One Seagalogist’s perspective on the “vulgar auteurism” debate
Recently, on my FURIOUS 6 review, commenter Jeroen pointed me to an interesting essay in The Village Voice called “Fast & Furious & Elegant: Justin Lin and the Vulgar Auteurs” by Calum Marsh. A buddy of mine who is way deeper in the online criticism circles than I am had mentioned the “vulgar auteurism” term to me once before, but then I kinda forgot about it and didn’t really realize it was a thing. Now I keep seeing debate about it. I bet this is either the first you’ve heard of it or you’re sick of god damn hearing about it. But I feel like it needs to be mentioned here.
According to Marsh, “‘Vulgar auteurism’ is an increasingly popular concept in contemporary criticism, particularly among young critics. Though it’s emerged online and in print over the past several years and has yet to be granted an official definition, the term generally refers to unfairly maligned or under-discussed filmmakers working exclusively in a popular mode—filmmakers like Lin, who, despite an obvious formal command and distinctive directorial voice, are rarely discussed in a serious way.” He goes on to name Tony Scott, Michael Mann, John McTiernan, Paul W.S. Anderson, Neveldine/Taylor and Michael Bay as other alleged vulgar auteurs. (read the rest of this shit…)
