Honestly, DA THE VINCI CODE or whatever is not a movie I ever though I’d watch. Some of the things going against it are:
a. didn’t look interesting to me
2. book I never cared about
III. director Ron Howard is competent but kind of a square director in my opinion, not somebody whose movies I ever get excited for and
d. in my opinion Akiva Goldsman is the writer of BATMAN AND ROBIN.
And I would’ve gotten away with it if it wasn’t for this Summer Movie Flashback I got myself into. There just wasn’t another significant summer of 2006 movie I hadn’t seen. Right up until the last minute I was actually planning to do MY SUPER EX-GIRLFRIEND just ’cause I thought that would be easier to stomach, but I decided that would be dishonorable. This one was obviously part of some cultural phenomenon of the time and is more representative of that summer. (read the rest of this shit…)
When I found out that Matt Schulze (OUT OF REACH, THE FAST AND THE FURIOUS, FAST FIVE, BLADE, BLADE II, THE TRANSPORTER) actually got to be the lead in a movie where he is a psychic chess expert trying to stop a serial killer I knew I had to watch it and review it for my column over on Daily Grindhouse. So that’s what I did.
JACK REACHER is the latest in a line of movies based on a pulp character using the character’s name as the title and not making enough money to continue as a series like they probly planned (see also JOHN CARTER, ALEX CROSS, PARKER, HITCHCOCK). This one’s specifically from a book called One Shot by Lee Child, ninth in the Reacher series. I don’t know the books, just the complaint by many readers that it’s important for him to be a big intimidating guy and not a little guy in a little leather jacket like Tom Cruise always plays. So this would probly bother me if I had read them. (read the rest of this shit…)
I didn’t post about this while I was out of town, so if you missed it:
I accidentally discovered a doozy of an only-on-VHS-Vietnam-vet-ex-boxing-champion-with-metal-hand-bones-sent-on-secret-mission-to-Hawaii-to-kill-Henry-Silva movie called FISTS OF STEEL. Not the best movie I’ve seen for this column so far, but definitely the craziest. Details on Daily Grindhouse.
I know Valentine’s Day is a made-up greeting card company holiday, but that doesn’t mean I can’t celebrate by watching the notoriously bad Bruce Willis sex movie that you guys voted #1 in the outlawvern.com “Review Suggestions” feature. If my movie watching happens to match up with the agendas of Hershey’s Chocolate and the local florists then so be it. It seemed right anyway.
I never saw this before. Of course I knew its reputation. It won “Worst Picture” from those Razzies assholes but also Best Sex Scenes of All Time from those Maxim assholes. So I was surprised when I watched the opening scene. A woman is getting dressed and putting on makeup. She’s very manic and keeps freaking out and having a fit. She messily smears lipstick all over her mouth. She gets her purse and starts to put a handgun in it, for protection I assume. But then she hesitates, thinks about it, puts it in her mouth instead. Real suddenly, as if on a whim.
But then she decides not to blow her brains out. She decides to give the gun a blowjob. And that’s where director Richard Rush (THE STUNT MAN) decided to put his director’s credit. If I had known it was gonna be nuts like this I would’ve watched this a long time ago. (read the rest of this shit…)
I haven’t read the Stieg Larsson DRAGON TATTOO books, but I liked the Swedish movies. Or at least the first two. Lisbeth Salander is a cool pulpy heroine, a unique type of badass with an interesting, complex relationship with this reporter dude she’s fucking/investigating with. I enjoyed (if you can call it that) her adventures and hoped things would turn out well for her and her dragon. (read the rest of this shit…)
DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME is the latest directorial work from Mr. Tsui Hark. Yeah, admittedly I still mainly love him for the Van Damme/Rodman/Rourke picture DOUBLE TEAM, but he’s actually a respectable director too. This was nominated for best picture in last year’s Hong Kong Film Awards. It lost to GALLANTS but #1 I personally liked this better than GALLANTS and #2 Tsui won best director anyway. Like Soderbergh over Ridley Scott. Take that, GALLANTS.
DETECTIVE DEE is playing in American theaters now so check it out, but it’s also come out on legit UK blu-ray so that’s how I saw it. (read the rest of this shit…)
They say THE GIRL WITH THE DRAGON TATTOO is an international phenomenon. The whole world has Dragon Tattoo Fever and Steig Larssonmania. This is a Swedish mystery thriller, the first in an already completed trilogy adapted from the hugely popular books written by this guy Larsson and published after he died. Some people die and their family is horrified to find their porno stash, this guy dies and they find 3 (three) smash hit mystery novels. It’s ridiculous. Like anything that’s popular around the world (cursed videotapes, drifting, Lambada, quiet preteen Swedish vampire dramas) the Americans want in on that action, so they’re already working on an American version. I’d be annoyed, except it’s David Fincher directing, so let him do what he wants.
