I haven’t read the Stieg Larsson DRAGON TATTOO books, but I liked the Swedish movies. Or at least the first two. Lisbeth Salander is a cool pulpy heroine, a unique type of badass with an interesting, complex relationship with this reporter dude she’s fucking/investigating with. I enjoyed (if you can call it that) her adventures and hoped things would turn out well for her and her dragon. (read the rest of this shit…)
Archive for the ‘Mystery’ Category
The Girl With the Dragon Tattoo (2011)
Thursday, January 12th, 2012Detective Dee and the Mystery of the Phantom Flame
Tuesday, September 6th, 2011
DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME is the latest directorial work from Mr. Tsui Hark. Yeah, admittedly I still mainly love him for the Van Damme/Rodman/Rourke picture DOUBLE TEAM, but he’s actually a respectable director too. This was nominated for best picture in last year’s Hong Kong Film Awards. It lost to GALLANTS but #1 I personally liked this better than GALLANTS and #2 Tsui won best director anyway. Like Soderbergh over Ridley Scott. Take that, GALLANTS.
DETECTIVE DEE is playing in American theaters now so check it out, but it’s also come out on legit UK blu-ray so that’s how I saw it.
(read the rest of this shit…)
The Girl With the Dragon Tattoo
Wednesday, July 7th, 2010
They say THE GIRL WITH THE DRAGON TATTOO is an international phenomenon. The whole world has Dragon Tattoo Fever and Steig Larssonmania. This is a Swedish mystery thriller, the first in an already completed trilogy adapted from the hugely popular books written by this guy Larsson and published after he died. Some people die and their family is horrified to find their porno stash, this guy dies and they find 3 (three) smash hit mystery novels. It’s ridiculous. Like anything that’s popular around the world (cursed videotapes, drifting, Lambada, quiet preteen Swedish vampire dramas) the Americans want in on that action, so they’re already working on an American version. I’d be annoyed, except it’s David Fincher directing, so let him do what he wants.
Anyway, this review here is of the original movie version that no matter what will be preferred by Swedes and by Americans who want to rebel against The Man by rejecting his popular entertainment in favor of foreign product. (read the rest of this shit…)
Marlowe
Thursday, April 15th, 2010
MARLOWE is a 1969 adaptation of the Raymond Chandler story “The Little Sister” that is still not available on the DVD now available as a Warner Archive DVD. James Garner plays Philip Marlowe, as much of a wiseass as ever, but it’s a little weird because he’s a character so associated with the ’40s, and here he is in a Summer of Love era Los Angeles where the gangsters and movie stars mingle with hippies. Marlowe still wears a fedora sometimes, but he doesn’t act too retro. He fits in. And I mean he enjoys the ladies, so that’s compatible with the times. Free love and all that. (read the rest of this shit…)
The Killers (1964)
Friday, December 11th, 2009
The ’64 version of THE KILLERS doesn’t have much to do with the original and even less to do with the Hemingway story. And maybe it’s not quite the solid punch to the nose you’d hope for from the combination of Lee Marvin, Don Siegel and that title. But on the other hand it might be some kind of subtle dim mak punch because it stuck with me and seemed better and better the more I thought about it. Anyway, it’s damn good.
After I wrote about the ’46 version I listened to the extra on the DVD where Stacy Keach reads the Hemingway story, and it explained alot. That movie was a good mystery, but nothing in the main story approaches the perfection of that opening, the tense scene with the two strangers coming into the diner, talking shit, then taking everybody hostage and saying, “I’ll tell you what’s gonna happen. We’re gonna kill the Swede.” I know now that’s because the Hemingway story is only the opening, the rest is all extrapolated from there. In the story you don’t find out what the Swede did to get killed. Adding a whole story to explain the short story really goes against the spirit of the thing, because to quote Jack Skeleton about Christmas presents, “That’s the point of the thing, not to know.” (read the rest of this shit…)
The Killers (1946)
Monday, November 23rd, 2009
To tell you the truth it was the Lee Marvin/Don Siegel version of this Ernest Hemingway story that I was interested in, but Criterion released the two versions together, so I watched this Robert Siodmak/Burt Lancaster one first. Way to go, Criterion – expanding my ignorant horizons.
This is one of those movies I wasn’t sure about watching but then the opening was so great it could’ve turned into a round table discussion of agriculture subsidies and I probly would’ve kept with it. It starts with two out of town assholes walking into a diner and giving the proprietor a bunch of shit. They sit there in their coats and fedoras, ridiculing the menu, the policies, the customers, keep calling everybody “bright boy” and ask them condescending questions. It soon comes out that they’re not there for the steak sandwiches, they’re hired killers waiting for “the Swede” (Lancaster) who works at the gas station across the street to come in for lunch so they can ply their trade on him. (That means kill him. They are killers.)
