"CATCH YOU FUCKERS AT A BAD TIME?"

Vern Has Seen The New Seagal, DRIVEN TO KILL!

First of all, let’s be honest: no Steven Seagal character really has to be “driven” into killing. He’s never gonna play a peaceful guy living an uneventful life as a librarian or a computer consultant who one day is forced by circumstances to tap into a savage side of himself he never knew existed. That’s just not a Seagal character type. True, in MARKED FOR DEATH he states an explicit isolationist philosophy to Keith David and only starts killing a few minutes later when his sister’s house gets shot up by gangsters. But even in that one he’s already done a whole bunch of killing earlier in life without necessarily being driven into it. He’s never just an ordinary non-violent guy at the beginning of a movie.

And especially in this one, because although he is a very successful crime writer under the name Jim Vincent, everybody knows he’s actually Ruslan (no last name, like Prince, McG or Vern), former Russian gangster. In a rare visual change to the iconic persona, Seagal sports MARK OF CAIN style tattoos on his forearms. There’s a nice badass moment when some young guys are pushing him around, he breaks a glass on one guy’s head and then pulls up his sleeves. The other guy just about shits his pants before he starts apologizing. (read the rest of this shit…)

May 18th, 2009 | 10 Comments »

Mission of Justice

tn_missionofjusticeHey, it’s another one from the VHS pile. Recently some of my fellow Seattle-based action fans asked me if I’d do an interview for their podcast, “Stack of Dimes.” I don’t really like to be interviewed so I weaseled out of it, but I still listened to some of their episodes to see what it was all about.

They’re really into Van Damme and mixed martial arts and stuff like that. They make fun of Seagal a little, but you can tell that’s one of their favorite types of movies. “JD” was the guy who contacted me, but his co-host “Thunder” keeps mentioning this DTV kickboxer guy called Jeff Wincott, and in the latest episode they actually scored an interview with him. I really wasn’t familiar with this guy and of course I’m always trying to expand my horizons and enjoy the vast spectrum of everything available, all the way from Van Damme to Jeff Wincott. The movie they talked about most in the interview is called MISSION OF JUSTICE, so I decided that would be a good one to start with.

Man, how did I miss this one before? I mean I’m not sure it’s rocketing to the top of my list, but it’s probaly gonna be scribbled somewhere in the margins of the list at the very least. It’s kind of like a really good Dudikoff movie that occasionally reaches for STONE COLD level awesome. It’s got quite a collection of the great action movie tropes: stumbling across a liquor store robbery, cop who gives up his badge, partner who risks her job to help him continue his investigation, undercover infiltration of a mysterious organization, evil person pretending to be good to run for mayor (Brigitte Nielsen!), best friend murdered, chop shop, nice grandma who you just know is gonna get murdered, incriminating video tape… (read the rest of this shit…)

May 17th, 2009 | 23 Comments »

The Gladiator

tn_thegladiatorTHE GLADIATOR is another movie I found on VHS by accident while browsing the video store. It’s a car vigilante TV movie, so I was surprised to find it with the Abel Ferrara movies. Yes, the director of KING OF NEW YORK and BAD LIEUTENANT also did a TV movie starring Ken Wahl and guest starring cheeseball ’80s top 40 DJ Rick Dees as his obnoxious boss. From about ’85 until ’88 Ferrara mostly worked in TV, doing some episodes of MIAMI VICE and CRIME STORY, plus this one in ’86. Seemed like something I should investigate.

Wahl plays Rick Benton, a stoic car mechanic working for Dees’s specialty car business. The only people in his life are his kid brother who he raised (Brian Robbins, director of NORBIT), his Vietnam buddy who works at the junkyard, and a customer he’s starting to date, talk radio host Nancy Allen. He works for rich people but chugs along in the kind of lower middle class existence not usually depicted casually in a TV movie. A couple nice touches I noticed: they eat on paper plates, and they wrap gifts with the Sunday funnies. You ever notice how presents on TV and movies are usually perfectly wrapped with shiny bows and sometimes even lids that just lift off? I could never pull that off. The Sunday funnies is more relatable. Good one Ferrara. (read the rest of this shit…)

May 16th, 2009 | 24 Comments »

The Stunt Man

tn_railsback1My Steve Railsback double feature concludes with the odd 1980 movie-movie THE STUNT MAN.

