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Posts Tagged ‘Vincent Schiavelli’

American Pop

Monday, March 1st, 2021

“Music is about the full range of the human condition – good, great, bad, sad. That’s the thing about a classic song – it can keep you going, even if you’re bleeding from the heart.” —Ralph Bakshi

You know who Ralph Bakshi is, right? An animator who worked for Terrytoons as a teenager in the ’50s, did the Spider-man cartoon in the ‘60s, then became sort of the godfather of adult animation in the U.S. by directing the X-rated FRITZ THE CAT. After a few years of that he switched up to be the animated fantasy guy with WIZARDS (1977), THE LORD OF THE RINGS (1978) and FIRE AND ICE (1983). The only movie I’ve reviewed by him is his last animated feature (he’s retired from animation now), 1992’s COOL WORLD, which I did as part of my ‘Summer Flings’ series (“a survey of summer movies that just didn’t catch on”).

Now that I think about it I really should write about more of his movies some day, especially those urban ones from the ‘70s. But for now I had this whim that I want to look at the brief, strange trend of rock ’n roll inspired animated features in the ’80s. And that started in February, 1981 with the release of Bakshi’s unique, odd epic AMERICAN POP.

How’s this for a highfalutin premise: it’s about four generations of an immigrant family and how the history of American popular music weaves through their lives. It starts in Imperial Russia in the 1890s, with intertitles like a silent film, and ends with a stadium rock concert in the ‘80s, animated in a flashy style more inspired by music videos of the time. After young Zalmie Belinski’s rabbi father is killed by the Cossacks, he moves to New York City, where he hangs out backstage at a burlesque show, becomes the back half of a horse costume, then a clown, but wants to sing. The movie follows Zalmie and his descendants through World War I and II and Vietnam, through Vaudevillians, mobsters, beatniks, hippies, punks and, uh… Bob Seger. (read the rest of this shit…)

Better Off Dead

Tuesday, August 25th, 2020

August 23, 1985

The success of movies like FAST TIMES AT RIDGEMONT HIGH and SIXTEEN CANDLES kicked off a wave of teen films in the ‘80s, but the ones that came out in the Summer of ’85 were not typical of the genre. Most of the season’s movies about high school kids involved some sort of fantastical element (BACK TO THE FUTURE, THE HEAVENLY KID, WEIRD SCIENCE, MY SCIENCE PROJECT – and I guess the younger GOONIES and EXPLORERS count too). The most straight ahead, down to earth teen movies were THE LEGEND OF BILLIE JEAN and REAL GENIUS, neither of which were exactly standard issue.

And BETTER OFF DEAD is an even odder one. It has a pretty normal premise (high school kid gets depressed when his girlfriend dumps him for the captain of the ski team, thinks he can get her back by defeating said captain in a ski race), but it’s filtered through the distinct humor of first time writer/director Savage Steve Holland. Though I don’t personally hold it in nearly the same reverence, I think it has a little bit in common with PEE-WEE’S BIG ADVENTURE, in that it’s a comedy with its own distinct tone and deadpan presentation of absurdity brought to us by a rookie whose ignorance about how to make a normal movie works as a strength. On a more superficial level, it uses little bits of animation (including stop motion), and jokingly applies thriller film techniques to silly things (for example, using horror movie synths and atmosphere whenever the paperboy shows up looking for his $2). Burton and Holland are also the same age, both went to CalArts, and both worked as animators before becoming live action directors (in Holland’s case creating the famous “Whammy” animations for the game show Press Your Luck). (read the rest of this shit…)

Lord of Illusions

Friday, August 28th, 2015
RELEASE DATE: August 16th
RELEASE DATE: August 25th

tn_lordofillusionsAccording to Wikipedia, August and September are considered “dump months,” “when there are lowered commercial and critical expectations for most new releases.” And it has long been conventional wisdom that August is a crappy month for movies, when all the worst summer shit gets squirted out so the studios can be rid of it.

“For moviegoers, August also represents the nadir of Hollywood’s output each year,” writes Chris Hicks of Deseret News, summing up the belief of everybody else and everybody else’s uncle. Back in 2008, Vulture even did a study called “The August Movie: A Theory of Awfulness” which calculated that “the studios have put out 169 lousy movies in the past fifteen Augusts, and merely 26 halfway-decent ones.”

Release patterns have been changing in the years since, and few will deny the success and quality of GUARDIANS OF THE GALAXY, or that it’s starting to become part of the Oscar season (best picture winners and contenders including ARGO, BIRDMAN, 12 YEARS A SLAVE and GRAVITY have come out in August). Last year Josh Rottenberg of the L.A. Times wondered “Is August no longer filled with Hollywood’s dog days?”

But I’m here to tell you that August was always a month full of promise. Sure, pre-GUARDIANS a studio wasn’t about to release a potential blockbuster smash at the end of the summer. But it’s a good spot for things that are a little more interesting, that they think might have potential but are maybe not for mainstream people. In fact, that’s my favorite type of movie. If you look at that Vulture study you can see that it’s based on an elitist mindset that dismisses movies on the basis of being lowbrow genre movies, even if they’re high watermarks for us. Their alleged 169 “lousy” movies included action pictures we love like HARD TARGET, DESPERADO and BLADE. And even a best picture nominee and universally beloved classic like BABE is only allowed to be “halfway-decent.” (read the rest of this shit…)

Desert Heat

Thursday, March 23rd, 2006

DESERT HEAT aka COYOTE MOON or INFERNO

When I reviewed Jean-Claude Van Damme’s SECOND IN COMMAND on The Ain’t It Cool News recently I made a shocking admission: I haven’t seen a whole Van Damme movie since 1998’s KNOCK OFF. I understand if that means I lose credibility in some of your eyes, but I gotta be open and honest with you people. I’m one of them straight shooters, in my opinion. So I gotta admit it: I learn more and more about Steven Seagal every day, but when it comes to Van Damme I’m a straight up amateur. And I want to become a more well rounded person so I asked for some advice on the best movies from Van Damme’s post-theatrical days. Two people made convincing cases for COYOTE MOON, or DESERT HEAT as it’s called here in the states, so that was my first stop. (one guy described the plot, the other guy a threesome scene.) (read the rest of this shit…)