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Posts Tagged ‘Peter Fonda’

Don’t Look Back (1996)

Thursday, July 23rd, 2026

July 13, 1996

DON’T LOOK BACK is a straight-to-HBO movie, but I thought it might be worth watching because it’s directed by Geoff Murphy (THE QUIET EARTH) between his two great sequels, UNDER SIEGE 2: DARK TERRITORY and FORTRESS 2, and it’s written by Tom Epperson & Billy Bob Thornton & William Petrowitch. The latter doesn’t have any other credits, but the first two of course wrote ONE FALSE MOVE (and later THE GIFT, CAMOUFLAGE and JAYNE MANSFIELD’S CAR). Thornton (DEAD MAN) is also in the movie as one of the villains, and this was his last movie before making SLING BLADE and becoming famous and shit.

Jesse Parish (Eric Stoltz, THE FLY II) is an L.A. deadbeat and heroin enthusiast who carries around a guitar case and occasionally strums. One night while broke and in withdrawal he witnesses a drug deal going sour in a parked car. Skipper (Dwight Yoakam, RED ROCK WEST) shoots at a guy and then chases after him, leaving a flung-open briefcase spewing money unattended. Jesse sneaks over, scoops it up, runs off. I like how Skipper yells “Hey! What the fuck are you doing?” like he caught somebody keying his car or something. Jesse escapes using Donkey Kong tactics (rolling garbage cans down a hill at him), but Skipper hears somebody yell his name. (read the rest of this shit…)

Carol For Another Christmas

Friday, December 23rd, 2016

Late one snowy Christmas Eve, influential rich guy Daniel Grudge (Sterling Hayden) is visited at his mansion by his nephew, history professor Fred (Ben Gazzara, ROAD HOUSE), who confronts him about having blocked a cultural exchange program at the university. Their philosophical argument turns into yelling. After Grudge chews his nephew out and tells him to leave, Fred smiles and dryly says, “Merry Christmas, by the way.”

This somewhat legendary 1964 TV update of Charles Dickens’ A Christmas Carol was directed by Joseph L. Mankiewicz, his followup to CLEOPATRA and only small screen venture. But the obvious voice here is writer Rod Serling, five years after starting The Twilight Zone, sticking with his favorite trick of using genre as a vehicle for heart-on-sleeve pleas about contemporary social issues.

We learn that Grudge’s son Marley was killed in combat on Christmas Eve. This is the source of Grudge’s dislike of Christmas, but also his isolationism. He sees liberals as people who get American military men killed:

“Every few decades we seem to pay for your indiscriminate affections with the lives of our sons.”

But Fred sees it as trying not to get anybody killed: “Those indiscriminate affections as you put it are simply the acknowledgment that all men have sons. That grief for the unnecessary dead is not exclusive to this country, this town or to the House of Grudge.” (read the rest of this shit…)

Boondock Saints II: All Saints Day

Wednesday, March 10th, 2010
tn_boondocksaints2
Even as a still photo this is in slow motion.

I have to admit I don’t really get the Boondock Saints. Haven’t seen it since it first hit video, but I remember it just being kind of a shitty Guy Ritchie/post-Tarantino wannabe tough guy movie. It just seemed delusionally confident about how cool it was. It probly had some good bits here or possibly there, but it mostly seemed to me like some guys saying unconvincing macho lines and then some techno music comes on and the camera rotates around. It’s like an applause sign lights up that just says “AWESOME!” on it and you’re supposed to take its word for it. (read the rest of this shit…)