GROUNDHOG DAY is an American classic in my opinion. It has this crazy Twilight Zone type of premise (what if you had to live the same day over and over again indefinitely?) that seems too out there for a 1993 studio comedy, and yet there it is. It’s funny and clever and last time I watched it I realized it was also beautiful and profound. It’s a complete original, so it’s weird to think that after two sci-fi spins on the premise, SOURCE CODE and EDGE OF TOMORROW, we could be headed toward a world where young people see it and don’t think there’s anything unique about it. I’ve seen this before, but with action scenes. I’m bored.
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.