When I saw DOMINO on opening day in 2005, I really thought it was the worst shit ever. In fact, at some point I earnestly added a “the worst shit ever” tag to my review of it. Tony Scott’s most chaotic ever visual style and editing just scraped against me and took me out of the story (to the extent that there was one), and I fixated on that and raged against it in my review. This had happened to me only a couple of times before: first with CON AIR, then ARMAGEDDON, and later it would happen with TRANSFORMERS and DOOMSDAY. But DOMINO is the most stylistically aggressive of any of those, and arguably the most pretentious.
In my review I said Scott was trying to seem young and edgy, compared it to getting his ear pierced. In my mind at that time he was the guy who directed TOP GUN, and TOP GUN was a movie for jocks, military lovers and top 40 listeners. When that one came out I didn’t notice that its style was revolutionary, I just knew everybody loved it including my entire sixth grade class, which meant it was the height of mainstream popular culture about a year or two before I would start kneejerk rebelling against such things. So to have the TOP GUN guy, almost 20 years later, trying to do what screenwriter Richard Kelly calls on the commentary track “punk rock,” was just a joke to me. (read the rest of this shit…)
I probaly never woulda known this if there wasn’t a movie, but it turns out Laurence Harvey, who is a guy in THE MANCHURIAN CANDIDATE (but not Frank Sinatra), had a daughter named Domino. But wait, there’s more. This daughter supposedly tried to follow in the footsteps of her super model mother, but then got bored and became a bounty hunter. Rich girl model becomes bounty hunter – sounds like a good story, and apparently director Tony Scott was friends with Domino and spent 12 years trying to bring “her story” to the screen. Tragically, she died of a drug overdose last summer having only seen parts of the unfinished movie. I just watched the whole god damn thing so believe me, I can relate. 
