So once again we have survived.

Posts Tagged ‘Bernard Rose’

Frankenstein (2015)

Thursday, April 6th, 2017

As I’ve mentioned once or twice, CANDYMAN might be my favorite horror movie of the 1990s. And I remember director Bernard Rose’s PAPERHOUSE being very good too when I watched it in the 1980s. But most of his movies have not been horror. Didn’t seem to be his thing. So I was intrigued when I found out that all the sudden in 2015 he did a new version of FRANKENSTEIN.

This is a modernized take on Mary Shelley’s story. The monster is not some stitched together green guy, he’s just a regular full grown man (Xavier Samuel, THE LOVED ONES, FURY) suddenly born in a secret lab through unexplained genetical engineering type methods. Victor Frankenstein (Danny Huston, THE WARRIOR’S WAY, 30 DAYS OF NIGHT, BIRTH) is there, but it’s his wife Elizabeth (Carrie-Anne Moss from the fucking MATRIX!) doing the important work now: cuddling him, shushing him, feeding him with an eyedropper. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Candyman

Monday, October 26th, 2015

candymanI’m still fond of my CANDYMAN review from almost exactly 10 years ago, but I’ve been wanting to go more in depth about its subtext, which I think is even more striking today. I know the character of Candyman is really well known, but honestly I don’t think the movie gets enough credit for how much it has to say. All these years later I think it might be the best horror movie of the ’90s.

So I decided to do a new piece on it for One Perfect Shot. I think it’s pretty good. Check it out and tell your friends. Click on this link five times in front of a mirror:

‘CANDYMAN’ AND THE RACIAL DIVIDE: WHY ONE OF THE BEST HORROR FILMS OF THE 90S IS EVEN MORE RELEVANT TODAY

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Candyman

Sunday, October 30th, 2005

This movie surprised me. Everything about it is classier than I expected. From his reputation you’d think this Candyman guy is just a B-list Jason or Freddy type. But it turns out he’s more a classic movie monster like Dracula or the Phantom of the Opera. And his movie has more subtext than all of Freddy and Jason’s pictures put together, including JASON X. Hell, throw in a couple Child’s Plays too. And one or two Halloweens. And one Silent Night Deadly Night. No Texas Chainsaws though, that would tip the scale.

You know why we have to deal with Jason? Because of some horny counselors not doing their job. Freddy, because of some overzealous parents who took the law into their own hands. Dr. Phibes because some doctors fucked up a heart operation. But we got Candyman because of a bigger reason: America’s history of racist oppression. This is the only slasher/ghost movie I know of that deals with the legacy of slavery and racism (only BLACULA comes close). (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.