This is the latest from the director Miguel Arteta and the Writer Mike White, who did CHUCK AND BUCK together. Mr. White also used to write for some tv shows, one supposedly really good and the rest called DAWSON’S CREEK and PASADENA. More recently he wrote the only okay ORANGE COUNTY and had a funny cameo in it. He has a small role here where he gets some laughs. He was the star of CHUCK AND BUCK and he’s a real goofball so when he appears in his movies you always want him to have a bigger part.
Before we move on I gotta ask, is this or is this not the same Mike White who does the zine Cashiers Du Cinemart that I used to always get spam for until dejanews shut down and I changed my e-mail? [UPDATE: I e-mailed the Cinemart Mike White, and he said he was not the GOOD GIRL Mike White.] If so that would also make him the same Mike White who makes the videos trying to point out which parts of Tarantino movies are similar to other people’s movies, which would make him kind of an ass. Somebody told me it was the same dude and I tried to verify it but the closest thing I could find for verification was that the Cinemart guy says he doesn’t have a new issue because he spent all of 2001 finding a new house, and then an interview with Miguel mentions that they auditioned Jake Gyllenhall in Mike White’s brand new house and he threw a chair and put a hole in the wall. That’s a pretty good clue I think but I don’t know if it would hold up in a court of law. I mean I wouldn’t want to besmirch Mike White’s name if there were two of them, like how there’s one George Miller who did MAD MAX and the other one who did the Steve Guttenberg movie where a dog rides on a dolphin’s back. (read the rest of this shit…)
This is the story of a man (me), a famous television critic (Gene Shalit) and a children’s action picture called SPY KIDS PART 2. Three entitities living their separate existences. Independent and peaceful. And it coulda easily stayed that way, if not for the simple words of a newspaper advertisement. But it was not to be. Because of those words, our three lives converged. And we would be changed for a while, I guess.
Hey folks, Harry here… I finally met Vern when I went to Seattle recently. Just so you know, Vern is actually a Paul Bunyon looking muther. He’s literally like 6’11” 310lbs – solid as a granite dildo slammed home! He has most of his original teeth, and a few he’s knocked out of others’ heads that he keeps in a ju-ju medicine bag that hangs around his neck – “Nobody fucks with the Vern!” – He reminds me of a redneck John Sayles. Without further thumb twiddling, here’s Vern…
There are bigger fans of M. Night Shymalan than me. He seems a little too nice to me, trying too hard to please everybody. They call him a new Spielberg but if so he’s a new Spielberg who skipped over the young vital years of Spielberg when he made shit like DUEL and JAWS. Still, I really like this young man’s style. He seems to have a couple of trademarks already. He treats supernatural themes very seriously and in a unique style that tricks mainstream audiences into thinking they are not watching a genre picture. He populates his stories with precocious child actors and movie stars who give uncharacteristically quiet performances. His stories have themes of tragedy and loss, and they are much more about character and suspense than about actual action. SIXTH SENSE was about discovering what’s goin on with these ghosts, not running from them or fighting them. And UNBREAKABLE was a super hero movie without a single scene of somebody swingin on a rope or shooting a laser or something. 
Well what this movie is about is Austin Powers is a spy from the ’60s who likes to have sex and use different british slang, etc. He has bad teeth and a hairy chest and because the dude who plays him, Michael Meyers, wishes he were a rock star, he also has a band in one part. This is the third in a series of pictures thought to be parodies of James Bond but obviously more like homages to Derek Flint, but with dick jokes and one dude playing most of the roles.
Well here we are with another slightly above average horror picture from Stuart Gordon, the guy who did REANIMATOR and a couple other halfway decent movies, but who seems to live next door to Full Moon Video or something. By this I do not mean that he only makes movies about little bastards like ghoulies, demonic toys, subspecieses, dollmen, shrunken heads, puppet masters, and etceteras. All I mean is that he seems to share alot of stylistic choices, collaborators and straight to video horror blood with those guys. But this is one of his movies that seems a little better. A little.
Well we know the spanish can do good modern horror, and the japanese can do it, and there’s that one canadian dude. But what about the Brits? They had the great Hammer Studios way back when, and they made the Wickerman I believe, so they got a good tradition going. But it’s been a while since I’ve heard about a real good one. To be honest I haven’t paid too much attention to the british culture lately. All I know is they got those annoying crime movies and that tv show where you go into your friend’s house, repaint it and glue a bunch of pinecones and inner tubes together as decorations.
Hey folks, Harry here… From what Vern says here, you’d be better off renting Seymore Butts’ WISE CRACKS or Seymore Butts’ TWO BUTTS ARE BETTER THAN ONE starring Seymore Butts’ Young Buns. Of course there are always foreign film options like CUM GUZZLING GEISHA GIRLS or THE TWIN PEAKS OF MOUNT FUJI, but that’s entirely up to you. Then there is Rav’s favorite all time title of SHEMALE YUM TAKES ON ASIAN AMERICAN LADYBOYS or Quint’s fave – PRINCESS ON THE PORCELAIN. But there is always Moriarty and mine’s favorite that we love to watch on those lonely nights: BRIDGET THE MIDGET: TATTOO MENU & A PIERCING EXPERIENCE. Join us if you will, or be like Vern….
I heard a rumor, or actually I just saw it on the ad, that REIGN OF FIRE is supposed to be the perfect summer movie. And in a way I think it is. Because it takes a good special effects extravaganza premise – the world is obliterated by firebreathing dragons and a small community of survivors fight back in postapocalyptic england – and treats it much smarter and more dramatic than you’d expect.
