So nice they named it twice for some reason? I actually was always curious to see what this BALLISTIC: ECKS VS. SEVER movie was all about, so those of you who voted it up in the SUGGESTIONS gave me that nudge I’ve been needing for years.
Antonio Banderas plays Jeremiah Ecks, an ex-FBI agent who went deep undercover and faked his death but also thought his wife was dead but she wasn’t but now he’s retired but they come to him and say his wife is actually alive and he should help them go after this kidnapper Sever (Lucy Liu) because she knows where his wife is. She took the son of innocent Talisa Soto (MORTAL KOMBAT) and rich asshole Gregg Henry (PAYBACK) and she keeps him in a big metal cage in a Batcave type underground lair but she seems to like him because she brings him cafeteria lunch trays loaded with good food like home made macaroni and cheese, Jello and Ding-Dongs, and he says “Thank you” politely. (read the rest of this shit…)
I am an individual who thirsts for knowledge and understanding, so I figured I should find out more about where these GI JOE movies come from. In my review of 
Friends,
not to be confused with THE EVIL DEAD (1981). They take the ‘the’ out to streamline it, like 
Somehow I’ve gone all these years and never reviewed a JURASSIC PARK movie. Somewhere in a notebook I think I have a partly written review of THE LOST WORLD from the last time I watched it, and I could’ve sworn I reviewed part 3 back when it came out, but no. Nothing. Until now. So hold onto your butts… IN 3-D!
I only gave this a chance because I knew Zoe Bell was in it somewhere and I thought it starred Billy Bob Thornton. Turns out both are pretty small parts. And the opening has alot of signs that this is one of these post-GRINDHOUSE prefab exploitation movies that I can’t stand. It uses that old stylistic device that has pretty much never been used in a cool way, the freeze-frame-turns-into-shitty-Photoshop-tracing-that’s-supposed-to-look-like-a-comic-book-panel. The titlated outlaws are three crazy gunhappy berserker redneck brothers, the unshaven type with greasy hair and fetishistically dirty tank tops, ugly tattoos, biker jewelry, of course a rebel flag on one of them. #1, I don’t understand why these type of characters are so appealing to people who make movies like this, and #2 are we at a point where SMOKIN’ ACES is actually an influential film? Holy shit. I thought I was the only one who liked some parts of that.
VICTORY is a 1981 John Huston film that combines a 
Well, I know I’m late to this wake, and many people have written more thorough and more personal words about Mr. Ebert than I could. The closest I ever came to meeting him was when a commenter here chose the name “Simulacrum of Roger Ebert” and I wanted so badly to believe it might be him that I decided maybe it was and made a fool of myself. (Don’t worry bud, all is forgiven.) But I want to say something because I really believe I might not be doing what I’m doing with my life if not for Siskel & Ebert. Which might be a positive for my financial future but otherwise would suck.
BREAKING POINT is an early Bob Clark picture in sort of a DEATH WISH vein. DEATH WISH came out 2 years earlier. Bo Svenson (who had already been in WALKING TALL 2, and is my favorite Buford Pusser) plays Michael McBain, a regular guy who’s walking home with his stepson late one night when he sees two gangsters beating a man to death in an alley. He’s an honorable, manly kinda guy so he fearlessly goes over to tell them to cool it. But he’s too late to save the guy.
