This is not an official review, but I wanted to give some attention to a low budget independent slasher movie called MURDER LOVES KILLERS TOO which just hit DVD and was written and directed by one of my readers, Drew Barnhardt.
Every once in a while somebody sends me their no-budget movie and I’m afraid to watch it because I know they put their blood sweat and tears into it and I don’t want to have to tell them “yeah, sure, I watched it… yeah, good effort, I liked the, uh, some of the lighting was very professional” or whatever. So I had this thing sitting around for months and forgot about it and then for some reason I decided to put it in.
To my surprise MURDER LOVES KILLERS TOO is a very solid (if somewhat home made) slasher movie that’s just to my taste because it follows traditional slasher formulas and gets the mechanics right (tense chases and cat and mouse moments) but has a very weird and darkly humorous but not postmodern twist. There’s some funny shit, some cool DePalmian camerawork and I am told this is the first ever slasher movie with a reference to BARRY LYNDON. There’s not a huge amount of gore and it’s obviously the work of people with no money, but I had a fun time and hope I get to see Drew make a movie with a bit of a budget, because he seems to have the right idea. He told me he had that idea many people have after watching crappy DTV horror movies that he could do something better, but unlike most of us he then went out and did it.
My apologies to other readers whose works I meant to plug and didn’t, but I really want this one to succeed because he told me the idea he has for his next movie and it’s right exactly down the center of my alley.
SYNOPSIS: Upon the reopening of Camp Crystal Lake – a summer camp with a past so troubled it’s better known as Camp Blood – the new camp counselors (Kevin Bacon, et al) are murdered in increasingly gruesome ways. The killer turns out to be Pamela Voorhees (Betsy Palmer), a sweater-wearing fruitcake still upset because her son Jason drowned there years ago and then she had to murder people and then they closed the camp but now it re-opened so she got confused and thought the new counselors were the old counselors so she killed them. So one of the counselors chops her head off. But then a new set of counselors come and it turns out that Jason is actually alive and grown up and he lives in a weird shack in the woods with a shrine to his mother and he’s pissed off because her head got chopped off so he kills people for revenge. So an aspiring child psychologist puts on the dead mother’s sweater and pretends to be her to trick him and then she stabs him, etc. Then all the sudden it’s in 3-D and Jason gets back up and kills some more people. Some more people show up and some bikers and Jason puts on a hockey mask and then they hang him. But then little Corey Feldman is there and some other people and there’s deaths so Corey gives himself a terrible hair cut and tries to freak out Jason and stabs him in the head with a machete and then Jason trips and impales his own head and dies. Then it skips ahead 15 years, Corey Feldman (played by some other dude) is grown up and living in a halfway house with some other maniacs and he’s haunted by Jason, who is alive again. But then it turns out it’s just some asshole pretending to be Jason, so they kill him. But just to be sure, Corey Feldman (now played by yet another guy) digs up Jason’s corpse and he’s gonna burn it but it’s struck by lightning so it comes back to life and kills some more people so they chain that fucker up and throw him back into the lake where he belongs. But then a psychic accidentally uses her powers to bring him back to life and then fight him and then throw him back into the lake where an electrical accident brings him back to life again and he gets on a teen cruise ship where he bores everybody for 90 minutes before going to New York, fighting some silly punk rockers and turning into a little boy. But then he’s an adult in the woods again and gets killed by a SWAT team so a guy eats his heart and then he goes from body to body killing people and a bounty hunter you’ve never heard of before suddenly knows all this magical shit for killing Jason so he turns back into Jason and then some big goofy rubber hands pull him into Hell where he fights Freddy. Then it skips forward hundreds of years (Kubrick style) and Jason is unfrozen in space where he kills people and turns into a cyborg, etc. The end. OR IS IT? 
I believe there are different levels of slasher movies. There are the masterpiece ones like HALLOWEEN and TEXAS CHAIN SAW MASSACRE – ingenious, masterful works of art that happen to be about weirdos on murder sprees. Below that there are the perennial favorites, not necessarily on the same level but that I like to dig out every few years: FRIDAY THE 13TH sequels, 
Producers of violent horror movies like to claim their movies are “controversial.” Here’s a more mainstream-acceptable horror movie that actually is controversial among movie fans. It was hugely popular at the time, but it seems to me like most horror fans today look down on it or sent it. Like it or not, SCREAM was an important landmark in the ongoing history of the horror. It singlehandedly resuscitated the rotting corpse of the slasher movie (at least in its whodunit form inspired by FRIDAY THE 13TH, SLEEPAWAY CAMP, PROM NIGHT, TERROR TRAIN, etc.) It made horror big business again, paving the way for an onslaught of low (and medium) budget horror that otherwise wouldn’t have happened. But alot of horror fans see themselves as outsiders, so it bugs them when a horror movie is popular with people who aren’t as into stabbing and monsters as they are. And in my opinion there is a certain amount of sexism there, because they get mad about teenage girls liking the same movies as them. (Don’t tell them that HALLOWEEN is about teenage girls, they might cry.) 
SLEEPAWAY CAMP parts 1-3
Liv Tyler and Scott Speedman (Felicity) play a young couple who have come to town for a wedding and are staying at an isolated house Scott’s family owns. It’s a house with a long driveway and a lot of trees around, a place where people can get lost, he mentions. They’ve had a bad night and might be calling it quits with each other and then all the sudden, around 4 am, some girl knocks on the door asking for somebody they never heard of.
So here we are. The VERY LAST time we will ever see Freddy Krueger. Dead forever. Never, ever again will he appear in a movie of any kind, because this at last is the end of him. It says it right there in the title, twice. He is dead, and this is the final one. And what a journey it’s been. But thank God we have this precious last 89 minutes to spend with him.
Okay, let’s say it’s the year 2008, you are a horror fan, and the one thing that would really hit the spot for you in the near future would be a low budget FRIDAY THE 13TH (part 1) rip-off with a unique brand of in-your-face FUCK YOU AND YOUR MOTHER New York attitude. But not SLEEPAWAY CAMP, you already saw that one. Well then November 4th is your lucky day, dickwad, because that’s when original SLEEPAWAY CAMP director Robert Hiltzik returns to Sleepaway Camp with his sophomore directorial effort, RETURN TO SLEEPAWAY CAMP.
Part 5 is one of the less popular Freddy pictures, maybe because it made an admirable attempt to get beyond high school. It continues the story of Dream Master Alice and her boyfriend Dan (still played by the same actors, Lisa Wilcox and Danny Hassel) and their new circle of friends who replaced the dead ones. They are just graduating from high school, Alice and Dan are planning a trip to Paris over the summer, and early on Alice finds out that she’s pregnant. So they’re still teens but they’re dealing with some growing up type shit here.
