Archive for the ‘Comedy/Laffs’ Category
Thursday, August 15th, 2024
Do you know about THE PEOPLE’S JOKER? It’s an unauthorized, extremely D.I.Y. riff on DC Comics about a trans woman Joker/Harley Quinn combo (director/co-writer/editor Vera Drew) trying to make it as a comedian in Gotham City. I may not have ever known about it if not for it somehow premiering at the 2022 Toronto International Film Festival before receiving a firmly worded letter from Warner Brothers. After many cancelled screenings they somehow convinced the evil corporation that it was fair use/parody, the movie got a limited theatrical release and now it’s on VOD and on blu-ray and DVD from Altered Innocence. For THE PEOPLE!
I think the main reason it has lived beyond that initial grabbing of headlines is that beneath the gimmick and the many layers of goofiness it’s a very heartfelt autobiographical story about, among other things, coming of age as a trans woman. It’s dedicated “To Mom and Joel Schumacher,” and I strongly suspect that both the strained relationship with her mother (Lynn Downey) and the youthful confusion ignited by seeing Nicole Kidman in BATMAN FOREVER come from Drew’s real life. (read the rest of this shit…)
Tags: Altered Innocence, Bob Odenkirk, Bri LeRose, David Liebe Hart, DC Comics, Maria Bamford, parody, Robert Wuhl, Tim Heidecker, trans, Vera Drew
Posted in Reviews, Comedy/Laffs, Comic strips/Super heroes | 20 Comments »
Monday, August 12th, 2024
August 5th, 1994
My friends, I hope you know me well enough to understand that I’m being sincere here, I’m not trying to show off with a wild take. The truth is I recently watched and enjoyed the movie THE LITTLE RASCALS. It kind of rules.
This was not an outcome I expected, or even considered. For the 30 years this movie has existed I’ve scoffed at it, assumed it was crap. Yes, it comes from director Penelope Spheeris, she of excellent punk rock documentaries. But I’m gonna have to pull out the Shaquille O’Neal “I wasn’t familiar with your game” quote here. I wasn’t showing the proper respect. I had some idea she lost it after WAYNE’S WORLD, because I thought BLACK SHEEP was kinda cheesy and all the rest seemed like things I wouldn’t like. I assumed this was some pablum for kids from an era where pablum for kids was extra bad. (See: 3 NINJAS KICK BACK.)
But here I am trying to watch most of the major movies of summer ’94, it was about the only situation where I was gonna give THE LITTLE RASCALS a shot, and almost immediately I realized I was probly gonna like it. It’s silly, it’s for kids, it might creep some people out by having children woo each other like they’re Popeye and Olive. But it made me laugh a whole bunch, it’s daring in the way it straight up does old Hal Roach shit and doesn’t try to conform to ‘90s expectations, it actually makes sense as part of the Spheeris filmography, and (most surprising to me) it’s artfully crafted. I guess mostly in the way that she could piece together a sensible movie with 95% of the cast being 5-7 year old non-actors, but also it’s a great looking movie! Credit to the transfer, which has a good level of film grain. I did not expect to watch THE LITTLE RASCALS 1994 and think “They don’t make ‘em like this anymore!” But here we are.
(read the rest of this shit…)
Tags: Amblin, Bug Hall, Chris Pederson, Courtland Mead, Daryl Hannah, Eric Edwards, Flea, George Wendt, Lea Thompson, Mel Brooks, Penelope Spheeris, punk, Reba McEntire, Roger Corman, Whoopi Goldberg
Posted in Reviews, Comedy/Laffs, Family | 21 Comments »
Thursday, August 8th, 2024
August 5th, 1994
It seems kinda crazy now, but AIRHEADS was a movie I was excited for ahead of time. Other than a couple of bit parts, it was the first time I saw Steve Buscemi after RESERVOIR DOGS made him an icon. Adam Sandler was still on Saturday Night Live, his biggest movie role having been in THE CONEHEADS, so it seemed novel for him to be a co-star. And I wasn’t really familiar with Brendan Fraser so I hadn’t had a problem with any of his performances yet. More importantly, director Michael Lehmann’s HEATHERS is an important movie to me, he’d since done MEET THE APPLEGATES and HUDSON HAWK, both weird and interesting if not great, so he was a director I followed. And the premise of a rock band taking a radio station hostage to try to get their song played seemed like it had potential for, like, satire or something. I don’t know.
