Raimi started work on SPIDER-MAN 2 immediately after the first one, and had it ready to go two summers later. Since it really is about following up on the events of the first film, it starts by running the credits over some of them, as depicted in paintings by Alex Ross. (He’s celebrated for his realistic portraits of comic book super heroes, which are more impressive when they come from his imagination and not photography we’ve already seen, but still, it was cool that they got him). The end of the sequence reminds us that in SPIDER-MAN Peter chose not to be with Mary Jane, who he loves, so that he could be Spider-Man.
Which does not seem to be working out great so far. The painting of Mary Jane dissolves into a closeup of her face on a perfume billboard that Peter has to walk under every day, reminding him of his pain. Though he tries to hide it, it’s clear his world crumbles when she is not near. He’s in college now, and living on his own in a small apartment. Much like part 1’s opening about all the ways Peter can be humiliated on the way to school, this one piles it on real thick about what a shit sandwich life still hands to him every day. (read the rest of this shit…)
BECKY (2020) is a pretty quick and simple thriller with a promising hook: neo-Nazi escaped convicts invade a vacation home looking for a valuable item, and it’s up to a 13-year old girl to improvise enough weapons to seriously fuck them up. Gritty HOME ALONE, I guess. It somewhat delivers on the premise, mostly in the area of (as the rating says) “grisly images and strong bloody violence.”
Becky (Lulu Wilson, OUIJA: ORIGIN OF EVIL) is an extremely pouty youngster who is not on good speaking terms with her dad (Joel McHale, DELIVER US FROM EVIL, MORTAL KOMBAT LEGENDS: SCORPION’S REVENGE) as they drive to the lakeside cabin together. We learn that she’s having trouble dealing with the death of her mother a year ago; conveniently the “nostalgically watching old home movies to mourn a deceased family member” storytelling device can now be done with handheld electronics. (read the rest of this shit…)
Other than my long-held above average Ms. Pac-Man skills, I cannot claim to be a gamer. I have very little experience playing the video game Mortal Kombat, so I mostly know it as the one they play on acid in Larry Clark’s BULLY. But I’m only human; I have the same weakness for mystical fighting tournaments, magic ninjas, monster violence and spines being pulled out as anybody, button-masher or otherwise. So I’m always open to checking out any cinematic developments related to the Mortal Kombat intellektual property, and that’s good because the recent DTV animated feature MORTAL KOMBAT LEGENDS: SCORPION’S REVENGE is one of the franchise’s best konkoktions to date.
Although I kind of enjoy the silly PG-13 live action movies MORTAL KOMBAT and even MORTAL KOMBAT: ANNIHILATION, I appreciate that this cartoon is super-duper hard-as-fuck R strictly for violence. No boobs, don’t remember the cursing, a few references to balls (because Sonya Blade repeatedly crunches Johnny Cage’s), but the rating is for tons and tons of bloody, reprehensible bodily deconstruction. Pretty frequent finishings and fatalities and flawless victories in this one. (read the rest of this shit…)
“You! Guy possessed by a demon! You’re comin with me, pal!”
DELIVER US FROM EVIL takes place in a horror movie Bronx. It’s all gloomy cinematography of wet streets at night, filthy, decrepit apartments, an ancient Latin invocation carved into walls or flesh. A malevolent demon monster or whatever is spookifying the place, so wherever our hero goes the power cuts out or the light bulbs burn out or they flicker like a strobelight (sometimes for an entire knife fight scene).
Also I think the filmatists are trying to play off of our primal fear of animals, so the Iraq War prologue features tarantulas, a snake and a bat. Another early scene involves a zoo with the animals loose (and lights out, of course) and the heroes get chased by a bunch of lions. Later a major piece of evidence is a security camera tape of a dude talking to a lion. And you got your usual cat scares like in all movies and also a crucified kitten and if you saw the trailer you’ll remember the scene of the hero’s daughter in bed at night getting spooked by her weird hooting owl doll. Sadly that James-Wan-esque scene climaxes with a jack-in-the-box with blood on its face. The ol’ evil clown standby. Boo.
