So I watched this poorly subtitled Chinese import of BANLIEUE 13 – ULTIMATUM, which I think is about to be released dubbed in the US as DISTRICT 13: ULTIMATUM, the sequel to what we call DISTRICT B13, which pretty much translates to “District District 13.” This one reunites Cyril Rafaelli (last seen tossed into a fan by John McClane) and David Belle for more near-future parkour and martial arts action.
It’s 3 years later and the government has made good on its promise for regime change, but nothing else. The district is still walled in, and the cops still treat everybody like shit. Leito (Belle) doesn’t want to let it go so he has a hobby of strolling around casually attaching bombs to walls and blowing shit up. Then he gets chased by cops and the gangs, or “clans,” get pissed at him because they sort of like their lives behind the walls and don’t want him fucking it up. (read the rest of this shit…)
hello everybody welcome to my first ever LIVE BLOG, I am watching E and there is alot to be said about this all new wave speed slimming ssystem. It is the most effective total body slimming system ever due to cardio, strength, speed slimming intervals.the reason why is the afterburn effect, it keeps burtning fat even as you sleep or drive. what i am getting at is they’re not announcing the thing yet
Thomas Jane plays Malone, a fedora-wearing, ’52 Buick driving, ten thousand bullet firing, fake film noir style opening scene narrating, badass private eye motherfucker in a mostly empty city portrayed by Spokane, Washington. The movie takes place in the modern day (email is mentioned once) but obviously takes most of its cues from the cliches of detective stories/film noir, including the femme fatale client, the fast, back-and-forth quipping and, you know, his hat. He’s old fashioned enough that he keeps calling women “sister.” Also, alot of the score is that cheesy type of saxophone they always use in modern movies and TV as a code for “it’s like an old private eye movie.” 
This pre-DIRTY HARRY teamup between Clint Eastwood and Don Siegel starts with Clint as sheriff’s deputy Coogan tracking a Navajo wife-murderer through the desert. The wide angle, the windy quiet and the cowboy hat tell you it’s a western, except Coogan rides in in a Jeep. He has a shootout with the suspect, captures him and then goes to visit an old girlfriend, leaving the man chained up on the porch like a dog. His boss storms in to chew him out while his girl is bathing him – Coogan asks the sheriff to pass him the soap. 
BRINGING OUT THE DEAD is Martin Scorsese at his most nightmarish and hallucinogenic, a movie almost entirely in helicopters-overhead-paranoid-end-of-GOODFELLAS mode. That’s ’cause it’s about night shift EMT workers, which I think we can safely assume is probly a pretty stressful job. The movie is written by Paul Schrader based on one of those “this job is fucked and we’re all on drugs” type exposes, like 
Recently I made a list of all Clint Eastwood’s movies (as an actor) that I haven’t seen or don’t remember. The list is surprisingly long, and I carry it in my wallet now in case I’m at the video store and don’t know what to rent. So hopefully this will be the first of many upcoming doses of Eastwood medicine. (pun)
I know I keep reviewing movies that aren’t available yet or that people aren’t gonna bother to see in a theater. Well, I noticed that four movies I previously reviewed are out on DVD today so I though I’d steer people back towards those for further discussion.
Remember, I said I was gonna review all the UNIVERSAL SOLDIER movies? I wasn’t lying. Here’s my reviews of the third and fourth installments in preparation for the brand new part 3 that comes out next week.
I liked AMERICAN YAKUZA so much I figured I better investigate the other two directorial works of Mr. Frank A. Cappello. #2 of 3 is an unpredictable 1995 action movie starring Russell Crowe as an FBI agent. That’s the mystery of Cappello – the guy only directs three movies but manages to nab both Viggo Mortensen and Russell Crowe in leading roles before they became huge. I really like Crowe in this one, playing an obsessed agent and single dad. It’s actually pretty similar to his role in AMERICAN GANGSTER except he accidentally slips into the Australian accent more. 