He doesn’t show up, though, so the killers leave, and the “bright boy” customer who happens to work with Swede races to his house to warn him. But the Swede already knows, and he just lays in bed, resigned to his fate. So they show up and kill him. (read the rest of this shit…)
Michael Clayton
Thursday, February 21st, 2008
Who the fuck is Michael Clayton and why is he so awesome that a movie is named after him? Well to answer your first question, Michael Clayton is a highly effective “fixer” played by George Clooney who cleans up messes for a big law firm, and to answer your second one I guess they figured coming up with some thriller type name like THE FIXER or DEADLY REVELATION or THE BREADWINNER would be corny so they just said I don’t know, fuck it, use the character’s name, I don’t give a shit. And MICHAEL CLAYTON was born.
The thing I cannot stress enough about this movie is that it’s really fuckin good. I wasn’t prepared for that. I heard it was good, I knew it was nominated for best picture, but I don’t know man. Nobody really properly conveyed it to me I guess. I didn’t expect to be blown away by it. But this is just a great thriller, one that works so well and talks down to you so little it’s hard to believe it was made in this day and age. (read the rest of this shit…)
Birth
Thursday, February 21st, 2008
Imagine you’re Nicole Kidman (well, a character played by Nicole Kidman) and your husband died ten years ago. (Not Tom Cruise or the country singer guy she’s with or whoever, I am talking about a fictional character played by Nicole Kidman). You’re still sort of getting over this but your boyfriend (the head vampire from 30 DAYS OF NIGHT [but not a vampire, just the same actor]) has proposed to you and you think you’re finally ready and you’re gonna make this work.
And then a 10 year old boy (the kid from X-Men 3 [playing a different character {I think I will stop mentioning what other movies they’ve been in}]) shows up at your apartment and tells you that he’s your dead husband Sean. Hopefully this hasn’t happened to most of you, so just try to imagine what it would be like. (read the rest of this shit…)
Vern Reviews THE PSYCHIC On DVD!
Tuesday, December 18th, 2007
Hey, everyone. ”Moriarty” here.
If that headline isn’t enough to get you excited, perhaps I overestimated you as a film geek.
THE PSYCHIC is one of Fulci’s best films in my opinion, and I’ve been waiting for it to come out on DVD for a long time. I have it here at the house and need to break it out to finally see it again.
I’m delighted to see Vern chime in on something like this on DVD, and having a new piece by him, a piece by Neill, and the Elston Gunn piece I’m about to put up… I feel like I got an uncommonly good morning’s worth of reading.
Check this out…
After years of being hard to find even in its crappy cropped VHS form, and weeks of being recalled because there was a problem with the sound, this week finally sees the DVD release of Lucio Fulci’s THE PSYCHIC from Severin Films (an up and coming label that mostly releases old EMANUELLE movies and things like that). They say it’s “Uncut For The First Time Ever In America!” which apparently means there were some scenes cut out in the old version, but does not mean it is some kind of unrated gorefest that will make you puke or challenge your religious convictions. This is one of Fulci’s thrillers, made in 1977, a few years before he started stabbing eyeballs in his horror movies like ZOMBI and THE BEYOND. It’s got its moments but it’s not as extreme as the stuff he was later known for. (read the rest of this shit…)
The Dead Zone
Monday, December 3rd, 2007
Revisiting THE DEAD ZONE for the first time since the ’80s is kind of a trip. I didn’t know who David Cronenberg was back then so I didn’t know it was one of the most commercial movies he’d ever make. No weird phallic lumps, all vaginas presumably in the right spots. It’s an eery thriller with a cold, wintery atmosphere and a good idea from Stephen King. If you don’t remember, Chris Walken is a guy who gets into a car accident, wakes up from a coma and soon starts having premonitions. Sometimes when he touches somebody he finds himself in some traumatic future event. So he uses this to save children, catch a killer, etc., and becomes a local hero.
Walken of course is real good. He’s such a weirdo, but he gets to joke around, be kind of a charmer, and also be pissed off at this turn of events that people tell him is a “gift” even though it’s ruined his life. Cronenberg plays up the tragic love story. Walken and his old girlfriend still love each other, but while he was in the coma she got married and had a kid. So it’s tough. Not much you can do there that’s gonna make you happy in the long run. (read the rest of this shit…)
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