Do you guys know about these “Usual Suspects”? They’re this group of criminals who get rounded up one day for a line up for some crime none of them had anything to do with, and it pisses them off so much that they decide to pool their resources for a job that will get them some diamonds and humiliate the police by exposing their corruption. As a bonus it will also allow them to terrorize an uptight Paul Bartel and blow up his car. But when they go to fence the jewels they realize they’ve been pulled into this whole other thing with an infamous boogie man super-criminal who now says they owe him and have to do a job for him or their loved ones will be assaulted and killed. Or at least that’s what this lawyer Kobayashi (Pete Postlethwaite, INCEPTION) tells them. Or at least that’s the story that Verbal Kint (Kevin Spacey, MOON, The Equalizer) tells Customs Agent Kujan (Chazz Palminteri, BERRY GORDY’S THE LAST DRAGON) when he wants to know what led up to the burning ship full of dead bodies discovered last night.
Yeah, actually this movie is pretty complicated, and that’s just the basics there. There’s also the whole thing about a Hungarian burn victim survivor of the boat fire and the FBI agent (Giancarlo Esposito, DO THE RIGHT THING, The Equalizer) bringing in a translator and sketch artist before surgery to try to get him to tell what he knows about the mysterious Keyser Soze and trying to get the information to Agent Kujan in time and etc. (read the rest of this shit…)
Peter “Star Lord” Quill (Chris Pratt, ZERO DARK THIRTY) is a wannabe legendary space outlaw, a good fighter with a cool breather mask and ship who takes gigs from unsavory characters retrieving rare objects and stuff. A Transporter, if you will. When he finds something called “the orb” for a scary space guy with the scary space name of Rhonan the Accuser, he learns that it endangers everybody in the galaxy, and he decides he’s against that. So he teams up with an alien lady trying to snatch it from him (Zoe Saldana, but green this time instead of AVATAR blue), two bounty hunters trying to capture him (Bradley Cooper [MIDNIGHT MEAT TRAIN] and Vin Diesel, both voicing cartoons), and a psycho they met in prison (Dave Bautista, RIDDICK) to try to get it somewhere safe, wherever the fuck that would be. I don’t think they discuss throwing it into a volcano like a lord of the rings would do. (read the rest of this shit…)
SAVAGES is the new crime film from Oliver Stone, about two young idealistic pot entrepreneurs taking on a ruthless Mexican cartel (which is one of the most common types of cartels). The tale is narrated to us by O (GREEN LANTERN’s girlfriend Blake Lively) who is the shared lover of botany genius/philanthropist Ben (Aaron KICKASS Johnson) and Iraq vet/muscle-of-the-operation Chon (Taylor JOHN CARTER Kitsch). The two grew up together as surf bums in Laguna Beach and then one day decided to bring home marijuana seeds from Afghanistan and create a new strain. And the shit blew up like Apple. (read the rest of this shit…)
Not to be confused with THE HUNTED (starring Christopher Lambert) or BENJI THE HUNTED (starring Benji)
Early in William Friedkin’s THE HUNTED we are introduced to its hero, L.T. Bonham (Steven Seagal), an expert in tracking, knife fighting and wilderness survival who used to train special ops soldiers in these skills. As he learned that the guys he was training were being sent to assassinate people for purely political purposes he grew disillusioned and quit. So now he’s in the BC wilderness where we see him track an injured wolf through the snowy woods, get the trap off of his paw, chew up a root and rub it on the wound as a homeopathic healing agent. Then he tracks the responsible poacher down at a tavern, bangs his head against a table and tells him never to do it again.
Oh wait, did I say Steven Seagal? Actually L.T. Bonham is played by Tommy Lee Jones. I was surprised how much of this movie reminded me of Seagal, though. The story is about a special ops badass (Seagal– er, I mean Benicio Del Toro) who comes back from Kosovo totally wacked out and kills some guys, and Tommy Lee Jones (UNDER SIEGE) is the guy who trained him so he has to help catch him. So I thought it was gonna be like FIRST BLOOD meets THE FUGITIVE. Not Steven Seagal meets Steven Seagal. (read the rest of this shit…)
There’s alot of comic strip books turned into movies but usually they Hollywood em up alot. They change the story and the super hero clothes and turn brits into americans and alot of the fans are fundamentalists so they get pretty upset. Batman doesn’t have nipples because bats don’t have nipples, Super-man isn’t supposed to wear that shade of blue it is actually a different shade of blue, that kind of thing.