Then I saw it and forgot everything about it. I don’t think I was impressed, but I was sure now it would at least be more interesting as a time capsule. Yeah, I guess, arguably. (read the rest of this shit…)
Tags: Adam Sandler, Amy Locane, Brendan Fraser, Chris Farley, David Arquette, Ernie Hudson, Joe Mantegna, Judd Nelson, Marshall Bell, Michael Lehmann, Michael McKean, Michael Richards, Michelle Hurst, Mike Judge, Reg E. Cathey, Rich Wilkes, Steve Buscemi
Posted in Reviews, Comedy/Laffs | 40 Comments »
Thursday, August 1st, 2024
July 29, 1994
BARCELONA is the second movie (and first studio movie) by writer/director Whit Stillman, following up on his Oscar nominated low budget debut, METROPOLITAN (1990). I love his 1998 film THE LAST DAYS OF DISCO, which is considered part of a loose trilogy with these two (and has some overlapping characters), but if I ever saw these other two it was a long time ago and I don’t really remember them. So I guess I’m going in backwards order.
Stillman is one of those true originals, he has his own thing that he does really well and nobody else is much like him. His movies are very light on plot, very heavy on dialogue, and almost entirely about self absorbed, Ivy League educated yuppie dorks, and yet I find the experience light and funny and not grating. This is in part because he also has a very distinct humor and tone and somehow gets these finely tuned performances that deliver it just right. One of his secret weapons is Chris Eigeman (unaired Red Dwarf USA pilot), who plays different characters in all of them, always with the absolute perfect wide-eyed sense of outrage at the stupidest shit. In LAST DAYS OF DISCO I highlighted when he got upset about someone’s interpretation of LADY AND THE TRAMP – in this one my favorite is when he sees anti-American graffiti and says “They’re calling us pigs. That’s meant to hurt!” (read the rest of this shit…)
Tags: Chris Eigeman, Mira Sorvino, Taylor Nichols, Tushka Bergen, Whit Stillman
Posted in Reviews, Comedy/Laffs | 17 Comments »
Wednesday, July 31st, 2024
July 29th, 1994
IT COULD HAPPEN TO YOU. But most likely it wouldn’t. This is the loosely-jumping-off-from-a-real-incident story of the NYPD’s most lovable officer Charlie Lang (Nicolas Cage, DEADFALL) coming up short for a tip at the diner, offering waitress Yvonne Biasi (Bridget Fonda, last seen in LITTLE BUDDHA) half of his Lotto ticket if he wins, then staying true to his word when he wins $2 million. They become a media sensation, there is romance, as well as “a scene of cop action” according to the current version of the MPAA’s PG rating.
Charlie has no dark side, he’s just a great guy who’s friends with all the people in the neighborhood, doesn’t seem to harass anybody on the job, does at one point foil an armed robbery while shopping. He’s very close with his partner Bo Williams (Wendell Pierce, A RAGE IN HARLEM), but his other best friend seems to be Jesu (Victor Rojas, later “Kid #2” in DIE HARD WITH A VENGEANCE), a neighbor kid he plays stickball with. His wife Muriel (Rosie Perez, NIGHT ON EARTH) is a vain and materialistic beautician who always yells at him in that Rosie Perez way. He doesn’t seem to mind, and Jesu says he’s “whipped.” (read the rest of this shit…)
Tags: Andrew Bergman, Bridget Fonda, Caroline Thompson, Nicolas Cage, Rosie Perez, Stanley Tucci, Wendell Pierce
Posted in Reviews, Comedy/Laffs, Romance | 15 Comments »
Monday, July 29th, 2024
July 22, 1994
There’s an odd subset of summer ’94 movies: well-regarded directors making goofy fables about America, adapted from quirky novels. These include EVEN COWGIRLS GET THE BLUES, FORREST GUMP and now Rob Reiner’s NORTH, based on the 1984 book North: The Tale of a 9-Year-Old Boy Who Becomes a Free Agent and Travels the World in Search of the Perfect Parents by Alan Zweibel, who was an original Saturday Night Live writer, co-creator of It’s Garry Shandling’s Show, and co-writer of the DRAGNET movie. He adapted his novel with Reiner’s regular producer Andrew Scheinman.