I don’t know what I was expecting from THE STUNT MAN, but it wasn’t this. It opens with a shot of a dog licking his balls, which is appropriate because this is another movie about making a movie. Two cops are chasing Steve Railsback for crimes unknown. He gets away but, through a complicated series of events, winds up hiding out on the set of a WWII movie pretending to be a stuntman named Bert who is actually dead due to a stunt gone wrong. The identity-switch is arranged to cover the ass of the eccentric director (Peter O’Toole) and he quickly falls for the female lead (Barbara Hershey), who he considers famous because he recognizes her from a sexy dog food commercial.

The police keep hovering nearby and he continues to work on the movie as a stuntman, comparing his situation to a war buddy who stepped on a landmine and couldn’t step off because that’s how you get blown up. But strangely it never really goes back to the story of him being a fugitive. It’s just this really surreal, inventive story about his possessive love for Hershey, his friendship with O’Toole, and eventually his fear that it’s all a conspiracy to kill him in a re-try of the stunt that killed Bert. (read the rest of this shit…)

May 15th, 2009 | 16 Comments »

Turkey Shoot

tn_railsbackTime to get back to my ongoing study of the works of Brian Trenchard-Smith. This one will also be part 1 in a Steve Railsback double feature.

TURKEY SHOOT is one of the Brian Trenchard-Smith pictures I had heard of before I started going through his filmography, although I knew it under the American title ESCAPE 2000 (which is what it’s called on the Anchor Bay DVD). It takes place in a dystopian future where “deviants” have been locked up in camps to be brainwashed and abused. Not sure if this happens at all of them but at this particular one, Camp 42 I believe, they also let the inmates run around in some wilderness to be hunted by rich people. Hence the title “TURKEY SHOOT.” It’s kind of like in the U.S. a couple years ago what we would’ve called “DICK CHENEY PHEASANT HUNT.” Means the same thing.

Our heroes are naive Olivia Hussey, sexy Lynda Stoner, and defiant Steve Railsback. Railsback gets a pretty badass setup because the headmaster, Thatcher, lists all the different camps he’s escaped from, and you know he’ll be adding Camp 42 to the list soon. I love Railsback from ED GEIN, LIFEFORCE, etc. but to be honest he doesn’t have that great of a character in this one. He mostly just runs around. Not that he’s not good at running around, it’s just not that memorable a part. (read the rest of this shit…)

May 14th, 2009 | 14 Comments »

Collateral Damage

tn_collateraldamageAfter revisiting THE RUNNING MAN I decided it would be a good time to catch up on a more recent Schwarzenegger movie I had skipped before.

COLLATERAL DAMAGE is a dumb movie, and not the good kind of dumb. On paper it sounds like it has a zeitgeisty post-911 exploitation revenge premise, but it completely fails to deliver on that premise. It supposedly (according to director Andrew Davis in the DVD extras) means to subvert expectations by having a hero who saves lives instead of takes them, but that point gets muddled too. It’s not a good action movie and it sure as shit doesn’t come across as an effective drama about war, terrorism, interventionism, the cyclical nature of violence, or intercontinental travel. (read the rest of this shit…)

May 13th, 2009 | 21 Comments »

The Running Man

tn_runningman1Arnold Schwarzenegger is… THE RUNNING MAN. That’s actually what it says on the credits, which makes me feel good, makes me proud to be an American. In fact, I’m gonna make a new tag for this review called “is…” If you can think of some other movies where the star “is…” the title, let me know. But only if it’s in the actual opening credits, not just the trailer or the poster, at least for now. We’ll see how many we can find.