So what Robert Rodriguez did for this comic strip SIN CITY, he actually brought in the writer/cartoonist from the comic, made him co-director, and apparently pretty much used the comic as storyboards and script. He used his cool digital movie cameras and convinced a great cast to come in and fuck around in front of green screens and used computers for almost all the backgrounds. According to my team of expert nerds, there are scenes and lines from the funny pages that they cut out here and there and they mixed things together a little bit at the beginning in order to combine three stories into one. But for the most part the shots are based on the drawings and everything written on the page is said out loud in the movie. An obsessive level of faithfulness never thought possible even by Harry Knowles himself. Maybe the most faithful movie adaptation of anything ever, including plays, novels and trading cards. (read the rest of this shit…)
You know what, I got me a new theory. Look out people. If this theory pans out its gonna be in the textbook for Badass Cinematical studies for now on. It is about the difference between ’70s Badass filmmakers and ’90s Badass filmmakers.
The difference is, the ’90s boys went to college. Or read alot of books. Studied alot of movies. The ’70s boys traveled the world, drank alot of whiskie, got in fights and drag races. The ’70s boys had a natural knack for the poetry of Badass Cinematics, while the ’90s boys had a great knowledge of technique and equipment and approaches to witty dialogue. Now obviously there are many exceptions to this rule, but it is a good sweeping generalization to ponder. The ’70s masters like Peckinpah and Leone and Siegel and Mr. Eastwood had an effortless feel to their films, like it was just something that came out of their pores. The ’90s ones, even the really good ones, usually seem like they put a whole fucking lot of thought into it. Drew alot of schematics and diagrams. And figured out how to do it just right. (read the rest of this shit…)
This is a movie where Ichabod from Sleepy Hollow teams up with a fat Mexican dude named Benicio Del Toro, and these two drive to Las Vegas on 700 different types of drugs to cover a motorcycle race for a magazine. I believe Bill Murray played this same Ichabod character back in the ’80s based on the real guy, Hunter S. Thompson who wrote the book.
Now as you know I’m sober as the Pope during Lent, but I can still appreciate a good drug movie at least as long as it’s this good. The filmatist behind this one, Terry Gilliam, creates a nightmare Las Vegas world where hallucinations of dripping floors and cocktail drinking lizards and nippled buffaloes becomes reality. And the real trip is in the last act of the picture when suddenly Ichabod wakes up in the most trashed hotel room of all time – it looks like a junkyard on top of a lagoon – and tries to remember what happened. All the sudden he has an alligator tail and he’s dictating to a tape recorder duct taped to his mouth. I mean I think we can all relate to that type of morning in my opinion. (read the rest of this shit…)
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Recent commentary and jibber-jabber
The Winchester on The Hitcher (2007): “Back in the day when I was a teenager… I mean a film critic for a website I got to…” Oct 26, 10:41
Phil on Battle For Terra: “The toys there for Terra was a giveaway: http://eclipsemagazine.com/contest-battle-for-terra-5-figure-giveaway/ Just 5 sets so pretty rare.” Oct 26, 10:00
Hank on Other: “MadS is waaaaaaay better than this” Oct 26, 09:09
VERN on Jackie Brown: “I awarded it “Best Picture – Comedy, Musical or Badass” in the 1999 Outlaw Awards, but I don’t believe I…” Oct 25, 00:10
Inspector Hammer Boudreaux on Other: “In one of those odd coincidences where two movies in the same year have a similar concept, GOOD BOY is…” Oct 24, 10:10
Bill Reed on Bring Her Back: “SPOILERS SPOILERS SPOILERS FOR REAL, SPOILERS Agreed with you on the ending, Skani. After all the pre-meditated, manipulative, and horrible…” Oct 24, 06:26
Skani on Bring Her Back: “SOME SPOILERS Everything I read told me that this movie was all wrong for me, but I watched it anyway,…” Oct 23, 20:04
M. Casey on Jackie Brown: “Yeah, this is a great one, I’ve been meaning to see it again and need to get around to it.…” Oct 23, 19:07
Mr. Majestyk on Other: “I thought the face thing was going to be a twist where everybody else has a disgusting monster face, indicating…” Oct 23, 15:40
BuzzFeedAldrin on Bring Her Back: “I did enjoy this, though not as much as Talk to the Hand mainly because I don’t enjoy characters in…” Oct 22, 08:40
Dreadguacamole on Bring Her Back: “There’s been other horror movies I enjoyed more this year, but put me against the wall and I’d say this…” Oct 22, 06:32
Skani on Black Phone 2: “Agreeing with the consensus on this one. I liked it. I though Bichir was the standout. I really like this…” Oct 21, 20:45
Ben C. on One Battle After Another: “I wish I was in the “movie of the year” camp on this one – there was a lot about…” Oct 21, 15:05
MaggieMayPie on Bring Her Back: “Bill – “What is in the water down under? (Oh, right, it’s spiders.)” startled a literal lol out of me.” Oct 21, 14:51