wooden gun, has an evil pimp alter ego and has a chief played by Michael Keaton who quotes TLC all the time and works a second job at Bed Bath & Beyond. That’s why it’s not completely out of the blue that its director Adam McKay has made his first non-comedy, THE BIG SHORT, which has been nominated for many awards including Oscars for best picture, director and adapted screenplay. This is not the classic funny-man-yearning-for-respectability-with-corny-Oscar-bait-movie gambit. This is a rage that’s been fighting to get out.
