Who the fuck knows what to make of Gus Van Sant? Fierce independence and idiosynchricity or whatever for many years. Openly gay independent filmatist working out of Oregon, adapting underground literature and hanging out with Burroughs and shit. Suddenly out of the blue he does this huge hit studio movie with no gay people, but Robin Williams and a math genius garbage man or whatever the fuck that movie was about (I never saw it). How bout them apples I guess is what a guy says in it, I don’t know. So suddenly Van Sant is a mainstream super star and he can do whatever he wants… so what he does, he announces that he’s gonna do a shot for shot remake of Mr. Hitchcock’s famous picture PSYCHO. With the same score and everything. And hire the same screenwriter just to change like ten or fifteen words in it.
Now I know I am against the wheat grain on this one but for me, that was the thing that SOLD me on this Van Sant, not the thing that lost me. Sure, DRUGSTORE COWBOY was a great one and there was some good business in his other pictures, but it was the day he cashed in his mainstream clout to do something THAT fucking ridiculous that made me think this was a guy I could really respect. Nobody else would get the chance to try something like that, nobody else would WANT to try something like that, and anybody, including him, is not likely to get out of that one unscathed. It was a god damn kamikaze mission, or “homicide bombing” as our friends at Fox “news” call it in their unending quest for a new, less accurate form of speaking.
I mean, it’s not like these remakes they have now where the implied message is yeah, that was a good movie at the time, but young audiences can’t relate to that, it’s really obsolete now so it’s about time somebody stepped in here and made more of a modern, shitty type version so that the young, retarded victims of our crass commercial culture of aggressive mediocrity can enjoy it between beyonce’s pepsi commercials. No, the implied message was that Hitchcock’s movie was so perfect that the only way you can remake it is to try to copy it exactly. And even then, it turns out, it’s not really gonna work. Oh well. (more…)
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In Gus Van Sant’s 1998 remake of PSYCHO they tried to recreate Hitchcock’s filmatism, they had Joseph Stefano only slightly re-word his old script, they re-recorded Bernard Herrman’s score and made it sound basically the same. So the success or failure of this version mostly falls to the one element Hitchcock claimed to not give two shits about: the actors.
