NOT QUITE HOLLYWOOD is a pretty good documentary with a really good subject: the history of exploitation movies in Australia. Of course, this is a talking heads and film clips movie, that’s about the only way they could do it. And it tries to cover a broad range of movies over many years, so it doesn’t get real deep into anything. It’s more like a real good TV special than a great movie. It’s a primer, an overview, a sampler to get you started. It gives you a taste of a whole bunch of strange movies you might not have heard of before, points you in some interesting directions, tells you a few good stories. And for that sort of thing it’s very good. (more…)
Posts Tagged ‘Brian Trenchard-Smith’
Not Quite Hollywood + Hurricane Smith
Thursday, July 2nd, 2009Turkey Shoot
Thursday, May 14th, 2009
Time to get back to my ongoing study of the works of Brian Trenchard-Smith. This one will also be part 1 in a Steve Railsback double feature.
TURKEY SHOOT is one of the Brian Trenchard-Smith pictures I had heard of before I started going through his filmography, although I knew it under the American title ESCAPE 2000 (which is what it’s called on the Anchor Bay DVD). It takes place in a dystopian future where “deviants” have been locked up in camps to be brainwashed and abused. Not sure if this happens at all of them but at this particular one, Camp 42 I believe, they also let the inmates run around in some wilderness to be hunted by rich people. Hence the title “TURKEY SHOOT.” It’s kind of like in the U.S. a couple years ago what we would’ve called “DICK CHENEY PHEASANT HUNT.” Means the same thing.
Our heroes are naive Olivia Hussey, sexy Lynda Stoner, and defiant Steve Railsback. Railsback gets a pretty badass setup because the headmaster, Thatcher, lists all the different camps he’s escaped from, and you know he’ll be adding Camp 42 to the list soon. I love Railsback from ED GEIN, LIFEFORCE, etc. but to be honest he doesn’t have that great of a character in this one. He mostly just runs around. Not that he’s not good at running around, it’s just not that memorable a part. (more…)
Day of the Assassin
Saturday, May 2nd, 2009
My Brian Trenchard-Smith studies continue with this 1979 picture, not an Australian one but a USA-Spain-Mexico co-production. And you know with that many countries cooperating that it’s gotta be amazing. It stars Chuck Connors as a jovial freelance agent hired to retrieve a mysterious document from a South American dictator’s blown up yacht. There also might’ve been some money on that thing so the world’s best agents and assassins, including Richard Roundtree, are all in the area competing with him. Also Henry Silva is the head of police who has jurisdiction over the area, but he’s just in a couple scenes doing press conferences. He doesn’t reveal himself to be evil, but I don’t buy it.
It seems like everybody involved in this movie is just doing it for a quick paycheck, but that’s okay. It’s still cool to see them all together in this weird little movie. Glenn Ford plays the guy who hires Connors, and he looks like he’s either retired or on vacation. He’s wearing shades and a white Adidas track jacket, and he’s only in a few scenes, sitting next to the swimming pool. I bet whenever Trenchard-Smith called “cut” he jumped in. It honestly seems like they either filmed it at his house or invited him on a fun vacation and then peer pressured him into shooting a few scenes real quick at the hotel. But it’s definitely worth his time because he gets to say the best line:
“We need a man who is bathed in the dragon’s blood. A man with little hazard of duplication.”
“Fleming, sir?”
“Yes. Yes, Fleming. The man for this job is Mr. Thomas Fleming.”
Fleming is of course Chuck Connors. And it’s true, because at 6′5″, with his freaky square jaw and blonde hair there is little hazard of Chuck Connors being duplicated. A cheap bootleg, maybe, but never an accurate re-creation. (more…)
Death Cheaters and Stunt Rock
Wednesday, April 15th, 2009
Looking into the early works of Brian Trenchard-Smith I found a genre I never knew existed: stuntsploitation. Here are two movies about the world of stuntmen, with flimsy plots (if any) to string together a bunch of cool stunt sequences.
First and best is a goofy comedy called DEATH CHEATERS. The title daredevils are played by the mustached John Hargreaves and the bearded Grant Page. Page seems kind of like the sidekick here, but in reality he was and is one of Australia’s top stuntmen. He was the movie’s stunt coordinator and had already done the same for Trenchard-Smith’s THE MAN FROM HONG KONG. He even did the hang gliding for that one as you can guess when you see him do the same in this one. Later he would be the stunt coordinator for MAD MAX 1 and 3. He seems like a goofy kind of Jim Henson creative countercultural type in this, so it never occurred to me that he’s the crazy bastard stalking Stacy Keach in the excellent ROAD GAMES. (more…)
The Man From Hong Kong
Sunday, April 12th, 2009
Two years after ENTER THE DRAGON, Brian Trenchard-Smith brought Australia their own Hong Kong co-production of a martial arts extravaganza. Jimmy Wang Yu (the One-Armed Swordsman himself) plays Inspector Fang, the man of the title, and he is a hell of a man. You wouldn’t know it by looking at him actually, he looks like kind of a dweeb, but throughout the course of the movie he will prove it. He is The Man from Hong Kong.
