August 16, 1985
Two John Candy movies in a row, and now all the sudden we’re back to weird science? THE BRIDE asks the question “What if WEIRD SCIENCE happened not in the modern day with teenagers, but with adults a long time ago, and instead of Gary the main guy’s name is Frankenstein?” Or “What if FRANKENWEENIE was a Franken-adult-human-lady?” Or I guess if you want to be a wet blanket you could call it a riff on BRIDE OF FRANKENSTEIN. But it’s totally different. The hair is not even the same, to name only one example.
Director Franc Roddam had done QUADROPHENIA (1979) and THE LORDS OF DISCIPLINE (1983) and was attempting his first big mainstream movie. According to his refreshingly frank DVD commentary track, he had Sting (who had been in his first film) originally slated to play the small part of Josef, but “we said to ourselves this could be a great movie for young people” if they had it star this huge rock star, with his first solo album coming out in June, alongside Jennifer Beals, the hot newcomer fresh off the massive success of FLASHDANCE. So they gave the Josef role to some schmuck named “Carrie Elways” or some shit and Sting played Baron Charles Frankenstein opposite Beals as the titular Bride. But it’s only modernized in some of its themes, while being fairly classical in form and content. It’s not rock ’n roll or flashdancy at all. So I’m not sure the young people much noticed. (read the rest of this shit…)
Frankenweenie is a 26-minute long black-and-white Disney live action short that was not quite, as far as I can tell, a Summer of 1985 release. It was made in 1984, planned to play with a re-release of THE JUNGLE BOOK that summer, then production was delayed, moving it to PINOCCHIO in December, but when it received a PG rating they couldn’t play it with a G-rated movie, so it got shelved until playing with only the U.K. release of BABY: THE SECRET OF THE LOST LEGEND. I couldn’t find proof of a date, but if it was the same as the U.S. then it was in March of ’85.
But I decided it was an important backstory to fill in, because it keeps coming up. It was one of the projects then-25-year-old Disney artist Tim Burton switched to after the company didn’t use any of his designs for 
WIRA (translation: HERO) is a really good 2019 martial arts movie that’s available on Netflix, and maybe my first Malaysian film? It cold opens with a brutal women’s M.M.A. match that will be an important inciting incident, but you don’t really know the context yet, so instead it works to establish the movie’s level of action reality: somewhat grounded in real moves and sweat and blood, but moving through them very fast, and with absolutely thunderous punching and slamming sounds. Like somebody is gonna get their head knocked off. Reminded me a little bit of the 
BLACK SAMSON is another entry in the ‘70s Black action cinema genre (if we can call it that when it has a white director). I watched it because it was on a double feature disc with 
