As you may remember, I fucking DESPISED the Texas Chain Saw remake, but I thought the Dawn of the Dead one was fun. I can definitely be a purist at times but not always. I just calls it like I sees it. For me THE HILLS HAVE EYES is a remake with alot of potential because the original is a movie that I like alot, but I know it’s flawed. It’s got these great archetypal type themes, a perfect setup, lots of great horrible gruesome fun, but it’s pretty sloppy and cheap looking, and not always in a good way.
The remake, by the same frenchmen who made HIGH TENSION, had a couple things here and there that bothered me, but I think it goes in the pantheon of the good remakes. It stays very true to most of what I like about the original, and in some areas it even improves. TEXAS CHAINSAW I felt like was made by people who had no fuckin clue what was great about the original; DAWN OF THE DEAD was a good action movie but had none of the substance of the original; also please note I used two semi-colons in this sentence, which I think is pretty god damned professional in my opinion. To me, THE HILLS HAVE EYES feels like a new production of the old classic, because it stays very close to the original story for the first half, and when it veers off in a different direction it still stays true to the themes of the original. Shit, I’ll say it: THE HILLS HAVE EYES = Shakespeare. Hopefully we’ll have many different versions of THE HILLS HAVE EYES – we’ll have it modernized, we’ll have it set during WWII, or in space, we’ll have it done entirely by puppets or animals or children. (read the rest of this shit…)
DESERT HEAT aka COYOTE MOON or INFERNO
FORMULA 51 aka THE 51st STATE
V FOR VENDETTA is a big exciting futuristic comic book movie, produced and written by the Wachowskis, starring Hugo Weaving and Natalie Portman, playing in Imax in some towns, but not here. It’s a movie nerds are pretty excited for, but the talk is less about is he wearing the right cape, are his powers depicted in exactly the way I personally imagined them, etc., and more about the politics. Because although it features a guy in a cape and mask who fights bad guys in dark alleys, the story is more of a 1984 type deal than a spiderman. Apparently the comic strip book was written in England in the 1980s in response to the Margaret Thatcher administration.
Merrick here…
Here’s a weird fuckin movie written and directed by William Peter Blatty, the guy who wrote the novel of THE EXORCIST. I’ve been hearing the title for years so I know it has a cult following, but I think they had trouble selling it because all they could figure was “from the creator of THE EXORCIST” but it’s not like that movie at all. It starts out as a goofy comedy and turns into a sad essay about God, or something. I don’t really understand the meaning of the title, but it has something to do with a protein molecules and the existence of God. It’s mentioned in a dream scene where an astronaut finds a giant crucifix on the moon.
It pains me to deliver this news, but Bruce’s new one is not too hot. It’s not terrible, it’s mediocre, which of course is usually worse.
A film by Dolph Lundgren
DAVE CHAPPELLE’S BLOCK PARTY is the happiest, warmest, most joyful movie I’ve seen in a long god damn time. And not in a stupid way. The problems of the world are not ignored. There’s some light-hearted jokes about race issues, there’s a mention or two of the war, there’s some militant rap lyrics and a brief sermon by Fred Hampton Jr. All things I’m in favor of discussing. But mostly what this movie is is a whole bunch of people coming together to laugh and make beautiful music and have a good time together. In that sense it turns out it is kind of like WATTSTAX, the movie they mentioned as a model when they were filming this. I made fun of my ain’t it cool colleague Quint for writing that the trailer gives off a Wattstax vibe as if he came to that conclusion on his own. But there is a faint whiff of that vibe in the final movie I guess, if you’re really making a close examination of its vibes.
