HERBIE: FULLY LOADED is the sixth motion picture in Walt Disney’s Herbie i.p. franchise saga (following THE LOVE BUG [1968], HERBIE RIDES AGAIN [1974], HERBIE GOES TO MONTE CARLO [1977], HERBIE GOES BANANAS [1980] and DISNEY’S THE LOVE BUG [1997]). It’s a sequel, not a reboot like BATMAN BEGINS, because the opening credits feature clips from some of those movies as backstory.
The story proper starts like a normal Herbie movie, with the lovable anthropomorphic (but not talking) Volkswagen Beetle with the #53 on his side causing trouble at the junkyard he’s been dumped off in. When Ray Peyton Sr. (Michael Keaton, FIRST DAUGHTER), leader of the Bass Pro Shop NASCAR team brings his daughter Maggie (Lindsay Lohan a year after MEAN GIRLS) there to buy a fixer-upper as a college graduation gift she ends up owning and restoring Herbie (due to wacky Herbie mischief). (read the rest of this shit…)
I’m a little behind schedule but ladies and gentleman, welcome to the final review in the Summer of ’98 series.
August 28, 1998
54 is the second of summer ’98’s competing disco movies. I’m not sure if it’s the DEEP IMPACT or the ARMAGEDDON, but it’s the not as good and not as well reviewed one. Like LAST DAYS OF DISCO it’s about a particular New York City disco in the later years, and there are conflicts between the management and staff that end with the place being raided by the IRS. But this one is in no way about yuppies, it’s based on the history of a real place, the main characters are all employees of the club, and there’s much more emphasis on the disco as a sanctuary for outcasts and misfits, so it would seem to have the potential to be BEAT STREET to LAST DAYS’s BREAKIN’.
But only the potential. Nobody seemed to take it that way.
Shane (Ryan Phillippe, SETUP) is a macho goon from New Jersey whose dreaming eyes gaze across the water to New York City like Luke Skywalker looking to the stars. He’s drawn to Studio 54 by newspaper columns about the celebrities who go there, so he perms his hair and drags his meathead buddies (including Mark Ruffalo, THE DENTIST) there with visions of Olivia Newton-John dancing in their heads, but only Shane (minus shirt) gets past the openly looks-based velvet rope elimination process.
For a second Shane seems like a Tony Manero, but he doesn’t give a shit about dancing (as in LAST DAYS, dancing is an oddly small part of the disco story). There’s a dramatic closeup of his foot hesitating to take its first step on the dance floor, but then he just goes into the crowd and yahoos for the band like he’s cheering on a football game. The looks he gets cause him to observe his surrounding and copy the other people’s moves. Then he quickly gets a job as a shirtless bus boy and doesn’t have to dance anymore. (read the rest of this shit…)
I wasn’t intending to include CLUELESS in my Summer of ’95 retrospective, since I mainly like to look at “blockbuster” type movies. And I feel very familiar with it. I saw it a long time ago and then I’ll watch parts of it on cable now and then. But I think Mr. Majestyk or somebody said he was hoping I would do it and you know I’m like a DJ, I try to read the audience and move the crowd and what not.
And man, when you sit down and watch it from beginning to end for the first time in a while, CLUELESS really holds up. It’s a funny, unique movie, one that’s simultaneously very ’90s in attitude, music and cultural references, and timeless because of its stylishly heightened (I hope) depiction of the world of Los Angeles rich kids. And you know what, nothing against James Acheson, who won a costume design Oscar for RESTORATION that year, but do you think he ever sent flowers to Mona May, who did this shit? I mean come on. It’s brilliant. Apparently she got her start working with Julie Brown on MTV (not Downtown, the funny one who plays the gym teacher here).
Alicia Silverstone plays Cher, the spoiled daughter of an angry widower lawyer (Dan Hedaya, ALIEN RESURRECTION). She and Stacey Dash as her best friend Dionne (they were “both named after famous singers of the past who now do infomercials”) in some ways fit the stereotype of Beverly Hills teen girls: they obsess over expensive name brand clothes and their own popularity, they think less about school and their futures than about boys and parties (though they don’t seem very interested in drinking and look down on anything more than occasional drug use). They are superficial, but they’re generally well-meaning, nice people. Then one day, inspired by ex stepbrother Josh (Paul Rudd, GEN-X COPS 2: METAL MAYHEM)’s comment about Marky Mark* attending a tree-planting ceremony, Cher decides to try using her popularity for good.
