"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Don Calfa’

The Star Chamber

Monday, July 31st, 2023

August 5, 1983

THE STAR CHAMBER is the most grown up thriller I’ve come across in this 1983 retrospective so far. You can tell because it stars Michael Douglas. As a judge. It’s a crime/vigilante movie with a message about the flaws of the justice system and the temptation to take short cuts toward justice. Kinda like MAGNUM FORCE without the badass shit, but still good. Peter Hyams (between OUTLAND and 2010: THE YEAR WE MAKE CONTACT) directs the shit out of it, and is credited as co-writer with Roderick Taylor (a recording artist turned rookie screenwriter who explored related themes many years later in THE BRAVE ONE).

It takes place in L.A., with a great L.A. atmosphere. It opens around 6 am one sunny morning when two undercover cops decide to follow a suspicious pedestrian, who notices them and takes off running. They see him ditch something in his garbage can as he runs into his house, and are aware they can’t search it without a warrant, but decide to wait until a garbage man dumps it in his truck, and then search the truck. (read the rest of this shit…)

Stay Tuned

Wednesday, September 21st, 2022

STAY TUNED is a big high concept comedy very suited for an August 14th Weird Summer release. It even has a tagline playing off it being a weird time (“Something weird’s on the air.”) It comes from Morgan Creek Productions, who I respect for bringing us such off kilter mainstream releases as DEAD RINGERS, NIGHTBREED, THE EXORCIST III, TRUE ROMANCE and SOLDIER.

It has some loose connections to other movies we’ve reviewed in this series already. The child narrator character is played by David Tom, the main kid from STEPFATHER 3. The villain is played by Jeffrey Jones, the lead of MOM AND DAD SAVE THE WORLD. The director is Peter Hyams, who 17 years later will be cinematographer for the fourth sequel to summer of ’92’s UNIVERSAL SOLDIER. The makeup effects are by Tom Woodruff, Jr. and Alec Gillis, who did top shelf work in ALIEN 3 and DEATH BECOMES HER. (Woodruff played the titular alien, even – he should’ve played the TV here.) And the producers tried to get Tim Burton to direct it, but he chose BATMAN RETURNS instead*.

To me it doesn’t seem anything like a Tim Burton movie, or like “THE EVIL DEAD meets Monty Python” as screenwriters Tom S. Parker & Jim Jennewein (sharing story credit with Richard Siegel) supposedly pitched it. What it reminds me of really is a HONEY I SHRUNK THE KIDS type movie. I know we already got a sequel to that this summer, but this is kinda like HONEY WE’RE STUCK IN THE TV, with delusions of being ROBOCOP. (read the rest of this shit…)

The Return of the Living Dead

Thursday, October 29th, 2015

tn_rotldThere are a bunch of movies that I consider among my very favorites, that I refer to all the time, and then when I try to make a link to them in another review I realize what in God’s name, how have I not officially reviewed the greatest zombie movie ever made by somebody who is not named George Romero? And what does this say about me as a person?

Not being made by Romero was actually kind of the whole point of this one. NIGHT OF THE LIVING DEAD co-writer (and infamous 30th Anniversary Edition maker) John Russo disagreed with Romero about how to do a sequel. Romero thought it should be one of the best movies of all time and Russo wanted to go a different direction. So Romero made DAWN OF THE DEAD and Russo wrote a book called THE RETURN OF THE LIVING DEAD which apparently starts with a bus crash in a small town where the locals aren’t able to impale the brains of the dead like they usually do. (The book is very rare and pricey so I haven’t read it for myself).

The film rights ended up with Tobe Hooper with DARK STAR star/Jodorowsky’s DUNE would-be effects guy/ALIEN writer Dan O’Bannon working on the script. When Hooper left to do LIFEFORCE instead O’Bannon took over as director and rewrote the whole thing to be more humorous and have nothing to do with the book. (Russo got a story credit along with Rudy Ricci, another Romero buddy who wrote THERE’S ALWAYS VANILLA and was one of the bikers in DAWN OF THE DEAD. In the end Russo wrote the novelization of the movie that came out of the book that he wrote in order to make into a movie.) (read the rest of this shit…)