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Posts Tagged ‘drag queens’

The Adventures of Priscilla, Queen of the Desert vs. It’s Pat

Monday, September 2nd, 2024

I’ve seen THE ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT before, but haven’t reviewed it, and it’s one of those ones that I might come up blank trying to say something fresh about. It’s extremely well known and appreciated, I’m not sure who out there would need to know about it who doesn’t already, and I’m not qualified to speak on it either as a drag/trans film or as Australian cinema. But it was an unlikely international hit and has stood the test of time, so it would be a shame not to say a few words about it in this series.

Written and directed by Stephan Elliott (FRAUDS starring Phil Collins), it was released on August 10, 1994 in the United States (about a month before it came out in Australia, I guess?). It’s the story of three drag queens in Sydney who get a bus (Priscilla) and travel to central Australia together for a gig at a hotel. Bernadette (Terence Stamp, ALIEN NATION) is a wry older trans woman who ordinarily would avoid this sort of thing, but wants to take her mind off the recent death of her husband. Adam (Guy Pearce in only his fifth movie) is the diva of the group, kind of a pain in the ass but takes it well when they tease him. It’s Tick (Hugo Weaving, RECKLESS KELLY) who got the gig, and he’s nervous as hell because, unbeknownst to his friends, he used to be married to and have a kid with the owner of the hotel (Sarah Chadwick, GROSS MISCONDUCT), and he doesn’t know how it’s gonna go. (read the rest of this shit…)

Bloody Mallory

Friday, October 5th, 2012

In a quest for odd action-horror combos I came across this comic booky French movie that kind of seems like their version of a Milla Jovovich vehicle. Although it came out in 2002 it’s not that slick digital type of fake-looking, like ULTRAVIOLET or a RESIDENT EVIL or something. It’s more of a retro-MORTAL KOMBAT type of look with lots of badly composited red cloudy skies, lightning strikes, green fire, etc. But it could use some aggressive KOMBATtty techno music or guitar-and-drums scoring instead of the shitty keyboard-pretends-to-be-orchestra approach.
(read the rest of this shit…)