Elijah Wood (between THE GOOD SON and THE WAR) stars as the title character, who’s 11 in the movie (like the kid from THE CLIENT) and kind of like a more humble and all-American Max Fischer. He wins little league games, stars in school plays, gets good grades, and is held up by all parents as an example of what their kids should be like. But his own mom and dad (Julia Louis-Dreyfus [TROLL, SOUL MAN] and Jason Alexander [THE BURNING, CONEHEADS]) don’t seem to care, and ignore him to argue with each other, which stresses him to the point of near cardiac arrest and existential crises on the pitcher’s mound.
(read the rest of this shit…)
Tags: Elijah Wood, Rob Reiner, Scarlett Johansson
Posted in Reviews, Bruce, Comedy/Laffs, Family | 14 Comments »
Thursday, July 18th, 2024
July 15, 1994
I already reviewed TRUE LIES back in 2007, so I considered skipping it in this series. But it was a big hit (knocked FORREST GUMP out of the #1 slot for a week, became third highest grosser of the year), and such a straight up summer blockbuster, that it seems like it needs to be addressed. And I thought some people would be disappointed if I didn’t include it. But if you’re one of the many who consider it an action classic you might wish I abstained.
My arc with TRUE LIES goes like this: at the time I was hugely disappointed. It was an impressive action spectacle but it struck me as painfully racist and misogynistic. That wasn’t unheard of in those days, and I had a kneejerk revulsion to anything that seemed jingoistic or militaristic, so there were many beloved ‘90s hits that I watched feeling like the guy who didn’t belong at the rally. But I took TRUE LIES as a real betrayal from Cameron, who I admired so much for what he did with Ripley in ALIENS and Sarah Connor in T2, and whose TERMINATOR movies warned of out of control worship of military hardware. Now his big achievement was being the first guy allowed to film a particular war plane he thought was awesome. (read the rest of this shit…)
Tags: Arnold Schwarzenegger, Bill Paxton, Charlton Heston, Eliza Dushku, James Cameron, Jamie Lee Curtis, Marshall Manesh, Tia Carrere, Tom Arnold
Posted in Reviews, Action, Comedy/Laffs, Romance | 74 Comments »
Thursday, July 11th, 2024
July 6th, 1994
We associate the summer movie season with a certain type of blockbuster. There have been many years where the biggest movie was about a Batman, a Spider-Man, a Terminator, some dinosaurs, some Jedis. 1994 had a different approach – the real behemoth was a cutesy romp through 20th century American history, a bit of a comedy, a bit of a weepy. FORREST GUMP was the year’s highest grossing movie at the domestic box office (#2 to THE LION KING worldwide), its soundtrack album reached #2 on the Billboard album charts (also below THE LION KING) and went twelve times platinum. The movie won Oscars for best picture, director, actor, adapted screenplay, visual effects and editing, and it even inspired a chain of seafood restaurants. So fuck THE LION KING.