THE RUNNING MAN was a book Stephen King wrote in 1982 when he was on the lam and hiding out under the alias Richard Bachman. I read it back in the ’80s so I don’t remember it in much detail, but I’m pretty sure it wasn’t the same kind of goofy cartoon shit as the movie. It was about a brutal game show of the future where contestants tried to get across the country without being killed. I think there were bounty hunters after them, but also they’d become famous through the show and regular people would try to kill them to collect a reward. It’s like American Idol except instead of participating by calling in you do it by shooting at the guy. The main character was kind of like Kowalski in VANISHING POINT, he ended up capturing the hearts of everybody at home and they started rooting for him to get away. (read the rest of this shit…)

May 12th, 2009 | 50 Comments »

Vern reviews S.DARKO direct to video…

To H. Knowles, M. Beaks, Q. Vespe and A. It Cool News:

Hey everybody,

Vern here. I have been known to review a DTV sequel or two, so somebody requested I report on the quality of S. DARKO: A DONNIE DARKO TALE, available on the DVD as of today. So don’t ever say I didn’t give back to the community.

It’s been a while, but if I remember my DONNIE DARKO right, a bunch of weird shit was going down with a bunny man and hallucinations and mysteries and what not, so there was time travel and apocalyptical type shit, turned out the bunny was a dude in a Halloween costume that got hit by a car, Donnie was killed by a plane engine landing on his house, trippiness, etc. (read the rest of this shit…)

May 12th, 2009 | 5 Comments »

The Limits of Control

tn_limitsofcontrolIn Jim Jarmusch’s new one, Isaach De Bankolé plays a man (“Lone Man” according to the credits) on a mission. He meets some guys at an airport who give him a key and a box of matches and tell him to go to a certain cafe and wait for “the violin.”

So he flies there, checks into the hotel, goes to the cafe, waits around, nothing happens. Goes back to the hotel, stares at the ceiling until the next day, comes back, waits. He goes to the art museum, where he sees a painting of a violin. Is this the violin he’s supposed to be waiting for? Not sure. Goes and waits some more. Eventually a guy with a violin comes (SPOILER), talks to him, they trade boxes of matches. Inside his box is a scrap of paper with a code on it, which he reads and then eats.

Basically, the whole movie is him doing variations on this routine again and again, all of it nicely photographed in Spain by Christopher Doyle. He goes to different places and meets different people. At every cafe he orders two espressos in separate cups. Every contact says the same thing to him at first, then talks to him about some interest of theirs (movies, music, molecules). He doesn’t respond and usually doesn’t look like he’s listening. Then they give him the same kind of matchbox with the same kind of note in it which he always eats. In between he checks out some art such as paintings, music or dance. (read the rest of this shit…)

May 11th, 2009 | 18 Comments »

Star Trek (2009)

tn_startrekNever thought they’d be able to pull a trick like this, but somehow they made STAR TREK cool. I’m not even sure if I can say cool again. I guess when the first couple movies came out it passed as cool. Anyway, this is some top grade movie magic here because it takes this pop culture phenomenon that has for generations been the #1 cliche nerd obsession and makes it into something that we, as a society, can share peacefully and enjoy together.

Going on opening night of course I saw it in a sold out crowd that must’ve contained some hardcore Trekkos (that’s what they prefer to be called – the word “Trekkies” was made up for the classic documentary and to true Trekkos is considered ten times worse than the n-word) but I never even felt a twinge of that nerdophobic uncomfortableness I felt when I went to see SERENITY. Midnight show in Imax might’ve been a different story, I don’t know, but my point is this thing is reaching far outside of the nerd audience. They said we weren’t ready for a black president, and they were wrong. They never said we weren’t ready for a cool STAR TREK, because nobody was even gonna argue that one. (read the rest of this shit…)

May 10th, 2009 | 99 Comments »

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