“I’m Paul Barlow, and this is my daughter Jo.”

“Malone.”

“You got a first name?”

“Yeah.”

Posts Tagged ‘Mark Margolis’

Pi (a.k.a. π)

Wednesday, July 25th, 2018

July 10, 1998

PI might be the most impactful of the summer of ’98 indies, at least in the sense that it introduced filmmakers who continue to be relevant 20 years later. It’s one of the old fashioned, scrappy, less-than-a-million dollar shoe-strings-and-boot-straps indie debuts, by which I mean it’s in black and white. Actually, 16mm high-contrast black-and-white reversal film. Vincent Gallo claims he fired Dick Pope as cinematographer of BUFFALO ’66 because reversal stock was too hard for him, but here’s director Darren Aranofsky and cinematographer Matthew Libatique, two Mr. Nobodies out of nowhere and they know how to use it. I like this kind of look, the grain dancing around, creating shadowy faces. It’s so opposite of how low budget movies usually look now that they’re digital.

Co-writer Sean Gullette (TRAITORS) plays Max, a genius mathematician obsessed with his thesis that “everything around us can be represented and understood through numbers.” When he was a kid, he says, he stared into the sun, and this gave him an ability to notice numbers everywhere. He’s fixated on discovering patterns in long sequences, a hobby that first-time director Aranofsky has fun trying to make seem cinematic through fast editing, the cool guy electronic dance music of the era and pre-THE-MATRIX lo res on-screen strings of numbers. Also he figures out how to get some foot chases in there (Max thinks he’s being followed). (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Pit and the Pendulum (1991)

Wednesday, December 7th, 2016

tn_pitandthependulum“Confessions are only admitted under torture, otherwise you might confess just to avoid torture and it wouldn’t be a true confession.”

Stuart Gordon’s THE PIT AND THE PENDULUM opens with Grand Inquisitor Torquemada (Lance Henriksen, STONE COLD) and his Spanish Inquisition goons pulling a dead body out of a coffin, convicting him of heresy and giving him 20 lashes, which busts him apart until he’s a pile of bones. The man’s family watch, outraged, while a bunch of other rich people smile to themselves and lick their lips. Torquemada crushes the dead man’s skull into powder and uses it to fill an hourglass. That’s all before the credits start.

So, this movie is not fuckin around. And you guys know how I feel about a movie that’s not fuckin around. (Usually positive.)

Even still, it kinda snuck up on me. It’s a Full Moon production, and they’re doing a period piece (Spain, 1492) in the one castle they have access to, lots of fake looking wigs, some actors delivering their lines in a modern tone, some not. And then there’s a shitty looking font on the credits and they still couldn’t bother to change the title (it calls it THE INQUISITOR). And as it gets into the plot about a woman falsely accused by the Spanish Inquisition it seems like it’s gonna be mostly sitting through gruesome torture scenes: public whipping, burning at the stake, some citizens enjoying it, others being forced to watch, people tied to racks, screaming, getting slashed and/or sexually humiliated. But that’s just the fuel to a story that really comes together, a nice amalgam of Edgar Allan Poe ideas, adventure and most of all an extreme caricature of the type of hypocrites who stand in judgment of others to hide their own faults. Gordon worked in theater for years before RE-ANIMATOR made him a Master of Horror, and I imagine this is alot like one of his plays. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.