"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Gabrielle Anwar’

Body Snatchers

Monday, October 28th, 2024

Abel Ferrara’s BODY SNATCHERS (1993) was my first body snatcher invasion movie. I saw it when it was new on video, and I knew it had been poorly received, so I figured my ignorance of the original and the original remake must’ve helped me to enjoy it more than everybody else. But watching it now with a deep appreciation for the other ones, yeah, it’s still good anyway. So maybe I liked it better because I’m a unique individual with my own feelings and not a plant programmed only for survival. Or because I was ahead of my time – it seems to have a pretty good reputation now.

The title sequence is admittedly chintzy compared to the one in Kaufman’s version. Something about the long sequence of the title flying through a crude starscape and letter-by-letter turning from red to black, set to the score by Joe Delia (MS. 45, FEAR CITY, THE SUBSTITUTE 2: SCHOOL’S OUT), was putting me in mind of a Stuart Gordon/Brian Yuzna type movie, but that might’ve been my subconscious remembering that this was actually from a screenplay by Stuart Gordon & Dennis Paoli, rewritten by Ferrara’s guy Nicholas St. John. Gordon was supposed to direct but couldn’t get a commitment from the studio to actually make it until leaving to do FORTRESS. He told Fangoria that his version was originally designed as a sequel to the Kaufman version and went into more detail about how the pod people are plants. “It’s not like they have a brain in their head. The creature’s consciousness is throughout its whole body, so that if you destroy the head, it doesn’t kill or stop it.” That would’ve been fun! But what Ferrara did is good too. (read the rest of this shit…)

Turbulence 3: Heavy Metal

Friday, January 8th, 2021

I kinda liked TURBULENCE, but TURBULENCE 3: HEAVY METAL is definitely the gem of the trilogy. That’s not to say that it’s well made exactly, but it’s just such an exuberant mix of different types of ridiculous bullshit that you gotta respect it. That starts (but does not end) with the setup: controversial rock star Slade Craven (who seems to be a mix of King Diamond, Marilyn Manson and Alice Cooper, but doing more of an industrial rock type of thing) has invited a small group of fans to see his farewell concert, which will take place on a “specially designed, absolutely radical” airplane while it’s in flight.

Since this was released in 2001 it sort of goes without saying that it’s one of those “live internet broadcast” movies, a format that is almost always terrible, but generally provides at least a few chuckles. I get a kick out of how they always have a big board that tells them how many people are watching and somehow it has an immediate, instantaneous relation to what’s happening live. Like, if something exciting happens (usually somebody getting killed), suddenly more viewers are watching. (Yes, they have a reader board on the plane to update them on how many.) (read the rest of this shit…)