"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Ken Foree’

Leatherface: Texas Chainsaw Massacre III

Tuesday, October 3rd, 2006

As you’ve probaly figured out by now, I love THE TEXAS CHAIN SAW MASSACRE. Hell, I’d go so far as to call it the DIE HARD of horror. The Mohammed Ali of horror. The Bruce Lee of horror. I also love part 2, not as fond of part three, hated part 4, fucking DESPISED the remake.

This week they got the prequel to the remake coming out. I’m sure I’ll probaly hate it, but who knows. In some ways it doesn’t sound as bad as the remake, and since it’s not a remake you can hold it to the lower standards of a sequel. And lucky for it, there have been two not so hot sequels already to lower the bar. So I came up with a plan. First, I devised a method by which I will see the prequel without Michael Bay getting any of my money. Then I rented parts 3 and 4 so I can have them fresh on my mind while watching the prequel. That way I will have the maximum possible open-mindedness when I see the new one and might be able to appreciate it. The only problem is I watched Part 3 here and it’s not as bad as I remembered. (read the rest of this shit…)

The Devil’s Rejects

Tuesday, July 26th, 2005

If you ever saw THE HOUSE OF 1,000 CORPSES, there’s one thing you probaly remember. It’s this montage set to “I Remember You” by Slim Whitman. It’s got lots of slow motion and you can’t hear anything but the music as the cops discover a couple of the house’s thousand corpses unexpectedly, then get gunned down by the Firefly family. The montage ends with Otis (Bill Texas Chain Saw Massacre 2 Moseley) holding a gun to a cop’s head and it sits there with 20 full seconds of complete silence and stillness before he executes him.

That movie was pretty good, I liked it overall for it’s spunk and what not, but it was real sloppy and uneven. And that “I Remember You” scene was the one part where the director, a guy named Rob Zombie (yeah I know, I think it’s Hungarian or something), seemed like a real filmatist. Well good news, Mr. Zombie’s new one THE DEVIL’S REJECTS is not as much a sequel to HOUSE OF 1,000 CORPSES as it’s a sequel to that scene. It’s about the brother of the first cop killed in the montage hunting down the Fireflies for revenge. And all the sudden the Zombie guy knows what the fuck he’s doing: real good framing, way better acting, expert use of slow motion and effective montagings edited to old country music, blues and classic rock. Very dirty and raw, lots of ’70s techniques like Peckinpah slo-mo and fancy wipes. Kind of what Jim Van Bebber was going for with THE MANSON FAMILY. Maybe not quite as authentic but way better thought out and more involving. It’s almost changed genres – now it’s less straight up horror and more of one of those sicko ’70s serial killer/crime/road pictures, or a revenge picture like LAST HOUSE ON THE LEFT. It’s just as sick and inexcusable but more fun. (read the rest of this shit…)