“I’m Paul Barlow, and this is my daughter Jo.”

“Malone.”

“You got a first name?”

“Yeah.”

Posts Tagged ‘Adrienne Barbeau’

Malevolence 3: Killer

Thursday, October 18th, 2018

(I’m not gonna count this as a Slasher Search since it’s a new movie I had been anticipating, but it’s the completion of a trilogy that I reviewed the first two-thirds of in Slasher Search 2012)

Years ago there was this weird pill junkie guy I knew who obsessive-compulsively watched stacks of crappy murder mystery movies that nobody even around here ever heard of, and he kept telling me there was this amazing horror movie called MALEVOLENCE (2003). I had to know what it was this guy was so obsessed with, but as expected it was kind of cheap and ugly. “But it has its moments. I like what it’s going for I guess” raves Outlawvern.com.

When I was looking it up on IMDb to write a review I noticed that writer-director Stevan Mena made another movie in 2010 called BEREAVEMENT that had some of the same character names. Turned out it was a prequel.

And to my surprise I really liked it! It’s got little in the way of originality, and it’s more nihilistic than I generally prefer, but with a bigger budget and more experienced cast he was able to make a creepy, atmospheric, character-driven riff on TEXAS CHAIN SAW MASSACRE type material. (And then his great heroine Alexandra Daddario got to star in the officially licensed but not as good TEXAS CHAINSAW 3D. “Do your thing, cous’!”) (read the rest of this shit…)

The Fog

Wednesday, October 28th, 2015

tn_fogFive minutes before midnight and the 100th anniversary of the founding of his coastal California town of Antonio Bay, John Houseman tells a ghost story to a group of kids gathered around a campfire. He claims the town was founded on gold stolen from a deliberately sunken pirate ship (like in the cool samurai movie GOYOKIN, or the Tom Laughlin western THE MASTER GUNFIGHTER), and the original owners will be coming back tonight for what’s theirs. This would be corny as a wraparound story, but it’s perfect as a prologue and a warning. We enjoy the art of oral storytelling and a brief pause before the movie marches into an atmospheric title sequence set to a great synth score that could only mean this is a John Carpenter film.

This is more of an ensemble than many Carpenter movies. I’d say the lead is Stevie Wayne (Adrienne Barbeau), local DJ who broadcasts out of a lighthouse she owns. She ties the other characters together because they hear her voice and music wherever they go. She plays mostly old timey jazz, which makes for a good soundtrack and also can sound eerie when echoing tinnily in an empty room.

Then you have Nick Castle (Tom Atkins), a local driving home late at night who picks up a young hitchhiker named Elizabeth (Jamie Lee Curtis). Think about this. Curtis as Laurie Strode, with her presumed virginity, was patient zero for the claim in SCREAM and other places that only a virgin can survive a horror movie. In this one her character gets picked up by an older stranger and is in bed with him within the hour. This is never implied to be a bad thing and they both survive and are heroic. Isn’t that what they call “sex positive”? And does a “sex positive” cancel out a “sex = death”? (I’m not good at math.) (read the rest of this shit…)

Argo

Monday, January 7th, 2013

tn_argoARGO is based on an amazing true story, recently declassified and told in this great Wired article. During the Iran hostage crisis, it turns out, the CIA managed to rescue a group of stranded American workers using an unusual cover story: they were part of a Canadian film crew scouting exotic locations for a STAR WARS inspired sci-fi fantasy epic. John Chambers, the genius makeup artist behind the PLANET OF APES series (and played by John Goodman here), had done “some contract work” for the CIA according to the article (let’s hope he gets a whole series of MISSION: IMPOSSIBLE style thrillers) and helped to set up real Hollywood producers and offices for the fake movie. The now-worshipped-by-nerds comic book artist Jack Kirby (seen only in a cameo here, played by DEATH WISH V’s Michael Parks) provided the artwork that they used as pre-production set and costume designs.
(read the rest of this shit…)