SPOILER ALERT !!
ZOO, directed by Robinson Devor, is a movie you might’ve heard of when it played Sundance last January. For some reason it had a very limited theatrical run, it was not really given the same chance a SPIDER-MAN or a SHREK would get to catch on with the public, but fortunately THINKFilm releases the DVD September 18th.
I really liked Devor’s first movie THE WOMAN CHASER. That one, COCKFIGHTER and MIAMI BLUES are the only movie adaptations of my favorite writer, Charles Willeford. Patrick Warburton is so good playing a bored used car salesman turned desperate embezzler/nihilistic independent filmmaker that I have a hard time not picturing him as the lead in other Willeford books as I’m reading them. I can’t recommend that movie enough, but unfortunately it’s never been released on DVD, and good luck finding the VHS. (read the rest of this shit…)
Here’s a little documentary not many of you will probaly bother to see, but I just saw it and I have to vouch for it. I know THE HIP HOP PROJECT sounds like a working title they never bothered to change, but it’s actually the name of the youth outreach program documented in the movie. This is the story of a guy in his 20s named Chris “Kazi” Rolle who finds some troubled teenagers with a talent for rapping and helps them record an album. It’s not only his way of keeping them off the streets, or giving them a voice for self expression, or even getting into their lives to be a mentor and a positive influence. It’s all of those things, but it seems like it’s also a form of redemption and self discovery for him, having been an orphan and a homeless criminal and still not having come to terms with where he came from.
This is a 2004 documentary about two stunt women. One is a veteran, Jeannie Epper, double for Lynda Carter on WONDER WOMAN. The other is more of a newcomer, Zoe Bell, double for Xena the warrior princess. And of course now we know her for playing herself, Zoe Bell, stuntwoman, as the heroine of Tarantino’s DEATH PROOF. But this was before.
“People around the world have been talking about a movie so powerful that it can change the course of your life. ” –oprah.com
Hey, everyone. ”Moriarty” here.
This is a documentary about the Dixie Chicks. Now, you probaly won’t be surprised to hear that I got no interest in the music of the Dixie Chicks. But you may or may not be surprised to hear that I liked the movie alot.
Merrick wishes more people would at least think about stuff like this…
DAVE CHAPPELLE’S BLOCK PARTY is the happiest, warmest, most joyful movie I’ve seen in a long god damn time. And not in a stupid way. The problems of the world are not ignored. There’s some light-hearted jokes about race issues, there’s a mention or two of the war, there’s some militant rap lyrics and a brief sermon by Fred Hampton Jr. All things I’m in favor of discussing. But mostly what this movie is is a whole bunch of people coming together to laugh and make beautiful music and have a good time together. In that sense it turns out it is kind of like WATTSTAX, the movie they mentioned as a model when they were filming this. I made fun of my ain’t it cool colleague Quint for writing that the trailer gives off a Wattstax vibe as if he came to that conclusion on his own. But there is a faint whiff of that vibe in the final movie I guess, if you’re really making a close examination of its vibes.
I don’t know if you ever saw that Nick Broomfield documentary BIGGIE AND TUPAC. It’s a pretty good one, but I mention it because it had this one part that kind of threw me off. At one point in the narration, Broomfield claims that the government had Tupac under surveillance. It seemed believable, but the movie doesn’t back it up or mention it again and I’ve never seen it explored since then. I just wondered if this was true why the documentary didn’t explore it at all. I mean that seems like a pretty big story to me.
