"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Emma Laird’

28 Years Later: The Bone Temple

Wednesday, January 21st, 2026

I liked 28 DAYS LATER when it came out in 2003 and I liked 28 WEEKS LATER when it came out in 2007, but I still have never revisited them. So I’m honestly very surprised how invested I am in this followup trilogy that started last year with Danny Boyle’s 28 YEARS LATER and now continues with Nia DaCosta’s 28 YEARS LATER: THE BONE TEMPLE.

It was such a surprising choice: Boyle and writer Alex Garland finally made their long anticipated third film, but also prepared a script for the director of LITTLE WOODS and CANDYMAN 2021 to shoot back-to-back with it. Boyle’s movie set up the new characters, and now DaCosta continues their story, but other than a few homages during zombie attacks she doesn’t mimic Boyle’s style at all. Cinematographer Sean Bobbitt (THE PLACE BEYOND THE PINES, WIDOWS, THE RHYTHM SECTION), editor Jake Roberts (HELL OR HIGH WATER, MEN) and composer Hildur Guðnadóttir (JOKER, TÁR) all go in very different directions from the distinct ones Boyle’s team chose, giving us a calmer and more traditional (not shot on iPhones) but still very effective look at this world of a zombie infection pandemic and its survivors. (read the rest of this shit…)

The Brutalist

Thursday, February 27th, 2025

Part 1: The Illusory Paradigm of Actuality

Are you ready to see the brutalest movie of all time? It’s called THE BRUTALIST. So brutal they had to have a 15 minute intermission built into the theatrical version. Also an overture but it’s only like 30 seconds or something. A full length overture would’ve tamped down the brutality too much.

THE BRUTALIST has the most jerking off and fingering of any of the 2024 Best Picture nominees, and it can be argued that it’s also the most masturbatory in its filmmaking, what with its 215 minute runtime, its unbearably corny chapter titles and unmistakable posturing of capital I Importance. Don’t you get it? This is about stuff like history, architecture, America, history… Important stuff. I had some questions about whether a writer/director born after AN AMERICAN TAIL came out should be making The Great American Epic about immigration combined with the non-asshole version of THE FOUNTAINHEAD. Undeniably, though, that confidence and grandiosity is what makes it an event. (read the rest of this shit…)