*This was before FEAR, let alone BOOGIE NIGHTS, so nobody called him Mark Wahlberg, not even his parents.(read the rest of this shit…)
When last I saw Garfield and friends, I was in a Bush-re-election-induced mania, the type that would cause a man to watch the movie GARFIELD. Now I decided to watch part 2 as part of our nation’s celebration of the comic strip going on in San Diego. That shows you how tolerant we, as a society, have grown toward Garfield. It’s like the whole thing about a lobster in a pot and the burner turns on and it gets slowly hotter and the fuckin thing doesn’t notice ’til it’s too late because it’s so gradual. Somehow I went from being horrified by the bizarre digital abomination that stars in this movie to not really being that bothered by it when I choose to watch part 2 of my own free will. (read the rest of this shit…)
Harry here with Vern’s uncovering of the greatest America has to offer. This time it is BLAST starring… ah hell, I’ll just hand it over to Vern – he’s who you come to AICN desperate for something new to read…
Boys –
You know how it is with me, every time I get a screener for some shitty straight to video movie I get this idea somewhere in my brain… what if this is it? What if this is THE ONE? The one I’ve been looking for all these years? Well today we’re here to discuss BLAST, which is not the one. But it is one of those rare surprisingly competent ones. Destined for a Not As Bad As You Would Think award from the Direct to Video Academy of Well Who Are We Kidding There Is No Art Or Science In These Things.
Basically BLAST is DIE HARD on an oil rig. Or maybe UNDER SIEGE on an oil rig, but not ON DEADLY GROUND. Anyway the important thing is instead of Bruce or Seagal, we got wisecrackin Eddie Griffin. You know, from MY BABY’S DADDY. Now look, I wouldn’t watch 99% of the shit this guy has made. But I do think he can be funny. I’m more of a POOTIE TANG man, but I liked him in UNDERCOVER BROTHER. And his standup movie/family documentary DYSFUNKTIONAL FAMILY was funny. Here, he has a couple good smartass lines, but mostly plays the action hero. (read the rest of this shit…)
Man, what a fuckin week. On Tuesday Bush got either “re”-elected or re-“elected,” and I’ve been stumbling around muttering to myself ever since. Stabbing at my porridge with my spoon, staring blankly out the window, mouthing the word “why” to myself over and over again. One thing I know, there are some things in this world that just cannot be explained. Sometimes bad things happen to good people. Sometimes people vote for a president that couldn’t be trusted to put on his own pants. And sometimes a guy gets the blue state blues, walks around town in a daze, suddenly finds himself at home having rented the movie “GARFIELD,” not really knowing how or why. I know for a fact this happens because you’re lookin at the guy who it happened to. Me. It was weird.
What this is is a movie based on the popular comic strip from the 1980s called Garfield. Like all comic strips it is not funny and about a talking animal. This is a cat called Garfield who is orange. The thing about Garfield, he is real fucking fat, he eats lasagna. That’s funny because real cats eat cat food, but this one also eats lasagna. Also he says “I hate Mondays” at the beginning although this does not turn out to be important. But it is that sort of detailed characterization that makes him, you know, Garfield. I guess. (read the rest of this shit…)
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Recent commentary and jibber-jabber
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Glaive Robber on 28 Years Later: “Y’know, when I saw this I felt like there was so much to talk about regarding this movie… and then…” Jul 7, 19:40
Glaive Robber on M3gan 2.0: “It’s funny that the trailers played M3gan up as some sort of queer icon, but in the second movie proper,…” Jul 7, 19:21
jojo on 28 Years Later: “So it was funny to read that this recording of a Rudyard Kipling poem is so known to be irritating…” Jul 7, 18:02
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Jerome on The X-Files: “Yeah, I just saw that. Bummer. But for whatever reason I needed Wiki to tell me he was the X-Files…” Jul 7, 16:03
Anne Billson on 28 Years Later: “Enjoyed reading that, Vern, thanks. Re: zombie films since 28 Days Later. I very much liked Jeremy Gardner’s no-budget The…” Jul 7, 13:59
deepfriednoir on 28 Years Later: “I agree that this is the perfect film for where the UK is at right now, but respectfully disagree that…” Jul 7, 12:48
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