An Australian cop undercover as a tourist busts 22-year-old Sammo Hung (also the fight choreographer) during a drug deal. Inspector Hung is called in from Hong Kong to extradite Sammo. The two cops in charge of the case (including Hugh Keays-Byrne, Toecutter from MAD MAX) want Fang following Australian law, not trying to pull any shit, but they make the mistake of leaving him alone in the interrogation room with Sammo. This leads to a full-on close quarters kung fu battle. Not cool. But he gets a lead out of it.
The Australians want Fang to get his ass out of Australia quick, but for some reason he’s intent on using his unorthodox ways and what not to climb his way up the totem pole to rich Australian kung fu expert, playboy, criminal mastermind and expert party-thrower George Lazenby. In one scene he does the William Tell routine with a lady friend, which is movie code for “hey man this guy is decadent.” Another sign of his decadence: he has an open fireplace in the middle of a room in his mansion. No sides on it, just a fire right there. Before the Man From Hong Kong is through with him I think he regrets that sort of flamboyant interior design. It’s like that evil nurse chick in TRANSPORTER 2 having spikes on the wall in her living room. You evil fuckers gotta start thinking these things through better, it’s just not safe to live like that if somebody’s gonna come fight you in your place of residence. Also if you have kids would be another reason to avoid the spikes or open flames. And put those little plugs on all the electrical outlets. (more…)
Dead End Drive-In
Friday, April 3rd, 2009
Most Americans, when they think of Australia they think of kangaroos and koalas and shit. Me, I think of high speed car chases and vicious (but wise) giant crocodiles. And I guess maybe occasionally I think of 6′5″ Seattle Storm center Lauren Jackson. But usually it’s the cars and crocodiles, because as you maybe noticed I’ve been watching the Australian films this last year or so – ROGUE, DARK AGE, ROAD GAMES, RAZORBACK, etc. I’ve never been there, but something about that place really appeals to me, and so do their movies, I’m not sure why. They seem to have an untapped (by me) reservoir of really good filmatists there who work in a style that appeals to me. Energetic but not frantic, stylish but still raw, serious but not pretentious, lots of car flips.
I was kind of embarrassed though when I found out there was a documentary going around called NOT QUITE HOLLYWOOD that lumps these movies together under the silly name “Ozploitation.” It was real popular down there in Austin where my Ain’t It Cool colleagues are and Tarantino’s interviewed in it and everything so it got them all interested. I swear it’s a coincidence, I had no idea this was a big thing right now. If anything, the documentary probaly copied the idea from me. (more…)
Leprechaun, Leprechaun 4: In Space, Leprechaun in the Hood, Leprechaun Back 2 Tha Hood
Monday, March 19th, 2007I don’t know why, but I never saw a LEPRECHAUN picture before. You guys know I got a taste for straight to video trash, as well as little bastard killers. Nobody is as good as Chucky, but I had fun writing about THE GINGERDEAD MAN. Plus, the Leprechaun made it into space 4 years before Jason did, and I loved JASON X. (HELLRAISER won the space race, after false starts from HALLOWEEN, give credit where credit is due. But Leprechaun was there second.)
More importantly, it was St. Patrick’s Day, and I’m not Irish, and I can’t drink, so what the fuck else am I supposed to do on St. Patrick’s Day besides watch some Leprechaun pictures.
The first one is the one that stars Jennifer Aniston playing a Jennifer Aniston type. She’s an L.A. city girl who has to come with her dad to a barn out in the boondocks somewhere. Little does she know that the old Irish immigrant who used to own the place once went back to the motherland, trapped a leprechaun (Warwick Davis, RAY) and stole his gold. The leprechaun came home with him in his luggage and tried to kill him, but the old man used a four leaf clover (like a crucifix to a vampire) to trap him in a box. In Jennifer Aniston’s barn.
Mark Holton (Frances from the PeeWee Herman movie) plays a reta– I mean a lovable manchild who accidentally opens the box. And because he’s a lovable manchild, nobody believes him that he saw a leprechaun. Also they don’t believe him because he said he saw a leprechaun.
The lovable manchild and his actual child friend find the leprechaun’s gold, and the manchild accidentally swallows a piece of it, and then the leprechaun uses evil magic to try to get the gold back. etc. (more…)