“At last we will reveal ourselves to the Jedi.”
Patrolling this world we have macho NYPD Sergeant Ralph Sarchie (Eric Bana). He was raised Catholic, sure, but doesn’t believe in all that mumbo jumbo, etc. He’s renowned by his colleagues for catching a child killer with the first draft name “Marvin the Molester” and punching his face to death. He works too much his wife is pregnant she never sees him when he is home it’s like he’s not even there she never knows if she’s gonna get that call in the middle of the night he missed his daughter’s birthday she cried herself to sleep, all that. But somehow every case he gets connects to this weird supernatural thing with a mysterious guy who walks around acting scary with his Darth Maul hoodie up at all times even though he’s never in the numerous scenes where it’s pouring rain.
Sarchie also has a wiseass partner with seven deadly sins themed tattoos who carries two big knives that he uses to fight suspects instead of guns which in my opinion is not regulation. He’s played by Joel McHale from Community and the local Seattle sketch show that Bill Nye the Science Guy started on, Almost Live!. I know from an interview with director/co-writer Scott Derrickson that McHale has been his best friend for years and supposedly this character is more like the real him than anything he’s ever played. Apparently he really is obsessed with knives and maybe even wears a backwards baseball hat and sleeveless shirts all the time. Still, I had a hard time accepting the funny asshole guy from TV as this David Ayer type character, even when he tried to do an accent.
But he does wear an Alice in Chains t-shirt out of hometown pride so that’s good I think. (read the rest of this shit…)
WAYS YOU CAN SUPPORT THE SHIT OUT OF VERN & OUTLAWVERN.COM
if that's your thing:
1. Patreon
Toss me a couple bucks a month, support the good shit, also get access to a bunch of exclusive writing. This is my primary source of writing money that has allowed me to cut down to part time at the day job. Thank you!
2. Buy my books from your local bookseller or somebody
(NOTE: My ten year contract has passed on the Titan books, so I don't get residuals on them like I do WORM ON A HOOK and NIKETOWN, but I would love for you to read them because I'm proud of them)
EXTRA CREDIT: Review them on Amazon! That would really help me out. Unless you didn't like them, in which case forget I said anything.
3. If you ever buy from Amazon, go through my links or search engines
(you pay the same amount you were gonna pay anyway they cut me a little slice)
I also have an Amazon UK one:
(I can't get the search box widget to work anymore, so click on MOONWALKER and then search for what you want.)
4. My exciting line of fashion and leisure products
(I get a couple bucks per item, you get a cool t-shirt, mug or lifestyle item)
5. Spread the word
Tell your friends about my reviews and my books and everything. Only cool people though please, we don't need a bunch of suckers and/or chumps around here.
THANKS EVERYBODY. YOUR FRIEND, VERN
* * * *
Recent commentary and jibber-jabber
Aktion Figure on Black Bag: “You know what superhero films are missing? Villains genuinely as interesting and colorful as the heroes. I mean, more than…” Mar 28, 21:28
Skani on Black Bag: “Thanks for the insights, all! I will concede that THUNDERBOLTS does look pretty monochrome, and they’re not really selling a…” Mar 28, 20:10
ron on The Wicked City (1992): “the clock represents the relentless countdown to the Chinese takeover of HK!” Mar 28, 19:48
Miguel Hombre on Black Bag: “One of the reasons comic books so successfully support the continual usage of tropes like the issue after issue ‘the…” Mar 28, 16:25
Muh on Zeiram: “Not a particuarily great movie, but the monster is really cool, especially when it turns into stop motion at the…” Mar 28, 11:01
Muh on The Wicked City (1992): “The opening of this movie was so cool, love that spider lady. After that I don’t remember much, just the…” Mar 28, 10:59
Muh on Black Bag: “Just looked at what the OG Age of Ultron storyline is…if they were going to adapt THAT, it’d have to…” Mar 28, 10:56
Glaive Robber on Black Bag: “Skani, the answer could fill a book, really. Much of these movies adaptations sadly still feel ashamed of their comic…” Mar 27, 21:16