This is a 2004 documentary about two stunt women. One is a veteran, Jeannie Epper, double for Lynda Carter on WONDER WOMAN. The other is more of a newcomer, Zoe Bell, double for Xena the warrior princess. And of course now we know her for playing herself, Zoe Bell, stuntwoman, as the heroine of Tarantino’s DEATH PROOF. But this was before.
The movie splits between telling the stories of these two women. Jeannie is in the US, having a harder time getting jobs at her age, also involved in organizing younger stunt women and helping them out like a mom. (In fact, one stunt woman she helps is her daughter.) Meanwhile, Zoe is in New Zealand worried about her future because XENA is about to end. (read the rest of this shit…)
“People around the world have been talking about a movie so powerful that it can change the course of your life. ” –oprah.com
Hey, everyone. ”Moriarty” here.
This is a documentary about the Dixie Chicks. Now, you probaly won’t be surprised to hear that I got no interest in the music of the Dixie Chicks. But you may or may not be surprised to hear that I liked the movie alot.
Merrick wishes more people would at least think about stuff like this…
DAVE CHAPPELLE’S BLOCK PARTY is the happiest, warmest, most joyful movie I’ve seen in a long god damn time. And not in a stupid way. The problems of the world are not ignored. There’s some light-hearted jokes about race issues, there’s a mention or two of the war, there’s some militant rap lyrics and a brief sermon by Fred Hampton Jr. All things I’m in favor of discussing. But mostly what this movie is is a whole bunch of people coming together to laugh and make beautiful music and have a good time together. In that sense it turns out it is kind of like WATTSTAX, the movie they mentioned as a model when they were filming this. I made fun of my ain’t it cool colleague Quint for writing that the trailer gives off a Wattstax vibe as if he came to that conclusion on his own. But there is a faint whiff of that vibe in the final movie I guess, if you’re really making a close examination of its vibes.
I don’t know if you ever saw that Nick Broomfield documentary BIGGIE AND TUPAC. It’s a pretty good one, but I mention it because it had this one part that kind of threw me off. At one point in the narration, Broomfield claims that the government had Tupac under surveillance. It seemed believable, but the movie doesn’t back it up or mention it again and I’ve never seen it explored since then. I just wondered if this was true why the documentary didn’t explore it at all. I mean that seems like a pretty big story to me.
This review is for anybody out there who is a poor sucker, like me. If you are a poor sucker you might foolishly assume that this documentary about LORD OF THE RINGS fans is called RINGERS because it is like the movie TREKKIES. A horrifying look into the abyss. You stare at that fucker and it stares right back at you, or whatever. A freak show. A good time at the movies. A cultural document that gives you the fuckin creeps even thinking about it years later.
This is a documentary about the legendary cinematographer Haskell Wexler, only it’s directed by his son Mark, so instead of being about Wexler’s career and genius, it’s more about daddy doesn’t love me enough. The son rebelling against the father and then trying to make up before he kicks it (he’s in his ’80s).