It’s funny, I remember going to see this movie right when it came out, not expecting any of that. I was going as a fan of Robert Zemeckis’ obsession with pushing technology forward. I had read about the scenes where Tom Hanks as Forrest Gump is made to appear in footage with John F. Kennedy, Gerald Ford and other real people. It was a new technological feat at the time and this was the guy who had combined animation with live action so well in WHO FRAMED ROGER RABBIT and made a digital hole through Goldie Hawn in DEATH BECOMES HER. Remember how that seemed like the coolest thing ever? (read the rest of this shit…)
Tags: Eric Roth, Gary Sinise, Haley Joel Osment, Mykelti Williamson, Robert Zemeckis, Robin Wright, Sally Field, Tom Hanks, Winston Groom
Posted in Reviews, Comedy/Laffs, Drama | 40 Comments »
Wednesday, July 10th, 2024
BEVERLY HILLS COP: AXEL F is a perfectly entertaining, perfectly obvious long-awaited nostalgia sequel, perfect for streaming once and forgetting. Eddie Murphy (DOLEMITE IS MY NAME) returns to play Detroit police detective Axel Foley 40 years after the original and 30 years after the disappointment of BEVERLY HILLS COP III. He still has the same job, same basic outfit, the soundtrack repeats “The Heat Is On,” “Neutron Dance” and part II’s “Shakedown,” and the score by Lorne Balfe (TERMINATOR GENISYS, BAD BOYS FOR LIFE, TOP GUN: MAVERICK) reworks Harold Faltermeyer’s beloved “Axel F Theme” and mimics some of his 1984 synth sounds.
So this is not a “He’s having to face age and change!” sequel like ROCKY BALBOA or a “He’s passing the torch” one like CREED. Instead it’s a “He’s still here, not much has changed!” His boss in Detroit was killed in part III, but his old partner Jeffrey Friedman (Paul Reiser, WHIPLASH) is the chief now. Jeffrey tries to convince Axel to visit Beverly Hills not for a case, but to reconnect with his grown up, estranged daughter Jane (Taylour Paige, ZOLA). He moved her to Beverly Hills when she was young and then divorced her mother, they have not spoken in years but somehow she’s family to his 90210 cop friends Billy Rosewood (Judge Reinhold, GREMLINS) and Taggart (John Ashton, HIDDEN ASSASSIN). Billy was pushed off the force and became a private detective (but still loves Rambo), Taggart is the chief now. (read the rest of this shit…)
Tags: Bronson Pinchot, Eddie Murphy, John Ashton, Joseph Gordon-Levitt, Judge Reinhold, Kevin Bacon, Kevin Etten, Lorne Balfe, Luis Guzman, Mark Malloy, Mark Pellegrino, Paul Reiser, Taylour Paige, Tom Gormican, Will Beall
Posted in Reviews, Action, Comedy/Laffs | 28 Comments »
Wednesday, July 3rd, 2024
July 1, 1994
BABY’S DAY OUT was a financial flop panned by critics, and from what I remember kind of a breaking point where for a while John Hughes became thought of more as the kids-movies-about-testicle-smashing guy instead of the beloved-‘80s-teen-coming-of-age movie guy. I don’t really have a strong opinion about his work but I found this one for the most part unfunny and annoying. I’ll try not to be too mean about it.
Hughes is the writer/producer, but the director is Patrick Read Johnson, who was a miniature model maker on 2010: THE YEAR WE MAKE CONTACT, BILL & TED’S EXCELLENT ADVENTURE and WARLOCK, second unit director of DEAD HEAT, and writer/director of SPACED INVADERS. It makes sense that this would come from someone with that background, because it’s a big live action cartoon with FX by ILM, including one of the first c.g. three-dimensional cityscapes and whatever tricks are involved in making it look like an actual baby is crawling around a city being lifted around by cranes, barely avoiding getting run over, etc. (read the rest of this shit…)
Tags: Anna Levine, Brian Haley, Bruce Broughton, Cynthia Nixon, Joe Mantegna, Joe Pantoliano, John Hughes, John Neville, Lara Flynn Boyle, Matthew Glave, Patrick Read Johnson, Verne Troyer
Posted in Reviews, Comedy/Laffs | 19 Comments »