Anyway, this review here is of the original movie version that no matter what will be preferred by Swedes and by Americans who want to rebel against The Man by rejecting his popular entertainment in favor of foreign product. (read the rest of this shit…)
MARLOWE is a 1969 adaptation of the Raymond Chandler story “The Little Sister” that is still not available on the DVDnow available as a Warner Archive DVD. James Garner plays Philip Marlowe, as much of a wiseass as ever, but it’s a little weird because he’s a character so associated with the ’40s, and here he is in a Summer of Love era Los Angeles where the gangsters and movie stars mingle with hippies. Marlowe still wears a fedora sometimes, but he doesn’t act too retro. He fits in. And I mean he enjoys the ladies, so that’s compatible with the times. Free love and all that. (read the rest of this shit…)
The ’64 version of THE KILLERS doesn’t have much to do with the original and even less to do with the Hemingway story. And maybe it’s not quite the solid punch to the nose you’d hope for from the combination of Lee Marvin, Don Siegel and that title. But on the other hand it might be some kind of subtle dim mak punch because it stuck with me and seemed better and better the more I thought about it. Anyway, it’s damn good.
After I wrote about the ’46 version I listened to the extra on the DVD where Stacy Keach reads the Hemingway story, and it explained alot. That movie was a good mystery, but nothing in the main story approaches the perfection of that opening, the tense scene with the two strangers coming into the diner, talking shit, then taking everybody hostage and saying, “I’ll tell you what’s gonna happen. We’re gonna kill the Swede.” I know now that’s because the Hemingway story is only the opening, the rest is all extrapolated from there. In the story you don’t find out what the Swede did to get killed. Adding a whole story to explain the short story really goes against the spirit of the thing, because to quote Jack Skeleton about Christmas presents, “That’s the point of the thing, not to know.” (read the rest of this shit…)
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Honestly, DA THE VINCI CODE or whatever is not a movie I ever though I’d watch. Some of the things going against it are:
JACK REACHER is the latest in a line of movies based on a pulp character using the character’s name as the title and not making enough money to continue as a series like they probly planned (see also JOHN CARTER, ALEX CROSS, PARKER, HITCHCOCK). This one’s specifically from a book called One Shot by Lee Child, ninth in the Reacher series. I don’t know the books, just the complaint by many readers that it’s important for him to be a big intimidating guy and not a little guy in a little leather jacket like Tom Cruise always plays. So this would probly bother me if I had read them. 
I know Valentine’s Day is a made-up greeting card company holiday, but that doesn’t mean I can’t celebrate by watching the notoriously bad Bruce Willis sex movie that you guys voted #1 in the outlawvern.com “Review Suggestions” feature. If my movie watching happens to match up with the agendas of Hershey’s Chocolate and the local florists then so be it. It seemed right anyway.
I haven’t read the Stieg Larsson DRAGON TATTOO books, but I liked the Swedish movies. Or at least the first two. Lisbeth Salander is a cool pulpy heroine, a unique type of badass with an interesting, complex relationship with this reporter dude she’s fucking/investigating with. I enjoyed (if you can call it that) her adventures and hoped things would turn out well for her and her dragon. 
DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME is the latest directorial work from Mr. Tsui Hark. Yeah, admittedly I still mainly love him for the Van Damme/Rodman/Rourke picture DOUBLE TEAM, but he’s actually a respectable director too. This was nominated for best picture in last year’s Hong Kong Film Awards. It lost to GALLANTS but #1 I personally liked this better than GALLANTS and #2 Tsui won best director anyway. Like Soderbergh over Ridley Scott. Take that, GALLANTS.
They say THE GIRL WITH THE DRAGON TATTOO is an international phenomenon. The whole world has Dragon Tattoo Fever and Steig Larssonmania. This is a Swedish mystery thriller, the first in an already completed trilogy adapted from the hugely popular books written by this guy Larsson and published after he died. Some people die and their family is horrified to find their porno stash, this guy dies and they find 3 (three) smash hit mystery novels. It’s ridiculous. Like anything that’s popular around the world (cursed videotapes, drifting, Lambada, quiet preteen Swedish vampire dramas) the Americans want in on that action, so they’re already working on an American version. I’d be annoyed, except it’s David Fincher directing, so let him do what he wants.
MARLOWE is a 1969 adaptation of the Raymond Chandler story “The Little Sister” that is 
The ’64 version of THE KILLERS doesn’t have much to do with the original and even less to do with the Hemingway story. And maybe it’s not quite the solid punch to the nose you’d hope for from the combination of Lee Marvin, Don Siegel and that title. But on the other hand it might be some kind of subtle dim mak punch because it stuck with me and seemed better and better the more I thought about it. Anyway, it’s damn good.
